@oldyungmayn

“𝘈𝘴 𝘵𝘩𝘦 𝘯𝘪𝘨𝘩𝘵𝘭𝘺 𝘸𝘪𝘯𝘥 𝘸𝘢𝘴 𝘣𝘦𝘯𝘵, 𝘪𝘵 𝘣𝘭𝘦𝘸 𝘱𝘢𝘴𝘵 𝘵𝘩𝘦 𝘵𝘪𝘱𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘵𝘢𝘭𝘭 𝘨𝘳𝘢𝘴𝘴. 𝘍𝘢𝘪𝘯𝘵𝘭𝘺 𝘵𝘩𝘦 𝘭𝘪𝘨𝘩𝘵 𝘥𝘢𝘯𝘤𝘦𝘥, 𝘢𝘭𝘮𝘰𝘴𝘵 𝘱𝘳𝘦𝘤𝘦𝘥𝘦𝘯𝘵 𝘰𝘧 𝘰𝘶𝘳 𝘥𝘦𝘴𝘵𝘪𝘯𝘢𝘵𝘪𝘰𝘯. 𝘛𝘩𝘦 𝘤𝘰𝘯𝘧𝘪𝘥𝘦𝘯𝘤𝘦 𝘸𝘪𝘵𝘩 𝘸𝘩𝘪𝘤𝘩 𝘸𝘦 𝘵𝘳𝘰𝘥 𝘰𝘯𝘸𝘢𝘳𝘥𝘴 𝘸𝘢𝘴 𝘢𝘭𝘭 𝘵𝘰 𝘣𝘭𝘢𝘮𝘦 𝘰𝘯 𝘢 𝘧𝘢𝘮𝘪𝘭𝘪𝘢𝘳𝘪𝘵𝘺 𝘵𝘩𝘢𝘵 𝘮𝘢𝘥𝘦 𝘰𝘶𝘳 𝘦𝘢𝘳𝘴 𝘳𝘪𝘯𝘨. 𝘛𝘩𝘦𝘯 𝘧𝘪𝘯𝘢𝘭𝘭𝘺, 𝘸𝘦 𝘩𝘢𝘥 𝘢𝘳𝘳𝘪𝘷𝘦𝘥.”

With great joy we announce VALLEY001, a compilation of Valley family members that displays the versatility, power and most of all talent their community possesses. On the 2nd anniversary of the Valley Radio mix series we are able to celebrate a great coming together of people, motivated by passion and love. 
In this project Valley shows once again that they move rather like an organism than a static platform. Constructing an ever-evolving state influenced by the creative energy of its digital and social surroundings, Valley’s next shape will always be surprising yet familiarly touching. 
Treat yourself to a great variety of sounds with the debut compilation album and start your adventure of discovering the Valley.
credits
releases May 7, 2021 

Cover art + visuals by Oliva Rawlings 
Mastering by Boudewijn Scholten

oldyungmayn - Bassboor

First of the two splits released together with the launch of the DESTITUTE label on May 28th.

01. ANCESTRAL VISION — 925 Wage Slaves
02. DMKHV — Tender Engineering

@ancestralvision
@dmkhv

gfx: @bibimbobo

925 Wages Slaves / Tender Engineering

Bandcamp

ANCESTRAL VISION — 925 Wage Slaves

Name: Unguarded 2 - Entangled
Artist: Various Artists
Format: Digital, Compilation Album
Release Date: 08.10.2021
Cat.Nr: UGD-003
Cover Art: Jan Durina
Get it via: unguarded.eu/piercingtouch.html

***All proceeds earned from the compilation will be donated to Sea-Watch e.V., a non-profit organization that conducts civil search and rescue operations in the Central Med.
The civil eye in the mediterranean

(sea-watch.org)

Miss Jay - DTGDTGDTG

Featured on VA Compilation Steel Genesis ver​.​3C3C1D11940 [M​.​A027] out on Magdalena's Apathy https://soundcloud.com/regrets_regrets

Artwork direction and curation by DJ Loser https://soundcloud.com/loser111

Mastering by Astytekk https://soundcloud.com/astytekk

Ice_Eyes - DARK UNIT

a collection of tracks made between 2021 and 2024 that i never knew what to do with
i also cant open the project files for most of these ffs
so this is what's left ::)
<3

Barkurkz (2024)

Digital Hundebiss is back, even though it's not Bandcamp Friday—because not even Bandcamp wants us rich. To be completely fair, it's not even Friday. 

This month, we have a special delivery from our friend Assyouti. 

https://assyouti.bandcamp.com/album/tough-choices-mister-blister

"Tough Choices" is a 167 BPM drumfunk-influenced percussive exercise, layered with Assyouti's signature distorted vocal samples and a roaring bassline. This high-impact combination of texture and rhythm is sure to feed hungry sound systems. 

Meanwhile, "Mister Blister" rolls in at a brisk 100 BPM, delivering a double-time momentum that drives the track forward with relentless force, exuding a sense of urgency and energy.

Assyouti - Mister Blister (DH009)

@patarlab @vinerrrrr

Music Video: https://www.youtube.com/watch?v=S4ehGk52g3E
-----------------------------------------------------------
Death is certain, life is not. And both are available at our supermarket. 

With everything that’s happening in the world, one must wonder if there’s breaking free from it all or should they just stop trying to make sense of it. It’s a choice and it isn’t — depending on the circumstances one finds themselves in. What seemed senseless beginning to take form and what had always been solid shatters into pieces: home, family, plans, love, identity, freedom, sex, philosophy, technology, making-it, bank account, self, traumas, patterns, overcoming them, residence, conscience, morals, vodka, values, vulnerability — they have equal chances to serve as safe place or jail, wake or deliverance, life or death — go figure.

In its first release, Patar flips the table — and the cards, and the chips with it. No stake is too high to even mention it. One track and 7 versions of it, as an attempt to transgress from confusion to clarity — or maybe the other way around. Here’s an artistic experiment for you: do not brief, do not declare, do not obey, and do not fight — or do. And see what comes out of it. 

Qurgōn is a pit grave. There are dead horses in it, dead people, dead weapons, and vessels. It stinks and it’s scary. It’s a place where nothing will ever be born, or will it? It requires nothing, silently craving admiration. It only ever serves a collective memory of all the heroes and the blood-thirsty freaks alike. They are one, after all. It only is to be unbothered, looked at in awe and disgust; to be a break out on the smooth surface of the steppe’s ass.  

One artist made a call, seven responded — to dig to the bottom of that pit or touch upon its stony texture.

In order of appearance:

Viner [France, Marseille]
Şüräle [Kazakhstan, Almaty] 
Wulffluw XCIV [Moldova, Chișinău]
yutani [Armenia, Yerevan]
Sha Gen [Tajikistan, Dushanbe]
Aunt Zazà [Spain, Barcelona]
Hayk Karoyi [Armenia, Yerevan]
A.Fruit  [Spain, Barcelona]

Here’s another experiment for you: renounce all styles and genres and go with it. Who cares, anyway? Gloomy and epic, repetitive and bass-y — oh, always bass-y. Percussion-thick, yelling, obnoxious, rich. The sound of dying, finding peace, losing it again, and returning back to the hassle. The all-penetrating sound of a baby’s cry and the last exhale of a fighter knocked out for good. Ferocious sirens needling through the layers and layers of dead horses and weapons, clanking, squelching — resonating. With the horrors and hope. With memories and fantasies. With clinging to what seems to be it — and letting go. 

Nothing is certain anymore, yet everything is clear. 

p.s. The locations are mentioned to help gig providers locate the artists and, maybe, give an idea of their background and current state of mind, but not really and not necessarily.

* Qurgōn [Uzbek], commonly unknown as Kurgan [Turkic] or Курган [Russian]  a circular burial mound constructed over a mass burial site of warriors; originally in use in the Russian Steppes, Caucasus, and Central Asia, but later spreading into eastern, central, and northern Europe in the third millennium b.c.

text by Nastassja Popova
mixing & mastering by A.Fruit
cover by Timur Zima

Qurgōn (WULFFLUW XCIV Remix)

https://sadgaytechno.bandcamp.com/album/is-it-better-or-just-louder

is it better or just louder

owler

Ritnalap

Thomasville Speedway

────(♥)(♥)(♥)────(♥)(♥)(♥) __ ɪƒ ƴσυ'ʀє αʟσηє,
──(♥)██████(♥)(♥)██████(♥) ɪ'ʟʟ ɓє ƴσυʀ ѕɧα∂σѡ.
─(♥)████████(♥)████████(♥) ɪƒ ƴσυ ѡαηт тσ cʀƴ,
─(♥)██████████████████(♥) ɪ'ʟʟ ɓє ƴσυʀ ѕɧσυʟ∂єʀ.
──(♥)████████████████(♥) ɪƒ ƴσυ ѡαηт α ɧυɢ,
────(♥)████████████(♥) __ ɪ'ʟʟ ɓє ƴσυʀ ρɪʟʟσѡ.
──────(♥)████████(♥) ɪƒ ƴσυ ηєє∂ тσ ɓє ɧαρρƴ,
────────(♥)████(♥) __ ɪ'ʟʟ ɓє ƴσυʀ ѕɱɪʟє.
─────────(♥)██(♥) ɓυт αηƴтɪɱє ƴσυ ηєє∂ α ƒʀɪєη∂,
───────────(♥) __ ɪ'ʟʟ ʝυѕт ɓє ɱє.

IVY

TCV