(Elysia Short Animation OST) - [True] - Honkai Impact 3rd

Lindsey Stirling "Shatter Me" Available Now! 
Get it on iTunes: http://smarturl.it/ShatterMe
or exclusive deluxe version at Target: http://smarturl.it/ShatterMeTAR
or on Amazon: http://smarturl.it/ShatterMeAMZ

Buy 

Shatter Me Feat. Lzzy Hale

Joking Aside. - Undertale Consequences

im ascending

Vocalist: NIDA
Credits: HOYO-MIX

Proi Proi / Dawnbreak (Honkai: Star Rail) - Aquila Boss Theme - HOYO-MIX - NIDA

Canto VIII ~ Boss 1 (Jia Qiu) // Limbus Company

From Break in and steal things (NOT FORSAKEN)

[Credit: Mekio] on YouTube 

obviously this is not mine




•Weatherver Chase Theme - BREAK IN AND STEAL THING - OBSERVER THEME ( Weatherver Skin ) •

Very swaggers musics yo! go play the dang gaem NOW!!! (please)

Break in and steal thingz - X Tacky Chase theme Unofficial upload

Just wanted to add it on Soundcloud due to the old one lacked the extra 15 second mark

Concepted and Composed by HXPER!

Try out BIAST!
https://www.roblox.com/games/99630341423433/BREAK-IN-AND-STEAL-THINGZ-11-1-D

Side note: where did ya'll came from???

ALL BETS ARE OFF! - Ashle's LMS [BIAST OST]

Composed by L^7

I am not the creator of any of the music in this OST and do not intend to take credit or claim ownership

Try out Biast!
https://www.roblox.com/games/99630341423433/SECOND-CHANCE-BREAK-IN-AND-STEAL-THINGZ-11-1-D#!/game-instances

Downpour (Weatherer lms) | BIAST OST

Honkai Star Rail: Agony Converging into River [Irontomb Boss Theme · Phase 2 & 3] | EPIC VERSION

The rhythms of hip-hop provide a placemat for nervously melodic splendor and a melting pot of genres.  What are we to call this compellingly oddball mélange of rock, rap, jazz, reggae, and other influences, all in sway to some of the most mirthfully self-conscious streams of consciousness you’ve ever heard? We could call it attention-deficit-disorder rock. Or maybe we should just call it Forrest Day, the Bay-area bandleader who’s releasing his self-titled full-length debut on the Ninth Street Opus label. 

Cohorts include guitarist Terrell Liedstrand, a bandmate of Day’s since they were both 15, and bassist John Sankey, another high school buddy. Keyboard player Nick Wyner also came on board when the band was founded in 2006, and Jasper Skydecker joined up as their first full-time drummer a year later. When they went into the studio together for the first time, it was with several years of live performances under their belts and a chemistry that Day wanted to capture—and ever-so-slightly digitally tamper with.

“We hit analog tape with everything, but then dumped it into ProTools to manipulate it there,” says Day, who produced the album himself. “So a lot of it is like a big marriage between actual performance and then, in editing, turning some of the songs into loops—though it doesn’t really sound like it, because it’s so analog-sounding.” Day also points out that “there’s not a sample on the record. We brought in real violin players, who were in the room with real saxophones.”

Day’s amusingly confessional songwriting dabbles in social commentary about corporate greed (“Hoarders”) and our overmedicated society (“Meds”), among other concerns. But he returns again and again to everyday struggles common to itinerant musicians and non-musicians alike: bad bosses, lost jobs, debt collectors, and the girlfriend as muse or unwitting patron of the arts. There’s an elaborate work ethic apparent in these meticulously crafted tunes that would seem to put the lie to lyrics that talk about being dreamy, uncertain, and aimless. What we have on this striking debut, then, is a collection of incredibly focused anthems for an unfocused generation. 



Joking Aside. - Undertale Consequences

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