ta man, this has a really cool mix of spacey electronica, some 'analogue/organic' sounds if that makes sense, and a really evocative wide open and powerful sound. wonderful!

Simply Gorgeous piece ..ethereal quality 🤗👏

This beautiful guitar arpeggio gives to this one a different atmosphere  - - - - - - -  but despite that we can clearly recognize your peculiar universe  - - - - - - - :  - - - - - - )

Man it’s good to be catching up some finally and hearing your latest tracks. This one is very intriguing .  Cool ethereal vibes that float you along nicely.

Magnifique song et une parfaite réalisation musicale. Excellent travail. Grand bravo.

Babbby you snapped on this one 🔥🔥🔥🔥🔥🔥!!!!

Related tracks: Out there, somewhere . . I'm Still With You - ŞöļäçėŠțřëęț (+ltp)

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
---------------------------------------------
Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
--------------------------------------------------------
First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
-------------------------------------
A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS:Of The Shimmering Seraphs

The Professor

A Flash of Lightning, Behind a Mountain

Ocean Gypsy

Such a great buzz to reconnect with my good friend, ŞöļäçėŠțřëęț, and receive this newly inspired lyrical / vocal flow, to a piece of improv guitar I posted a while back. Dedicated to a very special person.

Check out his consistently amazing music here: https://soundcloud.com/solacestreet

Lyrics, vocals, atmospheric flow ~ ŞöļäçėŠțřëęț
Guitar ~ learningtoplay

Out there, somewhere . . I'm Still With You - ŞöļäçėŠțřëęț (+ltp)

Despair On Pluto

@belialpelegrim production and artwork
COtu Production and Mix

Lobster

Lobster  --- COtu + Belial Pelegrim

Classical French comedy music. Thierry Clua Juin 2024

Pignon

Then She Reaches For The Gun was a one off project, bringing together more than 50 artists from across the globe, releasing an album in late 2022 nomatesensemble.bandcamp.com/album/the-…ely-future But it was so much fun we are back for more. In defiance of the usual 10 piece band approach of this project this track is just Johnny Python providing the historically accurate   text and voice with myself making  unneeded backing noise : )

Then She Reaches For The Gun - Their Stage Set Up At That Time Was Amazing

Vocals / Lyrics: Barbara from @dietobis
Music, Guitars (LP, JM, Midtown), Bass (P), Drums (AD2), Keys, Mix & Mastering (DAW): @bonetender
Picture: AI CoPilot

https://open.spotify.com/track/3D9Zmakg91SB5SzokqUwBG

===== Lyrics =====

Está na hora de fugir
Está na hora de fazer a mala
Está na hora de partir
Está na hora de ir embora

Está na hora de saltar
de virar e nunca mais voltar
Está na hora de viver
de rir, dançar e beber

Chegou a hora!

Há anos que estamos juntos mas sozinhos nesta casa
Não se dá mais beijinho
O amor está sem brasa                                                               

Está na hora de correr
Está na hora de pintar o céu de cor-de-rosa
Está na hora de acordar
Está na hora de olhar, de olhos abertos

Está na hora de cheirar as flores
de sentir o sol na pele
Está na hora de beijar, de abraçar

Chegou a hora!

Há anos no mesmo comboio, na direção errada
O choque tão perto
Não se queria magoar, mas nós não aprendemos nada

Há anos no mar das chatices sem saber nadar
Lutando com ondas altas onde nos vamos afogar                    
Procurámos a saída, sem saber o caminho
Perdidos no dia a dia, a vida ficou tão fria!

Está na hora de fugir
para os Jardins de Éden, sem ti!
Está na hora de deixar a chuva
para trás, para trás, para trás, para trás

Está na hora de fugir, de fazer a mala
Está na hora de partir
Deixar os gritos para trás, para trás,
para trás, para trás, para trás, para trás

Chegou a hora, agora!

©Barbara & Bonetender 2024 All Rights Reserved

Hora Certa

Hora Certa (with Barbara)

16 By 9

A Portuguese Cyrano, how would he be?

I have an older version (not published here in SoundCloud) with a faster tempo. Here I tried to slow it down to see if it still works.


Nascido para vencer,
senhor do meu nariz.
Mas tu podes crer:
Nunca serei nada neste país
à beira-mar plantado.
Já não escapo do meu fado.
Só me resta ser feliz.

E as melodias, e os sonhos desta arte
seguem-nos,
seguem-nos por toda a parte.
E ao partirmos com as lembranças,
com o talento, com a esperança e o sentimento
de uma nova madrugada,
é um novo dia, cheio de versos, de poesia,
e a suave companhia de umas tágides anafadas.
E as doces brisas, e os furacões da sorte
levam-nos
levam-nos para além da morte.

Porque a vida eterna é esta:
Que te conheçam a ti só
por único Deus verdadeiro
e a teu filho, a quem enviaste.

E, ao repousar na terra,
os corpos unem-se às raízes
e as vidas áridas e estéreis
crescem lindas e felizes.

Nascido para vencer, senhor deste país.
Mas tu podes crer: Nunca serei dono do meu nariz
na face mal plantado.
Já não escapo do meu fado.
Só me resta ser feliz.

Nascido Para Vencer (2024)

Lyrics;
Aliens or Angels
Art Bell on the air one night
Said something streaked across the sky
So I searched the stars before morning light
In hope a spaceship would fly by

Watching what's been televised
Hey, are they watching me?
From some dimension as yet unknown
Beyond our technology

Are there Angels down from Heaven
That look out for our soul
Or aliens from outerspace
Who wait to take control

There's a limit to my vision
I'm only flesh and bone
I search for something out there
For some great unknown

Are they here now only waiting
for some fateful day
To show themselves in their true form
In some congenial way

Could eyes out in the universe
See this speck of dust
Orbiting a yellow star
Is someone watching us?

Are there Angels down from Heaven
That look out for our soul
Or aliens from outerspace
Who wait to take control

There's a limit to our vision
We're only flesh and bone
Are there Aliens or Angels
Or are we all alone

George Noory on the air tonight
Speaks of fire in the sky
I search the stars before  morning light
And pray that spaceships will fly by

Aliens Or Angels

I'm very happy to be releasing a new track with my friend Jerome Hearn from Germany. We've had a few things in the works for a long time but it has been a while since we've posted something. 

Check out his great solo music here:
@user-275778339
@jerome-hearn-994307260
https://www.instagram.com/tru.un.art/

And here is a playlist including the earlier tracks we've produced together:
https://soundcloud.com/tea_are_sea/sets/jerome-hearn-tea-r-sea

Kette - w/ Jerome Hearn

Lady of Fire Poetry original poem by yours truly, Tanisha Jackland aka Lady of Fire Poetry

"You are comprised of 84 minerals, 23 Elements, and 8 gallons of water spread across 38 trillion cells.
You have been built up from nothing but the spare parts of the Earth you have consumed according to a set of instructions hidden in a double helix, and small enough to be carried by a sperm.
You are recycled butterflies, plants, rocks, streams, firewood, wolf fur, and shark teeth, broken down to their smallest parts and rebuilt into our planet’s most complex living thing.
You are not living on Earth. You are Earth."

~ Words by Aubrey Marcus

vocals, 808, kaoscillator- Tanisha

All That Is

Kloud Forest - Quartz (Dylerium Drip Rethink)

Enterrec proudly opens the portal once again. after a long time of quietness, the incredible mind behind CeZZers returns with his debut album, "The Wild Card." This long-awaited journey is here.
True to its name, "The Wild Card" is an unpredictable ride through the many shades of Psytrance. a sonic playground where no two tracks follow the same path.

CeZZers' hybrid style has always been a melting pot within Psytrance, blending together different influences into one unique journey.
Each piece unfolds like a living organism, constantly evolving, surprising at every turn, and inviting the listener to surrender to the unknown.

With an obsessive dedication to detail and a deep passion for sound design, CeZZers crafts a world where emotional highs meet earth-shaking beats, bright moments clash with darker shades, and nothing ever stays still for too long.

The entire piece ensures that you will never encounter a dull moment.
A wild card by nature, and by choice.
this album is a tribute to the beauty of unpredictability.

BUY ALBUM

CeZZers - Shalva

JAKEN - Accident Site

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

New album Audio/Visual is now available exclusively on SC and BandCamp, featuring my favorite tracks from 2024-25. Soon to be released more widely to Spotify and other platforms.

My genre influences include electronic, downtempo, lofi, experimental, rock, blues, indie, prog, post rock, ambient, synthwave, trip hop, and hip hop. 

My recent tunes are produced using Ableton Live, FabFilter suite plugins, and often feature synths like Pigments, Microfreak, and Minilogue XD. I'm also beginning to incorporate guitar a lot more!
 
Some of my major artist influences include Aphex Twin, Boards of Canada, DJ Shadow, Radiohead, LCD Soundsystem, the Flaming Lips, Tame Impala, M83, Godspeed you Black Emperor!, Mogwai, Animal Collective, Nicolas Jaar, Dirty Projectors, Massive Attack, Björk, Dan the Automator, Del, the Gorillaz, Reggie Watts, Ween, Neon Indian, Tycho, Ott, Shpongle, Danger Mouse, Built to Spill, Yo La Tengo, Velvet Underground, My Bloody Valentine, Pink Floyd, Modest Mouse, the Books, and too many others to list here.

Kette - w/ Jerome Hearn

Tea R. Sea

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