Name: Perceptual Window - A Texas Tea Production by Tea R. Sea in Weekly Wave
Duration: 2 min 54 s
Description: @TexMex-Shaman and I are back in action once again with another heavier industrial track. This one is particularly uptempo, probably our fastest song yet. Stephen's guitarwork is next level on here! And he's got an especially cool part toward the end featuring the ebow.

Yes yes yes your wonderful sounds and TexMex guitars are working in sync. Top stuff guys 👍

Cool guitar riff !  -- - - - - -  the tempo level is indeed unusual in your work but it matches your musical style in an interesting way  - - -- - ; ; - - - -- - )

really like the dramatic build up.... bubbly melodrama..

@user-936947521: Thanks a bunch Frans, appreciate you!

...the relentless drive in this track. Yes, guitars fantastic and original.

Driving track with nicely layered parts. Impressive depth of field in the production.

Weekly Wave

This is a track created by RiZLiX called "Anything Goes" with my guitar playing added to it. Thanks to IPG1, FRAWSTAKWA and RiZLiX for welcoming this recording.

RiZLiX featured the legendary vocalists IPG1 and FRAWSTAKWA in its work.
The original sound source for this track is below.

IPG1 X FRAWSTAKWA X RiZLiX - Anything Goes
https://soundcloud.com/rizlix/ipg1-x-frawstakwa-x-rizlix-anything-goes?si=49dd5edb56dc4d3b8365d78903231471&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Anything Goes Vocals 106 BPM
https://soundcloud.com/ipg1/anything-goes-vocals-106-bpm?si=305926b2ac484229a750cdd8d3d7cd52&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Frawstakwa – Stbb-110bpm-frawstakwapella
https://soundcloud.com/frawstakwa/stbb-110bpm-frawstakwapella?si=10cfff4bf183400abfc314c04624d7f4&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

I recommend that anyone learning to play the guitar listen to this piece over and over again, playing the Gm/B♭pentatonic scale in various ways, and trying to find a phrase that you like.

The volume adjustment during mixdown is optimized for the environment when using the earphones that come with the iPhone. If you feel that the volume of the guitar playing in this work is low, please use earphones and check the volume balance of this recording. It seems that earphones other than those that came with the iPhone do not have any problems. When using an Android device and when connecting an audio interface to a PC, I connected inexpensive earphones and confirmed that the guitar volume can be heard at a roughly appropriate balance.

There is another way. I have embedded a SoundCloud player on my blog to introduce my works, but I noticed that this work sounds harder (mid-high tones are clearer) than when played directly in the browser. If the guitar volume seems low or the sound quality sounds cloudy, please open the following and play this recording with the SoundCloud player embedded there.
https://junzo.seesaa.net/article/509999749.html?1738554041

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IPG1
https://soundcloud.com/ipg1/tracks
FRAWSTAKWA 
https://soundcloud.com/frawstakwa/tracks
RiZLiX
https://soundcloud.com/rizlix/tracks

IPG1 X FRAWSTAKWA X RiZLiX - Anything Goes - ft.JUNZO on electric guitar

"Micro Jam" (demo v1) 

A short one minute jam or sketch I played this weekend using my 37-key Korg microKEY AIR as a MIDI controller. The VST sounds come from Arturia Mini V4 (Minimoog bass sound), Audiolounge Key Affair 3, Spectrasonics Keyscape, UVI FMX2 XL, Gospel Musicians' Neo-Soul Keys Studio 2 and UVI Emulation III. Drums and the fantastic drum beat come from UVI Beatbox Anthology 2 (The 7o7 kit).

Recorded and mixed in Cubase Pro with significant help from iZotope Neutron. Mastered with Ozone 11.

Here are links to a short video where I played the bass line: 
- https://www.youtube.com/shorts/2nyKmNNCI_o
- https://www.instagram.com/reel/DH1mauaSv8M

Micro Jam (demo)

Love & Peace & Joy

Ohanami (お花見) is a Japanese term that translates to "flower viewing" or "looking at the flowers". It's a traditional festival that celebrates the beauty of cherry blossoms. 

https://soundcloud.com/ten-de-vils 
All Vocals and Lyrics by Tom, aka Ten de Vils

springtime osaka - ten de vils

BringIng Back this Song made 10 years ago. Hope You Feel it ... You can Download it for Free :)
Lyrics Singing/ Music Mix Demo/Video Clip Mix  by Special Cecilia
Video on Youtube : https://youtu.be/msOF7Y6pEBk?si=2Gq2-KMYOsjiot5C

WE CAN BE GREATER ...

A tale of two souls searching for the unknown “other" until they at last cross the same bridge (whether literal or figurative) and meet in one magical lifetime moment of divine providence. The glory of finding that special someone. Nat and I co-wrote this one.

Nat Daniels: vocals, piano, guitar loops, bass, percussion
Craig Durgy: vocals
All music written and performed by Daniels & Durgy
Produced by Nat Daniels of Gentle Rain Records ©2025

Lyrics: I Found My Angel by Daniels & Durgy

Daydreams sift throughout my thought
Memories drift so seldom caught
I wonder where, my love you are
 
Wandering through each day alone
You remain my love unknown
And I still wonder where you are

But as I search the growing dark, I see a light shine from afar
Shining surely in the night, glowing purely, growing bright

Like a magnet to a key
This light was ever drawing me
And with your halo you appeared
Gone was the darkness I had feared

That is when I fell in love with an angel
Oh, that’s when I fell in love with you

I am walking through a haze
Blindly searching in a maze
I wonder where, my love, you are

Losing hope there’ll ever be
Someone, somewhere just for me
But I still wonder where you are

A millions stars up in the sky, so very far, so very high
Then like a comet through the dark, there’s a glimmer, there’s a spark

As I stand here, as I breathe
Heaven led you here for me
At last, the bridge that leads me to
The other side, to be with you

That is when I fell in love with an angel
Oh, that’s when I fell in love with you

I Found My Angel

This track might test the patience of listeners, as it is yet another iteration of the same idea. However, each version brings a new arrangement and consistently reaches a higher level of quality. The journey of refining this piece has taken me through many phases—some versions were more dynamic and hypnotic, others felt raw and unpolished. Yet, with each iteration, I moved closer to the quality I truly wish to share with you.

It is my deep respect for you, my listeners, that drives me to create a version that feels fresh, distinct, and genuinely good—one that reaches a more professional level. Ultimately, however, the true judgment belongs to the audience.

In an era where music can be generated with a single click, the effort I pour into this uneven battle feels even more valuable. Each step in this process teaches me something new, and my curiosity never fades. With each new recording, I embrace increasingly advanced and demanding sound mixing techniques, allowing me to refine my artistry and push the boundaries of quality. Because of that, I can release new recordings with confidence—whether they are fresh creations or improved versions of earlier ideas.

Best Regards 😘

______________________________________________________________________
Vocal by LOLLIEVOX >  https://soundcloud.com/laurie-webb
Photo by STEVE SOARINGOAK
Music by ɅƉﺍꝚﺍɅNƠ

LOLLIEVOX AND ɅƉﺍꝚﺍɅNƠ - TRANCE HEAVEN | NEXT GEN 2025

Dilemma

2025/6/2

Website

前夜 (zenya)


Texte Français et Google traduction

JOINDRE LES DEUX BOUTS

Fins de mois difficiles,
Les factures à régler.
Et les enfants fragiles
Qu’il faudra bien soigner.
Et ce loyer qui tombe
Trop lourd à chaque fois
Que faire dans un monde
Si on n'a pas un toit.

Puis il faut bien manger
Pas en faire des extras
Un plat ou une entrée
Sans sauter de repas.
C'est si facile à dire
Quand on y regarde bien
C'est sûr, il y a un pire
Beaucoup de nous ont faim.

A joindre les deux bouts
Quand on n'arrive pas,
Un sou est bien un sou,
Surtout quand on l’a pas.

On cherche et on ratisse
Dans ses tiroirs du fond
Ce jour qui rase gratis
Quand on n'a pas un rond.
On gratte toutes ses poches
Jusqu'à les déchirer
Tendre sa main c'est moche
Pour au mieux vivre.

En se privé de tout
Ce qu'on dit superflu
Il ne reste plus beaucoup
De moments détendus.
On se traîne, on vivote
Sans regarder au loin
L'intérieur se révolte
Espérant mieux demain.

A joindre les deux bouts...

Mais pourquoi travailler
On ne comprend pas bien
Que faire pour exister
Si ce n'est pour les siens.

A joindre les deux bouts
Quand on n'arrive pas,
Un sou est bien un sou,
Surtout quand on l’a pas.


MAKING ENDS MEET

Tough ends of the month,
Bills to pay.
And fragile children
Who will need to be cared for.
And that rent that comes in
Too heavy every time
What can you do in a world
If you don't have a roof over your head.

And you have to eat well
Not overdo it
A main course or a starter
Without skipping a meal.
It's so easy to say
When you look closely
It's sure, there's a worse situation
Many of us are hungry.

Making ends meet
When you can't make ends meet,
A penny is a penny,
Especially when you don't have it.

We search and we rake
In our back drawers
That day that shaves for free
When we don't have a penny.
We pick all our pockets
Until they tear
Reaching out is a shame
To live better.

By depriving ourselves of everything
What we say is superfluous
There aren't many
Relaxed moments left.
We drag ourselves along, we eke out a living
Without looking far ahead
Our inner self rebels
Hoping for better tomorrow.

To make ends meet...

But why work?
We don't really understand
What to do to exist
If not for our loved ones.

To make ends meet
When we can't make ends meet,
A penny is a penny,
Especially when we don't have it.

JOINDRE LES DEUX BOUTS

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Sigma acoustic guitar, Collings mandolin, Roland piano, vocals, vocal harmonies, and arrangement
TexMex Shaman– @texmex-shaman –Stephen– Gibson Earle Scruggs banjo, arrangement, production, mix, and mastering        
This song is a Phish song written by Trey, Page, Fishman, and Tom Marshall, who wrote the lyrics. Originally, on their album Hoist, it's just Trey playing and acoustic guitar and singing. Stephen and I wanted to give it our own flavor though. After I asked him to play banjo on it and produce it for me, we started spitballing ideas about how we could add something more to it. Originally, we both played every instrument, guitar, banjo, mandolin, and piano, through the whole thing, except the first and last verses. Then we decided to trickle the instruments in for maximum effect. I also sang the harmonies throughout. Finally, Stephen came up with the idea to wrap the last verse in a mono effect, giving it a detached feel. He mixed it brilliantly, too.
  This song has always had a special place deep in my heart. Sometimes you hear a song and recognize such truth in it, it feels like it was written about you. This is such a song for me. Plus, it was written by my favorite band, Phish, so it has even more meaning for me. We hope you enjoy listening to it as much as we enjoyed making it.

Dog Faced Boy by Phish (with Texmex Shaman)

@TexMex-Shaman and I are back in action once again with another heavier industrial track. This one is particularly uptempo, probably our fastest song yet. Stephen's guitarwork is next level on here! And he's got an especially cool part toward the end featuring the ebow.

Perceptual Window - A Texas Tea Production

Swamp Interactions

The Flying Train

After 18yrs of releasing a new song, Hostal Handshake are BACK!
Maybe just a single, maybe just an EP or maybe...an album? But we are Back! :D
#ripOzzy

Youtube link: https://www.youtube.com/watch?v=lYcakJJnz1E
-----------------------------------------------------------------------------------------------
lyrics:
This is not a drill!

Give me something to break it in two
give me glory to rule the fools
take me in your house on a big flat screen
Ready to sink you on a dark black dream

Are you ready to become a slave of me?
Corrupted government ain't gonna set u free
All these righteous pre-election pigs
are now pointing the finger for you to pay the fee

Now it's the time, this is not a drill
ain't got no privilege , got nothing to feel
Your heart is gray from the news today
only your soul left in the end to pay


(p) & (c) 2025, Hostal Handshake.

This is not a drill! (new song 2025)

zonedout - WEBCORE TRACK 599 (prod. phntmzn bR)

would have been better | untitled project 001 sessions | ambient atmospheric psyche drone horror industrial jungle WIP | runx3 3.1 gp1 125 bpm 9325 take 1

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

New album Audio/Visual is now available exclusively on SC and BandCamp, featuring my favorite tracks from 2024-25. Soon to be released more widely to Spotify and other platforms.

My genre influences include electronic, downtempo, lofi, experimental, rock, blues, indie, prog, post rock, ambient, synthwave, trip hop, and hip hop. 

My recent tunes are produced using Ableton Live, FabFilter suite plugins, and often feature synths like Pigments, Microfreak, and Minilogue XD. I'm also beginning to incorporate guitar a lot more!
 
Some of my major artist influences include Aphex Twin, Boards of Canada, DJ Shadow, Radiohead, LCD Soundsystem, the Flaming Lips, Tame Impala, M83, Godspeed you Black Emperor!, Mogwai, Animal Collective, Nicolas Jaar, Dirty Projectors, Massive Attack, Björk, Dan the Automator, Del, the Gorillaz, Reggie Watts, Ween, Neon Indian, Tycho, Ott, Shpongle, Danger Mouse, Built to Spill, Yo La Tengo, Velvet Underground, My Bloody Valentine, Pink Floyd, Modest Mouse, the Books, and too many others to list here.

Perceptual Window - A Texas Tea Production

Tea R. Sea

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RiZLiX

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Tea R. Sea

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