This song, accented by the sound of a bean synth, is a wonderful crystal of ideas.

Great stutter (with bonus lightning bolts) on those drums. :)

Really digging the dark industrial melancholy dripping from this one.

I'm just noticing (and it's quite cool) how similar in wonky pattern some of our beat designs sound. I wonder if we have a similar design process (although I admit, mine is heavily influenced by not having a clue what I'm doing, structurally. I just keep layering until I hit on something interesting. haha). :)

Love this super beautiful, slightly distorted exploration of reality's vortex. Perfect title, too : )

Take a whiff of this one. With this track I put together a nice and weird scale that has a brighter and darker side to it. That steal-the-show bass line and digital waves on the Arturia MicroFreak. Melody on Izotope Iris. Chord progression on the Synthstrom Deluge. Compressed drums on Superior Drummer. Music video is on YouTube
https://youtu.be/uT6z0EeI53A

Marianas Stench

In October

Afronaut was inspired by the work of Mukuka Nkoloso who developed a space program for Zambia in the 1960s. The narrative is taken from an interview with Nkoloso.

Afronaut

Part 62 of 266
Chapters released every weekend. All TAFFETA tracks are created within seven days.

I use a complete hybrid of organic & electronic sounds within the scope of the Taffeta project. Nothing is out of the question and no limits are set on how things may evolve one way or another.

If you want to hear everything that has come before:
The TAFFETA Albums are available for free on Bandcamp.
Released in 15 part/chapter increments:

TAFFETA Volume 1:
belialpelegrim.bandcamp.com/album/taffeta-vol-1

TAFFETA Volume 2:
belialpelegrim.bandcamp.com/album/taffeta-vol-2

TAFFETA Volume 3:
belialpelegrim.bandcamp.com/album/taffeta-vol-3

The TAFFETA Playlist is always kept up to date:
soundcloud.com/belial-pelegrim/sets/taffeta-a-266-part-musical

TAFFETA | Part 62

Sheets Of Rain

This was amazingly produced by E.P. Beats, stop by and check the profile, the link is below.
E.P. Beats https://soundcloud.com/lala-land-361191160

Here's is the link to the raw vocals if you're interested in giving it a try:
https://soundcloud.com/ipg1/the-new-direction-now-100-bpm

New Direction Now (Prod. E.P. Beats)

For my dear friend Francesco
https://soundcloud.app.goo.gl/4iFqu

Cenerentola / Золушка

Here's my latest Downtempo Jazz Piano Improv, folks.
My idea of a laid-back Genre that some already call, 'JazZ Hop'!  :-D 

Yep...Slow n flow... so here we go!

May you inJOY! :-D

© Gary Courtland-Miles 2021
℗ Gary Courtland-Miles 2021

That Kinda JazZ

Uilleann Pipes.(sekkepipe),  Whistle and Accordion : Phil Dale https://soundcloud.com/philleann
Piano , Cover design by Debra:  Debra Buesking https://soundcloud.com/debra_buesking
Vocal: Oddrun Eikli
I warmly thank Phil and Debra for this collaboration.
Like most people, I have heard this song many times, read the poem.
 But now I understand the depth of this poem, so sore and fragile. 
Thank you from heart Debra and Phil,  two wonderful musicians. A JOY.

If you need one poem for regrets in your life, then it must be this poem. 

Down by the Salley Gardens was written by W B Yeats (1889), who is generally known as one of Ireland’s greatest poets.

    Down by the salley gardens my love and I did meet;
    She passed the salley gardens with little snow-white feet.
    She bid me take love easy, as the leaves grow on the tree;
    But I, being young and foolish, with her would not agree.

    In a field by the river my love and I did stand,
    And on my leaning shoulder she laid her snow-white hand.
    She bid me take life easy, as the grass grows on the weirs;
    But I was young and foolish, and now am full of tears.

 Yeats published the poem in his collection, The Wanderings of Oisin and Other Poems in 1889. 
In a note on the poem, he said that he was trying to reconstruct an old song he had heard being sung by a woman in the village of Ballisodare in Sligo.

Down by the Salley Gardens was written as a poem and remained that way until 1909 when Herbert Hughes set it to music using the old Irish melody, The Maids of Mourne Shore.

Salley Gardens. Debra Buesking. Philleann. Oddrun Eikli.

We are very happy to present song #8 in the prog rock mega collaborative concept album, Land of the ZED!

Check out the whole story (so far) here: soundcloud.com/tea_are_sea/sets/land-of-the-zed

Vocals/Lyrics, Guitar, Drums/Bass, and co-Mixed by Uziel @user-455619833

Vocals/Lyrics and Artwork by Stonerjazz @user-911083679

Additional Drums/Percussion and atmospheric background synths by Zed @zed4209819

Synths and Mix by me @tea_are_sea


Lyrics

Pt. 1

Johnny doesn't know what to do
johnny doesn't have a clue
the crows say "left!"
the rats say "right!"
and they began to kung fu fight
Johnny standing in his golden accordion light says:
"stop this now! no need to fight-
half go left and half go right!"
johnny doesn't know
What to do
Johnny doesn't have a clue

Johnny doesn't know
What to do?
He doesn't have a clue what do do

"Half go left and half go right!"

Here comes Roy! The despicable despot!
shaking in his boots...
he still pokes Johnny "play me some blues!"
"oh Johnny! let's end this now! Whatcha' gonna do Johnny?"
"HAHAHA"

"HALF GO LEFT AND HALF GO RIGHT!"
"Hey Johnny can you play me some blues?!"
"Now no, need to fight!"
"Hey Johnny, he he, oh johnny"
Johnny doesn't know, Johnny doesn't know...

Pt. 2

away and down and to the right, one thousand pilgrims Trudge into the massive cavern bright with River deep and cold and wide and FAIRIES everywhere in flight glowing with an amber light.

On the River bank a CRONE she squats and waits to collect the toll to cross the bridge that's built of blood and bones and ropes of soul.

She says "I'll have your finger or your toe or a small percentage of your soul. If you refuse i'll take it all. It's up to you, It's just like life, you can't go back, You MUST go through!!

Johnny Doesn't Know (Land of the ZED #8) - with Uziel, Zed, and Stonerjazz

Unendlichkeit

On this page you'll find music from me as well as the collaborative SoundCloud band, The Smoking Trout.

Genre influences include electronic, downtempo, lofi, experimental, rock, blues, indie, prog, post rock, ambient, synthwave, trip hop, and hip hop. I make tracks primarily with Cubasis and Korg Gadget (iOS); Ableton Live; Korg and Moog softsynths, Volca Drum, Minilogue XD, Arturia Microfreak, Arturia Pigments, and the FabFilter Pro suite of effects and production tools.

My sound has been inspired by Aphex Twin, Boards of Canada, DJ Shadow, Radiohead, LCD Soundsystem, the Flaming Lips, Tame Impala, M83, Godspeed you Black Emperor!, Mogwai, Pink Floyd, Animal Collective, Nicolas Jaar, Dirty Projectors, Massive Attack, Björk, Dan the Automator, Del, the Gorillaz, Reggie Watts, Ween, Neon Indian, Tycho, Ott, Shpongle, Danger Mouse, Built to Spill, Yo La Tengo, Velvet Underground, My Bloody Valentine, Modest Mouse, Tool, Zeppelin, Sabbath, Hendrix, the Books, and too many others to list here.

Hope you will check out some of my collaborators:

@user-911083679 - STONERJAZZ
@user-455619833 - Uziel
@texmex-shaman
@sonic-textures
@grevusanjl
@enigmacurry
@mralchemy
@blackmarketbrains
@dough-factory
@winkandwoo
@jerome-hearn-994307260
@dubman-9
@archmageband2
@tot-beat
@ipg1
@zed4209819
@lala-land-361191160 - E.P. Beats
@llanpsych
@ruizzoidman21centurions
@Ladyofire
@josh-clary-1 Entheogenic Psychonaught
@themysteriousdecibel 
@k2andthe3
@cerulean_ascent
@nic_nic_nic
@nadiaselvaggi
@chefboyextreme
@scilentsymphony
@azealotrous
@noxpox13 
@pablomoretti
@prof-oddfellow - Neons Gone a Mad
GMO / Green Mercurial Owl 

Thanks so much for stopping by and listening!

Sheets Of Rain

Tea R. Sea

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