Contact: Alyssa at TeamClermont dot com
Out June 17, 2014 on Mission Trips
Press materials: http://teamclermont.com/roster/18026/magicicada

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Magicicada is the long-running noise-drone-collage project of Chris White, an unhinged auteur based south of the Mason-Dixon, where experimental music belies any contextual cues, be it cultural, contextual, temporal, or geographic.
Magicicada’s aural approach is a unique & indiviualized display of absurdist technique and frazzled mania. Listen and give the intial hit a chance to permeate your system and see the bigger picture: everything is here for a reason.

The 1.5-decade-young project has seen White deploy experimental distribution methods (hiding editions in Tower Records CD bins, newspaper stands, and public restrooms or taped to the sides of buildings with a phone number that went directly to an answering machine, whose messages later appeared as source material for other recordings) and listener participation extremes (hiding clues and interactive maps around Atlanta for listeners to experience sound with their own devices.) These artful guerrilla techniques culminated in 2006 with the release of Magicicada’s psych-electro-ambient masterpiece, Everyone is Everyone, issued via Public Guilt.

Wrack is arguably White’s master work, primed by years of ceaseless curiosity and mischievous glee executed both in home studios (be it a bedroom, back porch or cramped laundry room) and in front of bewildered audiences (from Atlanta’s sprawling noise scene to eccentric spaces abroad). Through this dual persona Magicicada wove the compositions on Wrack. Live, White is an unbridled force of clear and present improvisation, writhing around an array of electronic ephemera and acoustic accoutrements. The chaos is cathartic; a disarming disarray of sound. At home and behind the curtain, White carefully plots the production, picking out each arranged piece with a surgical precision.

The resulting fifteen tracks of Wrack with Ruin are wholly White, with much of the non-obvious instrumentation having been derived from White’s private library of personally-recorded foley sounds and field recordings developed specifically for the LP. Haphazard rhythms and dense sonic fogs balance the exploratory harmonies and entrancing aural realms on the spectrum of music presented by Magicicada on this set. Wrack is a testament to White’s virtuosity, mania, and his relentless devotion to the possibilities of sound.

Magicicada - "Once I was a Little Light"

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