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Techno 247 - Best Techno 2020

Universal Consciousness EP

Ahimsa

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Charlotte de Witte - Ahimsa (Original Mix)

Automation (Original Mix)

"Closer goes first and is seven spooky minutes of spacious, acid-laced techno. Distant pads bring a cosmic feel and intimate spoken words make the whole thing feel personal yet unsettling as rubbery drums roll on below. Nothing pairs pulsating acid daubs with vocals drenched in reverb as slick drums drive things along. It’s a masterfully sparse yet engaging track that will cast its spell on all who hear it. Lastly, Motion is another absorbing track with deep drums and meandering pads sucking you into a cavernous sound world where alien motifs and acid gurgles work your mind as much as your feet.”

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Closer (Original Mix)

Regal - Fenix (Amelie Lens Remix) PREMIERE

Charlotte de Witte continues to establish herself as a driving force on the contemporary techno scene with The Healer, her second EP on seminal British imprint Novamute. 

The four tracker comes after the Belgian has fully broken through with a dark, dense and driving sound that is proudly unrelenting. Her meteoric rise has come off the back of a series of huge productions, plus standout sets at key festivals and clubs all around the world. 

Charlotte’s fresh and innovative sound is immediately laid bare on opener ‘The Healer’, with eight minutes of spine-tingling, hypnotic techno. The sleek drums and icy hi-hats soon cast their spell, as well-crafted synths unfold up top to bring real emotion. ‘Silence’ is another slice of tunnel vision techno with perfectly designed drums rolling on and synths peeling off the groove. It’s trance inducing and otherworldly, with eerie voices adding to the all-consuming atmosphere. 

Then comes ‘Kuda’, a track built on monstrous kicks that hit hard and drive forward with real force. Filtered vocals bring character, and sharp edged percussion grows ever louder to take the track, and the club, to the next level. Last of all, ‘Song Of The Wood Nymphs’ shows another side to the producer with three minutes of suspensory synths and expansive ambient sounds that are filled with drama and tension.

Charlotte de Witte - Kuda (Original Mix)

Move Your Body To The Beat EP

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Reinier Zonneveld, Miro - Shining (Reinier Zonneveld's Filth on Acid Remix) [Filth on Acid]

Still Raving

Regal - Still Raving

Ripped from Charlotte de Witte - BBC Radio 1 Residency 2019-04-01

https://youtu.be/hBYnm-bQa30?t=1817

https://www.beatport.com/release/selected-ep/2743470
https://soundcloud.com/charlottedewittemusic
https://www.beatport.com/artist/charlotte-de-witte/519996
https://twitter.com/CharlottedWitte
https://www.youtube.com/channel/UC-yOW3e6zBSo1JwLXq46Suw
https://open.spotify.com/artist/1lJhME1ZpzsEa5M0wW6Mso
http://www.kntxtmusic.com/
https://soundcloud.com/kntxtmusic

Charlotte de Witte - Selected

Rave Dan Rave Rave
Techno Dan Techno Techno

To celebrate Reinier's 11th DAN black belt in raving after a full week of EATING CONCRETE he opens a creative bottle from his birth year 1991, while politely nodding to the classic T99 - Anasthasia.

Rave Dan

PREMIERE: Reinier Zonneveld - Eating Concrete (Original Mix) [FILTH ON ACID]

But | Stream: https://snd.click/Hardcore

For FOA067 we've invited some producers who like it hard, in and out of the club. With great pleasure, we announce to you the bombs of T78 & Dino Maggiorana.
This is Filth on Acid NOW!

Delivered by <a href='http://www.label-worx.com'>Label Worx</a> on behalf of <a href='http://www.filthonacid.com'>Filth on Acid</a>

T78 & Dino Maggiorana - I Got What U Need

Drumcode starts 2020 with a sterling EP from genre hero Thomas Schumacher, his first on the label after a long association with Adam Beyer.

No ifs or buts, if you’re a techno fan, Thomas Schumacher holds a place in your heart. His 1997 classic ‘When I Rock’ still gets rinsed, he has a vast body of stellar work on his influential former label Spielzeug Schallplatten, including a release from Adam Beyer, and he continues to deliver pin-sharp productions via his Electric Ballroom imprint, including a scorching remix of ‘The House of House’, the 1994 classic from Cherry Moon Trax. The rework was first played by Beyer at Time Warp and has been a 2019 highlight.

He first contributed to Drumcode in 2018 with ‘The Unseen’, a stirring contribution to ‘A-Sides Vol.7’, setting up a maiden EP with ‘Crimson’. Beginning with the brilliant ‘Feist’, it’s a no-nonsense brain melter, as 303 arpeggios bloom and recede, creating a thrilling rhythmic intensity throughout. The title track ‘Crimson’ is crafted around two minutes of tension-building synths, before a beat finally appears and a rasping deep bassline commands the dancefloor. ‘Anker’ brings the rave with eagle-eye focus, unleashing a wall of fierce acid to round out the pack.
“Adam and I have both been producing and playing techno since the early ‘90s. I have deep respect for him as a person and artist. It’s an honour to have the opportunity to collaborate in this way.” – Thomas Schumacher

Crimson

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Thomas Schumacher — Feist — Drumcode — DC217

Elements

Elements (Original Mix)

Twelve months on from his outstanding debut album on Drumcode ‘Transmission’, Julian Jeweil returns with a stellar five-track EP.

Since his label debut in 2017 with EPs ‘Rolling’ and ‘Space’, Julian Jeweil has confirmed his place as one of Drumcode’s most vital artists. He’s been a mainstay of label events, playing the main stage of Drumcode Festival in both 2018 and 2019, Drumcode Halloween in ‘19 and multiple showcases at Watergate in Berlin. ‘Transmission’, his maiden LP, dropped in January 2019 and was an early year highlight, reinforcing his production nous.

Inspired by his experiences touring off the back of the album, ‘Schema’ EP offers up a quintuplet of cuts showcasing the rawer and ravier side of the Frenchman’s sound. The title track is an immersive roller, primed for a Sunday session at Berghain. ‘Outline’ ups the intensity with cascading synth effects and galloping beats. ‘Music’ is the delicious brain-scrambler thanks to its intoxicating brew of shuffling beats, vox and swirling acid. ‘Axis’ is a slam dunk of industrial bass and 303s that builds to a grin-inducing climax. ‘Landscape’ plunges the atmosphere into deeper territory, still propelled by a pummeling bass and acidic inflections.

Charlotte de Witte - Selected

TECHcouch

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