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Boiler Room São Paulo w/ Gui Boratto, Ney Faustini, Nomumbah & Dj Zegon

[Broadcasted on 04th December 2013]

Video at boilerroom.tv

Ney Faustini Boiler Room São Paulo DJ Set

http://www.deejay.de/m_All/Il_Nya_Pas_De_Crocodiles_T_Cocody_Ep__151308
http://www.decks.de/t/les_points-il_nya_pas_de_crocodiles_a_cocody_ep/c3k-zp
http://www.juno.co.uk/products/les-points-il-nya-pas-de-crocodiles/540157-01/

In his seminal essay 'The Work of Art in the Age of Automatic Reproducibility"("Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit", 1935/39), Walter Benjamin put forward the thesis that the work of art loses its aura due to the reproducibility. In the past, artists like Giorgio de Chirico or Andy Warhol have explored this thesis, be it with counterfeit versions of their own works or with multiple reproduction of a work (Andy Warhol's 'Thirty Are Better Than One"). Il N'ya Pas De Crocodiles À Codody takes up this discussion by questioning the very concept of an aura. Does a work of art have an aura at all and why should copies not have it To whom do we owe the aura term Is it the work of art, the artist or, indeed, the recipient, who by his perception creates a subjective aura Ultimately there are (no) crocodiles in Codody.

In seinem grundlegenden Aufsatz „Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit“ (1935/39) hat Walter Benjamin die These aufgestellt, dass das Kunstwerk aufgrund der Reproduzierbarkeit seine Aura verliere. In der Vergangenheit haben Künstler wie Giorgio de Chirico oder Andy Warhol diese These ausgelotet, sei dies mit Fälschungen ihrer eigenen Werke oder der mehrfachen Produktion eines Werkes (Andy Warhols „Thirty Are Better Than One“ ).
Il N’ya Pas De Crocodiles A Codody greift diese Diskussion auf, indem es den Aurabegriff grundsätzlich hinterfragt. Hat ein Kunstwerk überhaupt eine Aura und wieso sollten Kopien von dieser befreit sei? Wem ist der Aurabegriff zuzuschreiben? Ist es das Kunstwerk, der Künstler oder doch der Rezipient, welcher durch seine Betrachtung eine subjektive Aura erstellt. Schlussendlich hat es eben doch (keine) Krokodile in Codody.

Rel :
Vinyl: 16.7.2014
Digital: 18.8.2014

a2_Il N'ya Pas De Crocodiles À Cocody (Kalabrese Remix)

Thales Lima - Battery Is Over [Tech Grooves]

(VARA004) VARIOUS ARTISTS - Renè ep (Ltd hand numb. 250 copies 180GR. vinyl only 12")Vara records
 Mastering by
 Rashad Becker @Dubplates studios - Berlin

A1 TAKASHI HIMEOKA - René

Our captain from TechGrooves Record´s, Mr. Toniatti, has invite a few artists to remix his "Estus Flaskus" soundtrack. So, we have 01 original track and 10 propper remixs. From minimal to acid techno.

Estus Flaskus (Tessuto Remix)

Specialized in offering the most updated on what concerns underground dance music since 2006, TechGrooves does its job always looking for excellence translated into commitment and professionalism.
 
Acting as an event corporation, TechGrooves label party has already passed by big cities like São Paulo, Rio de Janeiro, Curitiba, Brasília, Porto Alegre, Belo Horizonte, always producing extremely high quality and fine parties.
 
TechGrooves is responsible for both the management of its resident DJs and also the production of international tours of the most expressive artists of the actual underground dance music scenario, such as: Tom Dema (Hypercolour-Uk); Huxley (Tsuba-Uk) ; Daniel Bortz (Suol-Ger) ; Bubba (Pets Recordings-Uk).
 
In order to motivate and feed the local underground culture, TechGrooves is proud to say that it works with great partners, situation which provides the label with a great networking for its promotional actions.
 
Nowadays TechGrooves has already produced 42 label parties in more than 15 cities, released 3 t-shirts collection (male and female), 4 stickers and 1 display. Such work style made TechGrooves one of the most active and recognized labels from the south of Brazil.

Estus Flaskus (Tessuto Remix)

Techgrooves.Records