Check out this first Techno release from Techneck on his own Techno label Techneck Records. A track you must have in your playlist.

Techneck - Troubles (Original Mix)

All Platforms

https://elpv.bandcamp.com
https://www.youtube.com/@elpv

John The Crook is a Dj and Producer music of Techno and House Music, residing in the Azores, Portugal.
There are songs released by a Spanish distributor in some of the online music stores.
Producer of original tracks like "My Brain Is Gonna Die", "Epidemic", "Anurb", "hypnotize", "You Know Me", "Gotta Be You", "I Like Good" and others...

Art is there to express what's inside when words are not enough. I seek purpose, beauty and intention in it as much as I find those in Nature. In exchange for your time, I give you a taste of who I am. May you feel elevated somehow. I'm a Learning DJ and a Learning Human Being, making Elegant Music.
Latest recording in my Playlist.

Techno Label ( No melodic )

Send all demos to the link below.

Owner @techneckdj

Live techno sets (Roland TR-8S solo performance).

Bookings via DM. 

https://open.spotify.com/track/0XFXjYgcQz95gBeDU5CImC
https://music.apple.com/us/album/1810337985?i=1810337986



Dj&soundproducer from Ukraine
He makes his own podcast Manytech. Previous episodes are on Mixclod (https://www.mixcloud.com/fedirdj).
Wellcome.

Voltage Beats is the sonic identity of Djé, a Belgian producer rooted in Hardcore and Techno, active since 2004. Born from the raw energy of 90s raves and shaped by two decades of musical exploration, Voltage Beats embodies the fusion of Hardcore’s rhythmic aggression and Techno’s mental depth.

Through his label Musique de Niche Production, he builds a global artistic project combining music, video, comics, and narrative world-building within the cyber-mystical shadow of Black Projects — a paranoid and esoteric fiction where AI, rhythm, and consciousness clash in an invisible war.

With powerful, cinematic productions, Voltage Beats delivers a hybrid sound between Neurofunk, industrial Techno, and futuristic Hardcore — a music of transformation, raw and ritualistic, designed for both the dancefloor and immersive multimedia experiences.

All vocals are original and part of a custom sound design process.
❗ No cloned or copyrighted voices were used.
© Voltage Beats — All rights reserved.
© Mycelium — All rights reserved.
© Xenom — Original voice generation.

Avec son label Musique de Niche Production, il développe un projet artistique global mêlant musique, vidéo, bande dessinée et univers narratif, sous l’ombre cyber-mystique de Black Projects — une fiction paranoïaque et ésotérique où l’IA, le rythme et la conscience s’affrontent dans une guerre invisible.

À travers des productions puissantes et cinématographiques, Voltage Beats propose un son hybride entre Neurofunk, Techno industrielle et Hardcore futuriste, une musique de transformation, brute et rituelle, pensée autant pour le dancefloor que pour des expériences multimédias profondes.

Industrial dance and cinematic fuel.

• Artist | Producer 
• Original tracks 
• Support the Arts!

• Dell • Ableton • Splice • Waves
• Rokit • Serum

• No generative AI tracks

I support with reposts frequently, If you are looking for some curated content, my playlists are my favorites!

IPX is a Chicago-born House music producer and DJ. Inspired by WBMX and B96 at a young age, his passion for House has driven his involvement in the Midwest scene for decades.

Bass-driven electronic project blending techno, progressive, and future acid. Known for immersive soundscapes and heavy low-end, Kik Science delivers transmissions built for the floor and the circuit.

Each release and set channels atmosphere ∴ intensity ∴ precision — shaping the underground frequency.

Label: Sub Sync Records (@subsyncrecords)
Affiliates: G-Mafia Records (São Paulo) ⌖ Mustache Crew (Brazil) ⌖ Galactic Bamboo
SSR HQ: @subsyncrecords
Axis: YYC ⇌ BER

◉ Our story continues…

The stars had dissolved into pale threads of light, bending endlessly around them. Driftspace was never silent; it hummed—low, unstable, alive. Neon pressed her hand against the bulkhead, feeling the vibration pass through her skin like a second pulse.

“We bought time,” Thorne said, hands moving across the helm. “But the Vantoth won’t stay scattered for long. They’ll recalibrate, triangulate our echo. Mystica’s reach doesn’t end at the corridor.”

Neon studied him. His voice was too calm, the same way it had been when he bluffed the cascade. She hated how convincing he sounded—even to her.

“What aren’t you telling me?” she asked.

Thorne hesitated. His eyes flicked to the navigation screen, where a single glyph burned faintly in the corner: ∴.

“That’s not a drift marker,” Neon whispered. “It’s a seal.”

Thorne nodded once. “Old code. Buried before the wars. Coranthium doesn’t just power ships, Neon—it opens gates. If Mystica wanted it, it’s because they’ve found the lattice.”

Her stomach dropped. The lattice. A myth, or so she thought—an interlocked network of corridors between sectors, some stable, some collapsing. Legends said the ancients locked it to prevent entire systems from folding into each other.

“And you… you have the key?” she pressed.

Thorne’s hands stilled. The hum of driftspace grew louder, or maybe it was just the pounding of her heart.

“Not the key,” he said finally. “A shard.”

Before she could respond, the console flickered. The ∴ seal pulsed once—twice—then spread across the screen like veins of light. Driftspace around them warped, folding inward.

“They found us,” Neon breathed.

“No,” Thorne said, jaw tightening. “Someone else did.”

The ship shuddered violently. Outside, driftspace cracked like glass, revealing a sphere of impossible color—a station, suspended where no station should exist, thrumming with signals older than their war, older than Mystica.

The shard in Thorne’s hand glowed to life, resonating with the fractured seal.

“Welcome to the lattice,” he muttered.