_electronica (part V)

That's Mean

Oxygen - vial 01

PL20210224

Unexplored Paths

Radio Activity

Stationary Travels - A Selection of Ambient

Claudio ( acoustic Guitar & Vocals) Mr Gene Clarksville ( piano and electric guitar)

The wild grass and the oaks

Hold On

SAtFivE - FeeL The GrooVe
Disco, Pop & Funk & Electronic
Daft Punk Style
Goods Vibes

https://www.youtube.com/watch?v=ynLUtORk7Cs

SAtFivE

FeeL The GrooVe

Jangling the keys to a hopeless kingdom

Jamming the Eastwood DLX 12 string through a Catalinbread Echorec

Surfthang

Mercurious

Mercurious Resoldered

Listen / Purchase: https://lnk.to/dcad

Film composer and multi-instrumentalist William Ryan Fritch's long-anticipated double album, ‘Deceptive Cadence: Music For Film Volume I & II’ out now on Lost Tribe Sound.

It’d be a laborious task to run through all of Fritch’s many accolades, since 2009 he has released over 20 albums and composed music for over 30 feature films and more than a hundred short films. Lost Tribe Sound has been by his side since the beginning, releasing a few of his finest stand alone scores, including the critically acclaimed, ‘The Waiting Room’, ‘Eagle Hunters in a New World’, and ‘The Old Believers.’ Of course, LTS could boast for days about what a musical genius we believe he is. Yet, having written so many of these press rants for Fritch in our time, we’ll try to curb ourselves at the risk of preaching to the choir or sounding disingenuous.

That isn’t to say, Fritch isn’t well deserving of mountains of praise. We are honestly amazed that his film music hasn’t attracted the attention of more major motion picture studios. To date, Fritch has penned imaginative and impressive scores for narrative and documentary productions that run the gamut of most every imaginable genre and aesthetic. From raw and emotional films that uncover startling humanitarian and ecological crises, such as 2016’s Oscar-nominated short film ‘4.1 Miles,’ and National Geographic’s sweeping ’Into The Canyon,’ to eccentric and nuanced biopics and documentaries on figures such as Ursula K LeGuinn, Bill Nye and Johnny Cash. Fritch has found unique and artful voices for these wide ranging stories.

Most of those familiar with Fritch, know only of his albums as a singer songwriter or genre-elusive multi-instrumentalist, which truly represent a small fraction of the depth and range of his work. ‘Deceptive Cadence…’ gathers the most remarkable and memorable pieces from Fritch’s vast catalog of film compositions. Rather than filling up two volumes with half assembled film cues and fragmented themes, Fritch has gone to great lengths with ‘Deceptive Cadence…’ to make sure both volumes tell a story, build theme, and create a satisfying full album experience as good as any movie they may have come from. While this music once graced a particular film, show, or commercial, it has all been reimagined, reworked and made whole in post-production to complete the epic narrative of ‘Deceptive Cadence…’

Cover Image by Joe Borreson (http://www.dustclouddesign.com)

Deceptive Cadence - Music For Film Vol. I & II

Gut Level

Buy Album/Series

William Ryan Fritch - Gut Level (from Deceptive Cadence: Music For Film Vol. I & II)

Are You Sure We're Going The Right Way?

Saturated Loneliness

Lucciola

Carried

Sparks

Cenes - Sparks

Rosary (Mrs Wilson)

Not A Pattern

Taken from the upcoming 2 x CD album 'The Book of Dusts' by Emmanuel Witzthum and E & I

Audio: Emmanuel Witzthum / Craig Tattersall
Poetry: Emmanuel Witzthum
Mastering: Ian Hawgood
Design: Daniel Crossley
Label: Fluid Audio

www.fluidaudio.bigcartel.com

The Book of Dusts

Emmanuel Witzthum - Book Of Shadows

Night drive in Moscow 
VIDEO https://youtu.be/CrC9nHtTiGw

MOSCOW TURBO NIGHTS

Timeless

A song about the discrepancy between the idealization of a distorted individualism, constantly conveyed by contemporary mass media, and the actual standardization, or globalization, of human behaviours and actions that can be found today in Western or Westernized societies…

In loving memory of Massimo De Gasperi (1967-1999), a great musician and friend. There's currently no trace of his work on the internet, unfortunately, but he'd published an album with a German label a few months before passing away, if I remember correctly. It sounded way ahead of his time, and it still does today. I own a copy of it, but I'm not entitled to share it. I hope someone will do, someday.
He once called me while he was working on his album. One of his numbers' title was "Dead Hendrix", and he asked me if I could supply him with any recorded announcement of Jimi's death. He was planning to extrapolate a few words from it and use the samples on his track. Sadly I couldn't satisfy his request. I used to own dozens of Hendrix LPs and tapes, always loved and played his music, but I'd never been a collector. At the time, things like that couldn't be found on the internet.
A shot of heroin laced with strychnine killed him at 32.
In November 2019, a common friend asked me to join Massimo's 20th death anniversary party: "Come over and play", he said... I had to laugh, because he hadn't considered the fact that I was nearly 1000 miles away from home, and couldn't really afford to travel exclusively to join that party. So I recorded this tune, "That's Mean", very quickly, and about a week later I sent him the file. I easily found that Hendrix death announcement on YouTube, sampled a couple of sentences and used them in this song. He was so happy with it, included it in the music set for the night and told me that Massimo was very likely smiling from heaven while listening to it. I really hope this tune will make you all smile too.

Teth Sin : vocals, guitar, bass guitar, bağlama, samplers

Original composition, arrangement, lyrics, mix, mastering & cover artwork design by Teth Sin

digital control

Beats n Rap : MC T-Rex  https://soundcloud.com/fredtrex
Feat - Marie Cavalia https://soundcloud.com/user-575739300

SURVIVANT MC T-Rex - Feat -Marie Cavalia

Each segment is *written and produced by its artist. In order to retain the objective and transparency of the process, no post production or track changes were made.   * written and produced by 
0:00- *Rick Shearer 
             https://soundcloud.com/rix-shearer-ism/tracks
00:16-  *Jonathan Howard 
            https://soundcloud.com/jonny-5ive/tracks
00:38- *Still 
            https://soundcloud.com/still-audio/tracks
1:09-  *RiZLiX  
            https://soundcloud.com/rizlix/tracks
1:40-  *DM 12  
            https://soundcloud.com/dm-12/tracks
2:07-  *++Mario De Fazio (my own therapy) 
            https://www.youtube.com/channel/UCP84MAWDVxqZlmEcpRnI0bg
 2:36-  *Andrew Doyle  
            https://soundcloud.com/andrew-doyle-32194121/tracks
3:06-  *LED-M/Mototsugu Endo 
            https://soundcloud.com/user-96978190/tracks 
3:34-  *Greg/Swim the Current  
             https://soundcloud.com/user-699521979/tracks
4:05-  *Spotnickdacat  
             https://soundcloud.com/spotnickdacat/tracks
4:40-  *Christian Levitan 
             https://soundcloud.com/user-872366230/tracks
5:00-  *Khaki Green Gills/Ian West 
              https://soundcloud.com/khakigreengills/tracks
5:27-   *Pablo DMF 
             https://soundcloud.com/pablo-d-m-fontana/tracks
5:44-  *Rick Shearer (Linear Collaboration 1 concept/director/design)
                         ++ RIP Mario De Fazio - 1965-2020
Project description:
I was curious how a collaboration could sound if the collaborators were anonymous during the process. I wanted the collaboration to be created in a straight (linear) path...passed on from one anonymous member to the next..  not mixed, re-mixed and layered over, as most collaborations are made.
I created a guideline invitation...and it went like this:
As the concept and project coordinator, I will tie a collaboration track in one linear path starting with my 25- 35 sec. secret/anonymous untitled instrumental. I will pass that secret track to another person (only)in the project  who's style  I think will be an interesting following my track. That next person will create a 25-35 sec. untitled instrumental which they think might sound interesting as a follow through to  the secret/anonymous track they received from me. When completed, that person will send their newly created (un posted) 25-35 sec. untitled instrumental to me only as a private un-posted track.  When received, I will send that anonymous segment(only) to another member who's style I think will sound as an interesting follow-through right after that track....this process continues until complete. During the secret process the only part of the project you will hear is the one anonymous track sent to you.  Your sound and the track order of this Linear Collaboration will not be changed during and after the project is complete. When the project is complete and posted, you will be credited as the sole writer and producer of your contribution. 
That is when all the anonymous members of this Linear Collaboration will finally be revealed to one another!
Enjoy the process and your creative individuality! 
Linear Collaboration 2:
https://soundcloud.com/rix-shearer-ism/linear-collabaration-2-a-multiple-collabarator-chain-in-one-track
- Rick Shearer, concept and project coordinator

Linear Collaboration 1   (a Multiple Collaborator Chain In One Track! )

music . Tot. @tot-beat
lyrics, vocals & their mix, photo & cover design . Mariam Zohra D : Myrh

super dope version of this song is on Tot's page!
 https://soundcloud.com/tot-beat/aml

ALL MY LOVE
--------------------

What kind of world we live in
where we can’t tell what is given and what is taken oh oh oh

phoenix! get my sphinx sphinx sphinx

You can’t leave! You only get to take!
You can’t leave! You only get to take!


Get down Bloody, get down bloody
get down with us they say

I say, Im a never worry too deep
cause mama told me the story
mama told me they’d be a day

mama told me they’d be a day
mama told me they’d be a day

Mama told me, Mama told me they’d be a day
Mama told me, Mama told me they’d be a day
Mama told me
to be strong
all my love On
hold on to the thrill

Its gonna take all my love
we weave on
its gonna take all my love
we weave on

I belong to you Mama Gaya 
I belong to you Mama Gaya 

Its gonna take all your love
Our Universal Body
It’s gonna take all your love
Our Universal Body
hey, its gonna take…

Mama told me
My mama told me

Lovey lovey lovey lovey love On

It’s gonna take all my love
Archetypal Gathering
Archetypal Gathering
It’s gonna take all your love

Its gonna take all of my love, its gonna take all of my love
its gonna take all your love, all your love

give me that bitter bitter taste
give me that bitter bitter taste

its gonna take of my love
its gonna all your loving all your loving 

its gonna take all your love
its gonna take all your love

Its gonna take it all
you better turn your hate in
all your love
you better turn your regrets in
its gonna take its gonna take
you better take your has beens and i should have’s
all my love all my love all my love

All My Love | Tot. & Myrh

Henry Koek - Sansula ,Jew`s harp,Soprano Sax
King Imagine -  everything else

Henry Koek & King Imagine - Lazy Morning In Old House

004 _ 22 Secondes Avant Ma Mort

song process: @enigmacurry @mystique_wind @myrhyum
- Myrh created acapella
- EnigmaCurry granularized vox, produced ambient beats, & instrumentation
- Myrh created poetry and voices
- MystiqueWind created more instrumentation & effects
- Mystique & Enigma do final mixings

artwork process: @enigmacurry @mystique_wind @myrhyum
Myrh took two pieces of EnigmaCurry's to create the cover with text 
& Mystique Wind completed it with some key finishing details for the observant eye.

Lyrics based on this poem from my chapbook These Tales Are True
https://tarka1.bandcamp.com/merch/these-tales-are-true
PUSH FOR CHANGE (The Mere Request for Change)
here is the excerpt used in the song:
_________________________________________________________
its that time again to push
for change
push coming to shove
as the moon cycle comes into full swing

scarlet smell of oldness
and the mere request for change 
becomes a full blown criticism

and i feel ugly 
and my house 
is a mess
and people are calling me 
and wanting an explanation 
and the missing women
are still missing
(and the missing women are dead*)

....

the one love in the past 
and in the present

the dentist
the optometrist 
the oral surgeon 
the audiologist
the hair straightener 
the shoes
the bag
the activity and inactivity 
the passion and drama

the singing 
the singing

the push to change 
the push for more

it’s not enough
the fight is never over 
the flourishing
is always happening

even when the winter comes 
and the withering begins 
my body chases my soul 
from sleep to awakedness

it's that time again
to Push For Change

*this poem was written during my involvement with a project related to missing & murdered women in British Columbia, Canada.

USG Report 222

The Mere Request for Change | of mystique & myrcury

photo by Elseh
https://www.flickr.com/photos/187686180@N02

"Spiral Types Of Space" by D'ark Tha Murky

Wrong Decisions

I WANT TO HOPE-voice/text/music François Bourgouin

Alex @deerevnia plays the violin solo on this track and it is 🔥!
Check out his album "Kabardak" - it is a pure joy!
Thank you Alex❤!
Vocal samples are from Aurora Ferrer's (@auroraferrer)song "Bring Back The Noise" from her amazing debut album "Night Oracles And Falling Stars".
Thank you Aurora❤!

Event Horizon (featuring Deerevnia)

A couple of weeks ago, the thumbnail of the track "Everything In Color" by @jm_inc intrigued me, it seemed eerily familiar. Then, after listening to that track, I knew why:  J.M. INC. took samples from a 1950s footage of an LSD experiment and did an awesome job creating a track from that.

Funny enough, I previously took the same video and incorporated it into one of my jam sessions. After a brief discussion about this with J.M. INC., I decided to re-upload that track of mine. As a homage to J.M. INC., a fellow artist and a great musical mind, I named this track similar to his, though using the British English spelling.

However, I made slight modifications to my original audio, like noise reduction (the original samples were quite noisy) and a touch of soft limiting (a technique I wasn't using back then and that I am using only sporadically now). As always, the result is raw and highly dynamic in nature, so put on your favourite headphones and turn up that volume knob, because the Loudness War is for losers!

I hope you enjoy! Also, please give J.M. INC.'s track a go: https://soundcloud.com/jm_inc/everything-in-color


- Boss RC-300
- Korg R3
- Korg Kaossilator Pro+
- Samples from that infamous video: https://abcnews.go.com/Health/1950s-housewife-acid/story?id=12640926

Everything In Colour [Jam session sections: RAW2020 - 9]

The tares

She has long fingers and sharp nails.
with which he seduces order
before ripping out her spine
And poison their eyes with a new love

Laugh like a child
spoiled by violence.

Invisibly lurks pending its prey,
and when you are calmer,
when his presence is more unusual,
appears stealing the limelight
of everything that surrounds him.

He takes out his cello from its red sleeve.
He plays Irish tours until his fingers bleed.

The public ends up crazy for not understanding anything.

When you talk about destiny, shut up !!,

The Tares

'Thank you very much.' For everything, especially Blink Twice's 'Ark Dambient' providing such ripe, inspiration fodder for the imagination. Asensory takes the the castling of dark ambient, so brilliantly painted by Blink Twice and food-processes it with the smog of life in 2020. Dark Ambient is, first and foremost, about DARK.

Blink Twice 'Ark Dambient' ~ Thankyouverymuch Reimagining

Small Electric Piece

Wanted to make something lighter and chiller. Something kinda surface level stuff, just aesthetics that I enjoy. There is couple darker moments but aside that I think it's sun shine, rainbows and joyous ravings!

Funwise

Cardiacs cover. 
I just had to, warts and all. I got blisters on me fingers! 

Following around to see a life that's never in
Always calling itself on its own phone
Though its never quite at home in the world today
See it to arranging the day
Prepared in its own special way
With added loving care
Though its not been there since yesterday
Looking so hard for a cause
And it don't care what it is
And never really ever seeing eye to eye
Though it doesn't really mind
Perhaps that's why
It never really saw
Never really saw
Saw
It never really...
Following around to see a life that's never in
Always calling itself on its own phone
Though its never quite at home in the world today

Music and lyrics by Tim Smith

Is This The Life

2021/3/2

Website

allccation

"We knew where we had started but not where we would arrive, here is a new musical adventure in the company of the excellent Justin, a piece perhaps even with some metaphorical echoes with the historical period we are experiencing..." 
--
Music: GrevusAnjl @grevusanjl, Fleursonseaux @fleursonseaux
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digital control

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