kein platz mehr für comments:) tolle sounds;))

honestly not sure what is happening but I like it

Excellent combination of bass and resonant percussive elements 🖤

Awesome atmosphere, I like how it plays like a soundtrack

Electronics

Wutiwant x "The one who left it all behind" (Extra Slowed + Reverb)

T.C. Mechro - Trauma

Produced  by  P è n i n s o l a r 



https://peninsolar.bandcamp.com/track/everything-on-an-even-keel

Buy on Bandcamp

Everything On An Even Keel

Collaborative sound design by Berlin artist Wilfried Hanrath 
& P è n i n ș o l a r for the Disquiet Junto Project 0352 : Layering Permutations where both Wilfried and I worked along side to angulate layering permutations w' allocated counter-melodies along the outer parameters  onto its final core by atopic & hovering variations in the confines of three "static" stacks of fathomage that seemed to align the outline of the assignment consummately.

The Assignment : Play something melodic atop two variations.

Step 1 : The idea is to have a simple melody of some sort, and to then have two variations on that melody play simultaneous with it. The key word here is “melody.” 

Step 2 : Come up with a melody, and then come up with means to create variations on it. Think of the variations as permutations of the melody. Try to have the variations not veer too far from the original. As you develop the variations, think about relative balance between the three layers.

Step 3 : Record a short piece of music in which the three layers are stacked atop each other. You might perform the layers separately and then combine them, or you might have a means for them to play simultaneously. You might have the balance between the tracks remain static throughout, or you may change relative volume at times.

Wilfried Hanrath / P è n i n ș o l a r - Floot Aboot the Chordal Wisp - Disquiet0352

Produced by
P è n i n ș o l a r
Sono-Poetry by
@ilaria_boffa
Deconstruct Permanence
https://soundcloud.com/ilaria_boffa/deconstruct-permanence

Permanence is an illusion
and not because it does not exist
it is the utmost, superior, sublime act
of experiencing love
simply (there is no devotion)
amongst humans

©️IlariaBoffa2018

Essaouira Muezzin
https://soundcloud.com/ilaria_boffa/essaouira-muezzin

It took 10 hours and a few stops.
Then the desert, into the red.
Nomads, Bedouin, Tuareg and Berbers
they populate a land of clay and kings
on the move.
Visible, 'the plateau', flat and linear
natural border that beats back.

In remote camps, the noise 
of electric pumps, wi-fi. Berber women
sit alone, rinsing dishes in the tents.
They laugh and wave at me to join.
I record their voices, fixing the hijab
on my parka.
Are we all post-humans?

©️IlariaBoffa2019

"Four-Shadows" photography 
  by P è n i n ș o l a r

P è n i n s o l a r & Ilaria Boffa - Deconstruct Permanence - Extended V.3

Music by https://soundcloud.com/graindrop 
&  https://soundcloud.com/p-e-n-i-n-s-o-l-a-r

Grain Drop P è n i n s o l a r - The Kinmen Etching

Music written, produced, & mixed 
by P è n i n ș o l a r
Guitars, synthesizers, & subtle bass, cover photography 
by P è n i n ș o l a r
Percussion by Josh Green
https://www.instagram.com/permanentrecorddrums/

Yayoi

under television skies

Composed by Admiral Krank.

Admiral Krank- rhythm and lead guitars, mixing.
Green Mercurian Owl- right channel guitar sounds, sound fx, synths. 
Mo Sheen- drums

Electric Snuggle Machine Clearance Sale (Admiral Krank and Green Mercurian Owl Collab)

Bleak

Matthew 18:21-22  New International Version
The Parable of the Unmerciful Servant
21 Then Peter came to Jesus and asked, “Lord, how many times shall I forgive my brother or sister who sins against me? Up to seven times?”
22 Jesus answered, “I tell you, not seven times, but seventy-seven times”

70 Times (Matthew 18:22)

「敵」　北原白秋（1885～1942）
いづこにか敵のゐて、
敵のゐてかくるるごとし。
酒倉のかげをゆく日も、
街の問屋に
銀紙買ひに行くときも、
うつし絵を手の甲に押し、
手の甲に押し、
夕日の水路見るときも、
ただひとりさまよふ街の
いづこにか敵のゐて
つけねらふ、つけねらふ、静こころなく。
出典　日本の文学17　中央公論社1973年

“a foe” by Hakushū Kitahara (1885-1942)
There is a foe somewhere around me. He or She is hiding himself or herself.
The foe is following me whenever I walk outside. 
When I walk near a brewery.
When I go to a wholesaler to buy some silver papers.
When I press a copying picture on my back of the hand.
When I look down a waterway in the evening.
The foe is always hounding me. 
My mind never gets rested

Source：“A TREASURY OF JAPANESE LITERATURE 17”
CHUO KORON PUBLISHER 1973

Art work: OpenClipart-Vectors via Pixabay

NIGHT GARDEN

Unknown album (12/20/2020 12:55:57 PM)

Discovering light

Composed, arranged, performed, and produced by
Carlos Vivanco
https://www.youtube.com/watch?v=_y6UYtDz3ug

Celestial Canvas

Un Nuevo Amanecer

Decendants

amateur|experimenter

music for me is like a confession. I fix my psychological states in melodies. then I mix them.

evolution of name glitcheetah > cybart

under television skies

technelligence

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Pax

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