“The Lord (You Gotta Move)” is an adaptation of the blues song from Mississippi Fred McDowell, released on the Rolling Stones “Sticky Fingers” album.
As blues and Celtic instruments match very well together, I've adapted and arranged this mystical tune with an addition of bagpipe, bombard an Irish whistle.
This track is a second version with new arrangements and instrument (bombard) of the one already released on the album "Scots Wha Hae" (2022).
—
"The Lord (You Gotta Move)" est une adaptation de la chanson de blues de Mississippi Fred McDowell, sortie sur l'album "Sticky Fingers" des Rolling Stones.
Comme le blues et les instruments celtiques se combinent très bien, j'ai adapté et arrangé cette mélodie mystique en ajoutant une cornemuse, une bombarde et une flûte irlandaise.
Ce single est une deuxième version avec de nouveaux arrangements de la piste sortie sur l'album "Scots Wha Hae" (2022).
--
Credits:
Traditional & Mississippi Fred McDowell & Reverend Gary Davis as “You Gotta Move”
Recording, arrangements, mix and mastering by Eric Maclewis

The Lord (You Gotta Move)

The jungle book intro.wav

Modes About Me - Neverending Torment (Prod. Felipe) - 144 Bpm - C Major

Music: Composed, written, and performed by
Felipe

Lyrics: Written and performed by Modes About Me "Mark David McClellan"

Modes About Me Volume 4

Neverending Torment

Neverending Torment (Prod. Felipe)

Original track by VNV Nation | Cover version by Stefan Sauer
In honor of this great song released 22 years ago.
Band Info: https://vnvnation.com/

The Gray Dawn version of this song is one that I really like.
To honour the song and to learn from the creator I made this cover version. All the sounds you hear are build from scratch to capture the vibe of the original, but to also give it my personal touch.

Beloved (VNV Nation cover, Reconstructed by ensonic)

#house
#techno
#techhouse
#pop
#Radio
#cansomebodygivemeahoyya

Can somebody give me a hoyya

BACHATA DE MAR

Desert bitch - 13 - 7-2024

My Best Time

Rynzler’s forthcoming EP, "The Journey Of Shakti," is a visceral transmission from the shadowed corners of the dance floor. Hailing from Italy and released via the Rennes-based imprint Vives, the artist crafts a dense atmospheric pressure. His sound pulls from Dark Techno's depths, EBM's raw nerve, and Industrial's metallic sheen. This outing feels like a guided tour through a labyrinth of hissing steam and subcutaneous rhythm. It is a deeply physical and textural exploration, mapping the terrain where body mechanics meet an obscure, spiritual current. The result is a compelling, almost hallucinatory descent.

In the title track, Rynzler directly channels the profound spiritual origin of its name, translating the ancient concept of Shakti – the Kundalini's sacred ascent – into sonic form. The piece unfolds as this challenging awakening. A fibrous, driving rhythm forms the structural spine, while granular textures and distorted harmonics swarm upwards, pushing through resonant, atmospheric layers. It is a demanding and textural rite, mirroring the mythological journey of raw power rising from a dormant state into a condition of fierce, hypnotic liberation. This is a punishing yet transcendent manifestation, transmuting an ancient metaphysical struggle into a ferocious, textural onslaught.

You can find (and buy) this and other music pearls on the Bandcamp page of the label: https://vives.bandcamp.com/

Follow @rynzler1 and @viveslabel, peeps!

PREMIERE842 // Rynzler - The Journey Of Shakti

Fin mai 2025, tandis que je m'embourbais dans des constructions harmoniques bien trop ambitieuses, je me suis mis à expérimenter plein de synthés . 
C’est toujours chouette d’essayer des nouveaux trucs, mais à la fin ça ressemble toujours à du StudioH pur jus.
J’en conclus que je suis un musicien très spécifique, je ne sais jouer que ma musique.
Cette phrase est à la fois affreusement prétentieuse et un aveu d’incompétence.

At the end of May 2025, when I was overwhelmed by overly ambitious harmonic constructions, I started experimenting with lots of synths. 
While it's always fun to try new things, in the end it always sounds like pure StudioH.
I've realised that I'm a very particular musician — I can only play my own music.
This statement is both terribly pretentious and an admission of incompetence.

Step Onto The Dance Floor

Caja Ritmica

Idont care on partnerships , I am married. https://soundcloud.com/teqnee/crystal-lake?in=teqnee/sets/older-songs-as-is-best&si=fbea5b442e36494e9377d700fe518ebb&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing all free music and some phishing is not any Rare or Feis ?! how i didnt  was trained I have objektive permissions as same as twice or something you does , very fine such as sine , both or some even newest its about me and come to Us or it was fine such more as Me and than is creation of music important but about after all its not interrest taken by all other themes ! about music its more djing as musiccreation maybe its taken expierences for learn by do but progressively  done by myself and band issues. I did share as well each other it is not wisely suspect and arent compromise about any question about it , thanks for understanding

My Best Time

Techno ist Liebe