atrak.komi.io
www.atrak.com
www.foolsgoldrecs.com
www.goldieawards.com

to book heist
Chris@uaagency.co.uk

Heist, also known as Strider if you’re looking to go way back into his discography, has been dominating, innovating and revolutionising speaker bins for 20 years now. No matter the year, his tunes always felt relevant, yet discernibly his, and in many cases were integral in pushing the limits of the Drum and Bass spectrum a bit further and a bit deeper than the status quo. His sound has travelled the ins and outs of the Drum and Bass super-highway many times, maturing as it grew from its humble yet bad and bashy beginnings found on classics like ‘Company 7’, ‘Beetle juice’, ‘Philly Styler’ and ‘Iron Hide’.

Also a badboy DJ for just as long (longer than heist in fact - he was dj’ing in the early 90’s under a different synonym). It’s tunes like ‘Go to work’, Sleep in ya eyes and ‘Don’t hold back’ as well as his high-octane DJ sets, that propelled him into super-stardom way-back-when. And in the minds of many, solidified Heist as a bonafide legend resulting in too many collaborations, endorsements and appearances to list. 
Having graced the catalogues of many iconic, foundational labels like Playaz, Charge, Ganja, V, Digital Soundboy, Frontline, Full Cycle, Philly Blunt, Low down deep and Metalheadz! All one needs to do to understand why Drum and Bass royalty like Dillinja, Hype, and Goldie, took notice so early on is…listen. Listen to any of it! It’s as though Heist had the foresight to be as fastidious about what he released to others as he has been about what he releases on his own signature imprints, Sumo Beatz, Calypso and Co-Lab.

Receiving previous critical acclaim whilst engineering for DNB forefather and legend, Goldie, as well as on his own celebrated productions, Heist has found a home for most of his current output on two-time award-winning label, Low Down Deep Recordings. Big things are coming on the label from Heist, like the cheeky ‘Bug Patrol’ and also ‘Felt Rich’ both doing dance floor damage from a host of DJ’s and support on BBC Radio 1, Kiss FM amongst other radio stations for both of these tracks and most likely more Heist bangers! Some exciting future projects are also in the works for a few labels that have yet to see the likes of Heist...The return of Sumo Beatz is also in store, with a bunch of ‘select cuts’ he has been just waiting to get out there on his own label. If history serves, there’s truly no telling what Heist will cook up next or how hard his freshly-brewed baselines will hit, but the future does look bright for the now DNB legend, to say the very least. With a plethora of music in the works as well as tour dates across Europe and the globe actively brewing in the cauldron, 2025 is looking deadly.

Ben Howard returns with his 4th album, Collections From The Whiteout, produced alongside Aaron Dessner (The National). The foreboding darkness that coated Ben’s second record I Forget Where We Were and thinly veiled its follow up Noonday Dream, isn’t so evident on Collections. These are songs written from headlines scanned, or news stories scrolled past, providing inspiration for a selection of vivid narrative snapshots – the death of amateur sailor Donald Crowhurst (Crowhurst’s Meme); Russian fraudster Anna Sorokin (Sorry Kid); the man who stole and crashed a plane in Seattle (The Strange Last Flight Of Richard Russell); and the dismembered body a friend of his father found in a suitcase floating along the Thames (Finders Keepers). Alongside them, the personal anecdotes from the same scattered period living between Paris, Devon and Spain. Yussef Dayes features, as does Kate Stables (This Is The Kit), James Krivchenia (Big Thief), Kyle Keegan (Hiss Golden Messenger), and Dessner. Thomas Bartlett, St. Vincent’s go-to pianist, and Rob Moose, a long-standing arranger of strings for Bon Iver, are also present. Long-term guitarist to Ben’s band, Mickey Smith (A Blaze of Feather), remains a reassuring constant. It’s a sonic adventure that continues this nagging suggestion that Ben is one of the UK’s most inventive and naturally talented songwriters. CFTW is his latest opus, and arguably his most fully realised to date.

Management contact: Invisiblemeans at invisiblemeans@hotmail.com

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