Another great mix, thank you! Do you have a tracklist?

mis iagnes eestlased, või eesti-meelsed ... tereeeeee

Originally broadcast on NTS Radio live 14:00-15:00, Tuesday 16th March, 2021.

Astrid Øster Mortensen - Hvor Kommer Mørkret Fra? (Förlag För Fri Musik, 2021)
Moon Reflections - Once Nurtured Earth Nostalgia (Goaty Tapes, 2021)
Wędrowiec - Wędrują nuk Nieuzywają (Sloow Tapes, 2021)
O.G. Jigg - Hayrick (Memotone, 2021)
Maxine Funke - Lucky Penny (A Colourful Storm, 2021)
The Gabys - Untitled (All Gone, 2021)
Trjj-Hipoli - Timer (Self-released, 2021)
Cindy - Discount Lawyer (Tough Love, 2020)
Malvern Brume, Elen Huynh - Subrequiem (Choses Contraires, 2020)
Reymour - Au Rythme de L’ennui (Knekelhuis, 2021)
RAP - Iris (Jolly Discs, 2021)
Tuxedomoon & Cult With No Name - Until The Robins Come (Crammed Discs, 2015)
Linda Smith - I So Liked Spring (Efficient Space, 2016)
Francis Plagne - XIII (Horn of Plenty, 2021)
Bobby Would - So To Say (Low Company, 2021)
Ostseetraum - Karriere (Adagio830, 2021)

NTS Radio - April 2021

Pierre Henry
Malefices
6CACK
Often evading the composer ’s official discography lists Cacophonic present this outstanding, commonly undetected Pierre Henry film score providing fans of early electronics, femme vocal manipulation and horror soundtracks with an indespensable "dream record" that ticks every box and crosses out every line in the rule book. Widely recognised as one of the original sonic architects of the movement known as musique concrete, having joined Pierre Schaeffer's forward-thinking initiative as early as 1949, Pierre Henry was arguably the first musician to entertain the notion of this defiant musical revolution coexisting with traditional and poplular music. Initially using the mediums of modern dance and spoken word as a platform to contextualise his tape-music mutations (notably in unison with Maurice Bejart) Henry's foresight to fuse accademic with thematic ideas lead to the birth of electronic sound design for film and theatre, expemplified most prevalently in the macabre.

The missing link between his earliest avant garde recordings and his later celebrated pop experiments with Michel Colombier and Spooky Tooth and rivaling the likes of Daphne Oram's uncreditted SFX work for The Innocents this rare score to the 1962 Juliette Gréco vehicle Maléfices (aka The Hex or Where The Truth Lies) hears Henry at what is perhaps his most melodic, fragile and enchanting (especially for this unforgiving sheen-free formative era). Layering vocal tape loops and gossamer feminine voice treatments with plucked strings, white noise wind and brooding industrial treated piano textures Henry provides a series of conceptual poison peons to magnify this films intoxicated halluciogenic narrative. This concise set of complete set themes is presented here fully remastered for the first time alongide rare excerpts from two of the composer's very earliest and least obtainable forays into theatrical sound design with instrumental parts of Henry's first stereo reconstruction of Bejart's Orphee from 1961 and his seldom heard concrete interludes from Darius Milhaud and Max Gérard's Mariage De La Feuille Et Du Cliché from 1958, both of which command rapidly increasing ransom fees amongst serious electronic music collectors.

La Mort Musique - Pierre Henry

Experimenting layering sync'd harmony effects made with layers of 1964 Servomex LF-141 jumping between harmonics in osc-sync mode blended with a two speed sequence made with a 1985 Korg SQD-1 hardware midi sequencer driving the Alesis Micron in the workshop.

Composition & Recording Copyright D.A.Wilson, Hideaway Studio 2023.

1964 Servomex LF-141: Servomex-141..

billy pigg - the high level hornpipe
cloaks - wind voice II
kri kri - wahdi
orphan fairytale - dragons of the deep
xiphiidae - pass hidingly seek
roedelius - flieg vogel fliege
michael turtle - zoot pointe
kelompok kampungan - wanita
george harrison - greasy legs
fondation - horizon
tremblexy - the beginning of the end
anon. - felix namque (oxford offertory)
carmen & michele kassner - will they ever return?
men in black - knight's gambit
k. leimer - at daybreak
michael bundt - la chasse aux microbes
F:A.R. - da consumarsi con grazia
the savage young taterbug - togetherman
isabelle gunn - scratched knee
louise landes levi - city of delirium

Mixy

From album "Outside The Dream Syndicate." Originally released in 1973. Reissued on Superior Viaduct, 2016. www.superiorviaduct.com

Buy Vinyl or CD

Tony Conrad with Faust - The Side Of Man And Womankind (excerpt)

out of sight

May need to consider wrapping up these tracks sooner than 7+ minutes.

Cajoq

Taken from:
Not Glass - Forma /  Ήθος LP & download [Ecstatic Recordings, 10/05/2019]

• Immersive, theatrical collab by Not Waving and Jay Glass Dubs, aka Not Glass
• Inspired by quotes by classical ancient Greek/Latin poet-philosophers Ovid & Heraclitus 
• Mystic kosmiche ambient meets inverted dub and tribal rhythms
• Mastered at vinyl cut at D&M, Berlin 

Not Glass is the wonderfully lofty, classically-rooted debut collaboration between Alessio Natalizia (Not Waving) and his longtime correspondent Dimitris Papadatos (Jay Glass Dubs), paying tribute to Latin and Greek authors Ovid and Heraclitus in a suite of dramatic electronics and cryptic rhythms comparable to a theatrical soundtrack.

Knowingly, ironically pretentious, yet serious with it, ‘Forma’ is the result of years of daily Facebook chats between the London and Athens-based artists where they cemented the album’s concept around key quotes by the legendary poet/philosophers, who hail from their respective homelands of Italy and Greece. The results are in effect a spellbinding attempt to transmute those notions within the collaborative, contemporary framework of their music, using patented palettes of hardware, vocals, and FX to render and reflect core classical mythological and philosophical ideas about drama, love, metaphysics, cosmology and the “unity of opposites”.

On this timeless plane, Natalizia and Papadatos both step outside of themselves to find “what opposes unites”, spaciously consolidating their typical, yet contrasting, rhythm-driven approaches in a reverberant, often beat less sphere of exploration. Removed from their usual handrails, the artists operate at their most open-ended and subtly suggestive, amorphously shapeshifting from gloaming shadowplays of synth and keys to investigate arcane percussive impulses and iridescent ambient whorls.

The result is a perfect, finely shaded marriage of their mutually esoteric, outsider Southern European energies, which intuitively acknowledges and inhabits the paradoxes of their respective styles. The illusively static yet mercurial ebb and flow of the atmospheric intro ‘Fallite fallentes’ sets the scene, where ‘Dum loquor, hora fugit’ invokes a viscous but brittle tangle of wide bass and pointillist rhythms beside a stately cello vignette ‘Ludicrum_χορικόν’ that recalls aspects of Scott Walker’s mystic charm ’Soused’. The rapid arps and slow moving, glassy pads of ‘Pauper ubique iacet’ conjure a sublime tension that becomes diffused into the cavernous, hollow dub dread of ‘Ut ameris, amabilis esto’, possessed with its throaty, processed vocal, and the lonely strings and plasmic electronics of ‘Forma bonum fragile est’ connotes a psychedelic coming-to-terms with their artistic/philosophic duality.

Not Glass - Fallite fallentes / Ἔφη ὡς ἦθος ἀνθρώπῳ δαίμων [ELP042]

From the Castles In Space bandcamp page at:
https://cis-isolationtapes.bandcamp.com/album/the-isolation-tapes-compact-disc

This album contains music recorded by artists in lockdown during the 2020 COVID-19 Corona Virus Pandemic.

Submissions were invited for tracks recorded and mixed only between 23rd March and 17th April, 2020 at the start of the UK quarantine period.

Castles in Space would like to express sincere gratitude to all the artists who gave their time and submitted their works for the project and thereby made this release possible.

Mastered by Jez Butler
Artwork and design by Nick Taylor for spectral-studio.co.uk

CiS062MC is also available as a related cassette volume featuring an additional selection of works.

All tracks are under license to Castles in Space for the purposes of this release and all copyright remains with the artists.

Profits from this album will go to support Cavell Nurses’ Trust (registered charity no. 1160148 and SC041453).

Cavell Nurses’ Trust proudly give money and support to nurses, midwives and healthcare assistants in hardship whether they are working or retired.

If you are a healthcare professional experiencing personal or financial hardship, please contact them today at: www.cavellnursestrust.org / 01527 595999.

The Isolation Tapes

Innerspaces

Sept. 2017 repress pre-orders available now.

Alessandro Cortini (Nine Inch Nails/How To Destroy Angels) composed the Forse series using a Buchla Music Easel. Forse, meaning "maybe" In Italian, is a series of 3 double LP releases Cortini recorded for Important to release in 2013.

"Resta" by Alessandro Cortini IMPREC373 - 2017 REPRESS PREORDER NOW

Boards of Canada's track "Echus" versus "Sandsings" by Mira Calix remixed by Boards of Canada

Mixy

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