OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

dance music for headbangers
new LP, Headbanging In The Club out now with Orange Milk Records>>>> https://w00dy.bandcamp.com/
for all inquiries~ w00dymusiq@gmail.com

Mia Marchese is an Independent Boston based pianist, organist, vocalist and songwriter. With influences branching from old school blues, classic 70’s songwriters, soulful jazz and loud rock n roll, Mia’s music portrays her modern adaptation of the music she fell in love with as a child. Her lyric writing has evolved from a poetic form, giving a story telling and journalistic style to a lot of her writing. 

Mia is in the midst of writing her debut EP - Gypsy Blue - that she aims to release this coming fall. She will also be entering her fifth semester at Berklee College of Music as a Music Business Management Major. 

Along with her musical endeavors, Mia has a passion for the music industry itself. Mia has already started her path in the industry this past year by managing, booking and promoting local Boston artists. She aspires to one day own her own venue and promote talented musicians across the globe.  

Bookings: http://vespers.ca/contact/
Glitch Hop Producer | Live Performer | Ableton Live Certified Trainer

Vespers is a beat-making robot sent back in time from the year 2502. He was banished from the future for repeat offenses of making excessively bass-heavy noises, leading to irreparable structural damage to the downtown core of Neo Tokyo. It is reported that his long-time sidekick and party companion “Go-Go”, a biogenetically enhanced feneks fox, also travelled back in time to join him in his exile.

Vespers is known for his extensive and unpredictable glitches, which cause him to randomly spout tibbits of music production wizardry and secret techniques to virtually anyone who will listen. Kind of like the robot equivalent of Turrets Syndrome. You can see hours of videos of him waxing poetic about all kinds of audio geekery on his Youtube channel. Legend has it that getting sent back in time was all part of his “master plan” to create a legion of bass worshipers who will take over the future.

Although he isn’t human, he does have an puzzling affinity for jazz music and a fascinating preoccupation with saxophones. You can frequently catch him wreaking bassy-havoc and inciting funk-infused dancefloor mayhem at all kinds of music festivals and West Coast gatherings. WARNING: If there is a Vespers sighting in your area, ensure you protect youself and your loved ones with heavy duty hearing protection and undertake standard earthquake readiness procedures.



To say NuMind started in any one place would be false. NuMind is the reaction to oppressive forces in the world which refuse to progress consciously with their brothers and sisters. Where the world asks for peace and unity, our “leaders” only focus on ways to divide us more. What brought NuMind to be is change, the eternal law of the universe. There was bound to come a day in which the arts would burst into another Renaissance, enlightening the masses through reminding the people of their true nature, the true self, not the material, not what we see, but who we truly are. All the members of NuMind take a vow to devote their lives to the easing of the suffering in the world through music and realizing their own true nature.

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