Trying to find the right playlist to go along with this thing called life. www.felixgada.com

After being introduced to electronic music back in the early 90's in Los Angeles, a teenage David Flores was hooked. He started DJing across Southern California on the DIY warehouse, backyard, desert, and rave circuit. His style then was as varied as the local scene - a myriad of sounds ranging from house to acid to techno to hardcore. After a few years solely DJing, he began releasing original music under the monikers David F & Audio Injection, which landed him on labels such as Monoid, Stimulus, 4 Track & LA label Droid Recordings. His association with Droid Behavior began in 2003 as resident at the now defunct yet infamous and internationally acclaimed Interface event series alongside Drumcell and Raiz. He currently runs a new event series together with Drumcell and Oktaform named “Observe”.

In early 2011, he started the project Truncate to focus on the deeper, raw side of techno. His Truncate releases early on gained critical acclaim from world class underground talent such as Modeselektor, Ben Klock, Marcel Dettmann, Chris Liebing, Speedy J, DVS1, Luke Slater, Ben Sims, Josh Wink, Eats Everything, Joris Voorn, and many more. Since then, he has provided remixes for artists across the musical spectrum including Kink, Slam, Loco Dice, Ben Sims, Josh Wink, Ellen Alien, Miss Kittin, Carl Cox & Nicole Moudaber. He has also released original works on 50 Weapons, Ultramajic, Blueprint, Ei8ht, Figure and of course his own imprint Truncate. He has also collaborated with Jimmy Edgar, Chambray and most recently started a new project with Ben Sims as ‘Assailants’ which they’ve released on their own imprint ‘Obscurity Is Infinite’.

A rigorous international tour schedule has since followed, including stops and regular appearances at the most prestigious venues and events, including Berghain in Berlin, Fabric in London, Concrete in Paris, The Movement Festival in Detroit, Womb in Tokyo, Dimensions Festival in Croatia, Awakenings in Amsterdam, Output in New York, and many more.

With his heavy remix, production and touring schedule there is still no slowing down for David. He continues to shape an evolving sound and to champion the Los Angeles underground.

Mark knew where he needed to be when other kids were running the streets. He was trying to figure out how to get into the clubs. In 1979, he got his first set of turntables. Mark taught himself the meaning of struggle as he began the process of spinning at small parties, trying to build himself up. In the mid-80’s, Mark was determined not to stop. Due to the work required in promotions, he was a busy man. He seemed to be everywhere at once, yet extremely hard to find. Mark Flash was a not a name he chose, but one that was given to him by fans, and it stuck. Beyond that, the music was something that had been a part of his life as far back as he could remember.
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With underground parties and raves, the word began to spread that Mark Flash was a name to be loved if you were a party or club goer and respected if you were a DJ. Thanks to a tip from a longtime friend, DJ Rolando of the techno terrorists, Underground Resistance, Flash began flexing his musicianship as a behind the scenes producer for the house music label, Soul City, Merging House, Techno, Latin/Brazilian Soul and Funk. Mark Flash is one of the few DJ/Producers who can legitimately play an instrument and read music; he is not looking to bore you with pseudo-intellectualism. He wants to make you move. He defines his production style as “electropic funk”. Mark Flash has since joined forces with LOS HERMANOS : Gerald Mitchell and Ray 7, TIMELINE : De’Sean Jones, Jon Dixon, Mark Flash, Mike Banks, DEPTH CHARGE : Mark Flash and Mike Banks strictly Detroit style and his own band known as D3 [DESCENDANTS OF THE RESISTANCE] : Jon Dixon - keyboardist extraordinaire & De’Sean Jones - saxophone genius. More recently he started THE MARK FLASH EXPERIENCE revealing his production skills on keyboards, drum machines and live percussion all incorporation with video and DJ set. 
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Traveling internationally, he has shown the world that there’s more to him than just the typical DJ. With skills in keyboards and percussion, Mark Flash puts on a unique show utilizing his talents to form a musical hybrid. As a member of Underground Resistance [UR-078], Flash has taken on multiple projects such as upcoming remixes, new releases, DJ mixes, collaborations, performing at local/international events and charity benefits, Mark Flash launched his new label DTFA with HORS D'OEUVRES EP as digital series of snack tracks we like to call "Dj food". Something quick and delicious for the crowd to devour - "Not designed to feed the mind.... The goal is to feed the soul".
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Mark Flash is still participating as a mentor for Red Bull Music Academy, SPIN INC University and DJ School Chile, helping new and upcoming DJs, musicians reach their musical goals while also teaching them about the rich musical history of Detroit and how it helped shape the music industry from past to present.
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Paying more “dues” than most, Mark Flash is not to be played with. After all he’s been through, he’s not about to back down from the musical game.

Explorer. Adventurer. Manipulator of Sound. Master of Ceremonies. Producer of Yasiin Gaye, Fela Soul, Bizarre Tribe, A Common Wonder & more.

BIO:

Forging an evolution of the "mashup" album format, producer Amerigo Gazaway's "conceptual collaboration" projects imagine studio sessions between like artist of different genres and eras. With a process the LA Times' Randall Roberts described as "drawing a different design within a similar framework," the producer/DJ deconstructs and re-orchestrates samples from his respective subjects, bridging overlapping themes of the two musician's classic catalogues. Equally influenced by his Brazilian roots and southern U.S. upbringing, the 28 year old Nashville native's work was featured in Apple's "What Will Your Verse Be" series of iPad commercials, called "brilliant" by music’s premier aficionado, Questlove, and earned praise from national/global outlets such as The Guardian, Huffington Post, The LA Times, Vulture, NPR, BBC, MTV, BET, REVOLTtv, EBONY,VIBE, XXL, THE SOURCE, OKAYPLAYER, Wax Poetic, Gizmazo and HipHopXL to name a few. 
 
The son of renowned Jazz trumpeter, Gary “El Buho” Gazaway, Amerigo’s thematic documentary-like concept albums uses found interview sound-bites, live performances, and original multi-track stems to help narrate and craft his combined artists' stories. Finding his first success with 2011's Fela Kuti/De La Soul pairing "Fela Soul," the project went on to land on several year-end "best of" lists including NPR, Soul Train, and OKAYPLAYER. Following the release in 2012 with "Bizarre Tribe: A Quest to the Pharcyde", a concept that layered vocals of The Pharcyde over re-imagined productions sourced from the original Soul, Jazz, and Funk records ATCQ utilized to create their productions, Gazaway would later collaborate with The Pharcyde on their single "Still Got Love" and perform with the legendary group at SXSW.
 
Continuing the theme of his previous work in 2014, the producer united Brooklyn rapper Yasiin Bey (FKA Mos Def) and soul legend Marvin Gaye for a dream collaboration aptly titled "Yasiin Gaye" (side one and side two.) Building the album’s foundation from deconstructed samples of Gaye’s Motown classics, Amerigo re-purposes the instrumentation into new productions with the familiar fervor of the original work. Carefully weaving Bey’s tangled raps and Gaye’s soulful vocals over his new arrangements, Gazaway delivers a quality much closer to an authentic collaboration than a lukewarm “mashup” album. Drawing nearly 20,000 downloads in its first two days of release, the “Master Modern Soul Match Maker” (Juan Vidal- Vibe Magazine) earned a perfect “5 Star” review from BET, collaborated with New York Magazine cartoonist, Drew Dernavich, for the project's side two cover art, and landed on Billboard's Best Selling Singles Chart with the album's third single, "You Are Undeniable."
 
Honing his DJ skills through tours of Europe, Brazil, and the U.S., Gazaway’s dancefloor driving live set features classic breakbeats, original blends, remixes, edits, and mashups of multiple genres including Funk, Soul, Disco, Hip-Hop, Afrobeat, and everything in-between. With presentations and lectures logged at USC, MTSU and upcoming dates at Google HQ (NYC) and SXSW 2015, the DJ/Producer continues to highlight the possibilities of sample based art and shows no signs of slowing down.

http://www.djqbert.com
http://www.thudrumble.com

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Hey whats going everyone that's looking at my page right now or plan to look in the future. I am a upcoming artist from the city of Detroit who has high aspirations to be great in the music industry. I recently quit all my jobs and decided to go into business full time for myself. I feel that if i put all my energy in the dream im trying to attain it will be that much easier to reach the ultimate goal success.

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