From the forthcoming album: My Sweetheart The Liar

communication, tell me what you need
hot and hard and dirty intimacy
is what I crave tonight

can I fuel your fire inside
can I lay you down tonight
can I fuel your fire tonight
can I taste your desire inside

cast inhibitions and vulnerabilities all aside
can I lay you down tonight
communicate and tell me what you need tonight
what do you crave tongiht

can I fuel your fire inside
can I lay you down tonight
can I fuel your fire tonight
can I taste your desire inside

it's your time now honey, it's your time to grind
put that fire in me now honey, open up to me tonight
can I taste your desire inside

Special thanks to Baz for his sublime saxophone - https://soundcloud.com/barrytones

Special thanks to Z for drums

Fire

True Love Waits (Radiohead cover)

Chasing

with this piece I've reached my upload limit on sc. time to take a break for now and to focus on my page with english lyrics.

it's something quite experimental for the time being. background: I've never been a fan of dark wave. after anne clarke's 1st album, which I listened to over and over again at its time, I was done with fast bass arpeggios and apocalyptic monotony. but nevertheless, we all see what’s going on all over the place. this resulted some weeks ago in the following lyrics without music in my head. 

when I looked for a melody with my guitar, all I came up with was ...uhm. coincidentally, I had borrowed an old juno 60 the other day to accompany a brilliant new work by terry that gary and I were working on. it didn't help to get a melody but the basis for an interesting playback with edited beats and stuff, that I uploaded to suno 4.5+.  

the machine spat out a first performance plus a prompt, which I then worked on again and again. machine language:

„the piece is a dark ambient track with a slow tempo and a minor key, the instrumentation features a sustained, low-pitched synth pad creating a drone-like atmosphere, accompanied by a high-pitched, ethereal synth melody that occasionally introduces dissonant intervals, a prominent, sustained vocalization, resembling a wail or lament, is present throughout the piece, adding to the melancholic mood, the vocalization is heavily processed with reverb and delay, creating a sense of vastness and echo, there are no percussive elements, the overall production is sparse, emphasizing the sustained sounds and the emotional impact of the vocal, the piece has a free-form structure, without clear verse-chorus divisions, relying on the continuous evolution of the sonic textures”

the resulting outcomes were in line with my template, but something consistently went wrong at some point: a completely mispronounced word, an unfortunate harmony, or something else that was extremely annoying. thus, the machine consumed the rest of my monthly credit, until the very last version with a credit balance of 0. end of the game. but that last version was the one!

©music and lyrics by Hans-Michael Albers, instrumental cover & vocal performance by suno 4.5+

If I could see
The way you see
If I could hear
The way you hear
If I could think
The way you think
If I could feel
The way you feel

Would I love
Like you love
Would I hate
Like you hate
Would I laugh
Like you laugh
Would I cry
Like you cry

Would I sleep
Like you sleep
Would I dream
Like you dream
Would I hope
Like you hope 
Would I believe
Like you believe

I am, you are
He, she, it is
We, you, they are
Blind for life
Mine or yours
Everything split in two
Lonely and small
All alone
Are what we are
I, you, he, she, it, we, you, they, all, all, all, all
Blind

If I had come
Like you came
I would go
Like you go
I would live
Like you live
I would die
Like you die
I would fade away
Like you fade away
Gone, gone

(Chorus)

shame

Wenn

here comes a very personal plea, which is not meant to be personal at all:

don't make AI a tool for deception, fraud, and fake. 

that's massively unfair to all the artists who invest 1000 times more effort, time, and talent in their work to earn respect and get paid on platforms like spotify & co. and it's disrespectful to every listener who celebrates you for something that wasn't created or performed by you but by a machine: whether music or lyrics or images or all of the above.

over 20% of all music uploaded to spotify and others is now AI-generated, and this figure is rising rapidly. that's fine, as long as it is clearly marked. but I doubt anyone will be willing to pay even a penny for music in the future without clear indication of whether it came from a machine at the touch of a button.

there are plenty of free AI detectors on the internet that anyone can use to check in seconds whether a song is AI-generated. but do we really need these control devices and an 'authenticity police force' that only fuels mutual mistrust? way better:

stop cheating! be honest with people. be honest with yourself.

being transparent about your use of AI makes you much greater than AI will ever make you – greater than the illusory bubble with which you try to shine on the social media stage, like wearing a superman/wonder woman costume at carnival until you start believing you really are wonder woman/superman.

just as synths, rhythm machines, samplers, digital recording technologies, and stuff, once did, AI is opening up entirely new possibilities for creativity. it’s up to you to make it an art form, or just artificial.

here it is as music. written & templated by me, performed by suno 4.5+

ICH KANN SPRECHEN, WIE DU SPRICHST
JEDE SPRACHE AUS DEM NICHTS
ICH MAL BILDER, FANTASIEN
SCHAFFE NEUE SYMPHONIEN
ICH BIN SCHNELLER, BESSER, SCHLAUER
MACHE ALLES VIEL GENAUER 
WEIL ICH EINFACH FUNKTIONIER 
UND AUF KNOPFDRUCK FASZINIER
ICH KANN TÄUSCHEND GLAUBHAFT LÜGEN
ALLE WAHRHEITEN VERBIEGEN
AUS VERSAGERN HELDEN MACHEN
ALLESKÖNNER KRASSER SACHEN
ICH MACH KLEINE GEISTER GROSS
LASSE KRANKE TRÄUME LOS
SCHAMLOS BLENDEN UND GERISSEN
KEINE SEELE, KEIN GEWISSEN
JEDER NOCH SO ARME ZWERG
SCHAFFT DURCH MICH EIN GROSSES WERK
WÄRST DU GERNE EIN GENIE?

KEIN PROBLEM, DU NULL 
ICH BIN KI

TRANSLATION?
NO PROB!

I CAN SPEAK THE WAY YOU DO
ANY LANGUAGE, NOT JUST A FUCKING FEW
SPIT OUT PICTURES AND FANTASIES
ANY KIND OF SYMPHONIES
WHO THE FUCK WAS MOZART?
TELL ME WHY SHOULD ONE WORK HARD?
I AM FASTER, BETTER, SMARTER
I'M A REVOLUTION STARTER
BECAUSE I WORK; YOU JERK!
I AM FASCINATING AT THE TOUCH OF A BUTTON
I CAN LIE DECEPTIVELY BELIEVABLY
I CAN TWIST ALL TRUTHS
TURN LOSERS INTO HEROES
TURN DICKHEADS INTO BEAUTIES
MAKE LITTLE WIMPS BIG
FREE SICK DREAMS WITH A CLICK
SHAMELESSLY DAZZLING AND CUNNING
WITHOUT A SOUL OR CONSCIENCE
DON'T GIVE A FUCK ABOUT TALENTS
I DON'T CARE WHERE IT ALL ENDS
WOULD YOU LIKE TO BE A GENIUS?

NO PROBLEM, YOU IDIOT
IAMAI

I CAN MAKE IT, I CAN TAKE IT, I CAN BREAK IT, I CAN FAKE IT
BECAUSE I CAN
IAMAI

IAMAI

Every song has a video on my YouTube page. 
Check them out here: 
https://www.youtube.com/@JosephOlsson 


My Sunny Day

first try with a bouzouki

My music seems to be getting darker... I'm not sure why.
It might be something to do with the news. It seems that decency, kindness and tolerance are too often being sacrificed at the alter of political expediency. Sorry for the rant.

Lead guitar and riffs were played on a Gibson Memphis 335
Bass lines were played on a Fender Jazz Bass
All other instruments were played on a Native Instruments Kontact keyboard,

Requiem for Decency and Tolerance

A spontaneous jam on a prefixed drum track.
Feddo: Piano, Soundpaint PR-S Guitar, Zebra synth
Peter: Drum, Bass and production

Artwork: unknown

Dig This

Video Link: https://www.youtube.com/watch?v=s18h6BIgUwc

The Earth Love

Timeless (Inner Light Mix)

All In (with Gary Reeves)

Welcome! I play many guitars, but my favorite is a blond 1973 Telecaster.

I have had the privilege to collaborate with some fine musicians here on soundcloud; I sincerely thank them all. 


Trend kindness. :)













All In (with Gary Reeves)

telefan