Name: Cries Of Ages (cover) by telefan
Duration: 5 min 34 s
Description: I'm really enjoying my midi keyboard; it's another color on my palette. This is a cover of Doyle Bramhall II's song.

Really cool cover, nice sound Télécaster !

Superb Jim! I have not heard the original song before!

Hip hop sans autotune s'il vous plait...

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J'en ai bouffé des médias, des nouilles et des rats
Tous les jours on m'a gavé on m'a pas dit pourquoi
Mais quand tu vis dans ton trou, au fond du sofa
On te demande plus ton avis tu sais même plus t'es quoi

J'allume encore mon écran comme s'il y avait plus que ça
Je suis trollé c'est sans arrêt par des crétins comme toi
Qui me font chier toute la journée, il parait qu'ils ont le droit
Des crédules qui chassent en meute, je suis devenu leur proie

C'est pas mon jour ce matin j'ai perdu ma voix
Je suis rayé, je peux plus voter car c'est chacun pour soi
Y a plus que des malins comme ça, au bord de la loi
Qui se demandent, ces candidats, si je peux tomber plus bas

T'en fais pas
Je suis là pour toi
Mais papa
Qu'est ce que je fais là ?
Qu'est ce que je fais là ?
La vie s'écoule devant moi

On m'a proposé la foi, de suivre le doigt
Un avenir après ma mort si je connaissais les pas
J'ai pas compris la logique de devoir faire un choix
C'est quoi l'idée frère moi dans le doute je miserais sur les trois ! 

Et quand ca tourne dans ma tête ça commence comme ca
Mais que faire jour après jour dans ce petit monde étroit
Quand j'ai compté tout ce que j'ai et ce que je dois
C'est là que je me dis que faudrait que je trouve un nouveau combat  

Alors c'est bon j'ai compris, je serai bientôt le roi
De tous les cons tu vois mais je terminerai pas sur la croix
J'ai pris le créneau des fachos, des paumés de la joie
C'est pas dur, c'est l'avalanche ! Allez ! Votez pour moi !

T'en fais pas
Je suis là pour toi
Mais papa
Qu'est ce que je fais là ?
Qu'est ce que je fais là ?
La vie s'écroule devant moi

Enfin tu votes, c'est mieux que raler, mais qu'est ce que t'attendais ?
Un peu d'espoir, une belle histoire et même si c'est pas vrai
Un jour tu comprendras que c'est pas moi qui changerai ta vie
Que ce sont tes choix qui pas à pas t'ont mené jusqu'ici

Si t'arrêtais un peu de croire à tous ces messies
Un peu de bon sens un peu d'amour c'est mieux qu'un tas de conneries 
L'éducation c'est la clé de l'ouverture d'esprit
Tu sais la vie c'est que du bruit qu'on change en symphonie
En symphonie

Acte I

Majesty

Stefano Manotti - Borsa Nera

Performed by Stefano Manotti 

Music and lyrics by Stefano Manotti

All rights reserved ©

Arrangement and mixing : Giulio Carmassi (ex Pat Metheny group)

Executive production and mastering : Paolo Schianchi and OmniaMusica Recording Studio

TESTO

Volevo festeggiare con te
Ma mi accontenterò del vino
Sono passato da noi e ho preso già quel che avevo
Ma non mi ricordavo di un posto cosi vuoto
Qua ci son fogli che non san di niente,
Contratti dell‘Iren
Ed il tuo calendario
Con le frasi fatte di 365 giorni di felicità
E qualche peluche che ho nascosto nell’armadio
Ma come sempre ti ho lasciato un’anta aperta
E di sette anni non c’è
Non c'è già più una traccia
Basta poco ad abituarsi
Ad amarsi
E a svegliarsi con tutta un'altra faccia
La faccia di chi è lontano
Con una maniglia nella mano
Con una maniglia nella mano
E devo far presto a non lasciare traccia
Devo lasciarti le chiavi nella posta
Devo riuscire a chiudermi la porta alle spalle
A pensare che non c’è niente
Di eternamente stabile
Nessuna colpa da distribuire
Nessun ritorno in gran stile
Bisogna ripartire
Al primo vero litigio siamo affondati
È uscito tutto in una sera
Perché i non detti son rimasti tali
Ah, dimenticavo la tua borsa nera
E questa vecchia casa ormai sa di galera

LYRICS

I wanted to celebrate with you
But I'll settle for the wine
I passed by our place, and I've already taken what I had
But I didn't remember a place so empty

Here, there are papers that don't smell of anything
Contracts from the water company
And your calendar
With the clichéd phrases of 365 days of happiness

And some stuffed animals that I've hidden in the closet
But as always, I've left a door ajar for you

And there are no traces left of seven years
There's already no trace
It doesn't take much to get used
To loving each other
And waking up with a completely different face
The face of someone far away
With a doorknob in their hand
With a doorknob in their hand

And I have to be quick not to leave a trace
I have to leave the keys in the mailbox for you
I have to manage to close the door behind me
To think that there's nothing
Eternally stable

No blame to distribute,
No grand return.
We have to start over

At the first real argument, we've sunk
Everything came out in one evening
Because the unsaid things remained that way

Oh, I forgot your black purse

And this old house now smells like prison

Borsa Nera

One Last Chance To Save Her

Bonus track from the new album: Blink Twice - Other Locations [Expanded Edition]

https://moodexhibit.bandcamp.com/album/blink-twice-other-locations-expanded-edition

Other Locations was originally released in 1996 on the German record label Broken Seal. It was the first CD release from Blink Twice and the label's second release.
At the time there was a zine culture in electronic music, where artists would send their cassettes through the mail to different underground music zines for review across the globe. It was really the only way to get one's music heard.
After putting out numerous cassettes in the early to mid 1990s, Blink Twice had earned a reputation as a unique dark ambient artist in America.
www.discogs.com/artist/48238-Blink-Twice

The dark mysterious sound of Blink Twice resonated in European countries, with favorable reviews in the Slovakian zine Crewzine, the Belgian leading electronic magazine Side-Line, Phosphor, and Wounded magazine from Lithuania. Blink Twice was also featured in American industrial magazines Outburn and Industrial Nation, as well as sonic-boom
sonic-boom.com/review/blink.twice-1.html

The sound of Blink Twice earned comparisons to artists like early Delerium, Dead Can Dance, Nightmare Lodge, SPK, and some of the Cold Meat Industry roster from Sweden such as Raison d'etre, Morthound, and Deustch Nepal. Although generally classified under the genre of "dark ambient", Blink Twice utilized much more melody and percussion than most ambient. Many tracks display the melodic layering and tribal percussion that are showcased in some current Mood Exhibit material.

"Other Locations" is finally available here on the Mood Exhibit Bandcamp page, Robert Salchak's official distribution for all his music.
It includes a large selection of bonus material from the era (1993-1996) that was either never released or only available on cassette.

Hidden as the last track is an epic nearly 15 minute tribal ambient excursion that can only be described as Dead Can Dance era Spiritchaser" (1996) meets Delerium era "Spheres I"(1994)

It is an essential historic document for followers of Mood Exhibit, as well as any fan of dark ambient/neoclassical/tribal/cinematic sounds.

Album

Blink Twice - The Brighter The Moon, The Darker The Shadows

Trip In

About now

Sugar and spice… Little Miss Maisie

[ d o w n l o a d a b l e ]

Cute

Swish

I'm really enjoying my midi keyboard; it's another color on my palette. This is a cover of Doyle Bramhall II's song.

Cries Of Ages (cover)

memento

Welcome! I play many guitars, but my favorite is a blond 1973 Telecaster.

I have had the privilege to collaborate with some fine musicians here on soundcloud; I sincerely thank them all. 


Trend kindness. :)













Cries Of Ages (cover)

telefan

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