This Hollow Machine is Chad VanPelt and Tom J. Lynch.

ACHTUNG!
Wir mussten alle Mixe hier löschen.
Ihr findet sie alle bei MIXCLOUD:
https://www.mixcloud.com/nachtplan/
Wir mussten das tun um den Account hier nicht ganz zu gefährden.

ATTENTION!
We had to remove all the mixes her just to prevent full ersaement of our profile here.
You can find them all at MIXCLOUD:
https://www.mixcloud.com/nachtplan/

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nachtplan ist die unabhängige Veranstaltungsübersicht (Print) für Parties, Konzerte etc. für die Dark-Gothic-Electro-Industrial-Szene im Ruhrgebiet und darüber hinaus mit den Städten Düsseldorf, Köln, Krefeld, Leverkusen, Münster, Wuppertal, Bonn und Aachen und der Gegend dazwischen.
Das Gebiet beherbergt einige der größten und wohlbekannten Festivals wie Maschinenfest, Forms Of Hands, Amphi Festival und Blackfield Festival.
Mit über 150 Terminen pro Monat ist diese Gegend wohl auch schwarz-szenig gesehen das größte "Ballungsgebiet" der Welt.

Tipps zum Ausgehen gibts als pdf hier: www.nachtplan.info
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nachtplan is the independent event-calendar (print) for the Dark-Gothic-Electro-Industrial-scene in Europe's most crowded area, Germany´s Ruhr-area, and beyond including cities like Düsseldorf, Cologne, Krefeld, Leverkusen, Münster, Wuppertal, Bonn and Aachen and everything inbetween.
It's "territory" includes some of the biggest and well-known special-festivals like Maschinenfest, Forms Of Hands, Amphi Festival and Blackfield Festival, just to mention a few.
More than 150 events per month show that this area is the darkly most-crowded area in the world!

Get your info about where to go out here as pdf: www.nachtplan.info

Impressum / Imprint

Andreas Behnke
Bochumer Str. 239
45661 Recklinghausen
Telefon: +49(0)1702838216
Email: andreas(at)nachtplan(Punkt)info

Steuernummer beim Finanzamt Recklinghausen: 340/5021/1772
Internationale Umsatzsteuer-ID (Tax-ID): DE 250615395

dark, futuristic, optimistic sounds from Seattle

inquiries: foveate@chemlab.org

"birdsong" out 4/5

Song writer/composer, producer, sound designer and remix artist from Norway.
Currently located in Vancouver, BC, Canada.
Zero or 100 is the attitude, 11 is the volume!

Xenomorph Productions is the name of my independent studio I work from primarily and to which I own. It is where I create music, do remixes, work on production or mastering of other peoples work, as well as my own and also where I conduct any graphic design or other creative subject from. Xenomorph Productions is known for the edgy sound and groove. Whether it is high energy EDM/Metal/Industrial or melodic downtempo Trip-Hop; Xenomorph Productions provides.
My music has been licensed to NASCAR, Disney, Americas Next Top Model, MTV Cribs, E-News, America’s Got Talent, Access Hollywood, Face Off, and more [check Licensing section]. I have done production work for Alphaville, KMFDM, as well as remixes for Rammstein, Juno Reactor, Nitzer Ebb, Alphaville, and many more [ check Remixes section ]
In terms of company and a bit of personal history my first release was in 1995 [ 4-track tape ] on a Norwegian Compilation CD. My musical journey started with the most basic equipment working my way from 100% analog up to today's digital setups. This allowed me to experience how things used to be created and recorded bringing that experience to the digital age. I have released music professionally since around the year 2000, giving me about 18 years of experience with music and the music industry.
I have written music in genres ranging from EDM/Industrial/Metal to Synth Pop/Trip-Hop and Orchestral.

You may have heard my work through Icon Of Coil, Komor Kommando, MELT, Zombie Girl and a few one of projects like Bruderschaft, Muscle And Hate [Nitzer Ebb Tribute] ++

My production and music has been placed in :

- Race To Witch Mountain
- NASCAR Promo videos
- America's Next Top Model
- Stylista
- Vampire Diaries
- Bravo A List Awards
- WCG Ultimate Gamer
- One Tree Hill
- Smallville
- E News
- Real World Road Rules, and more.

A write up from FIXT Music, USA :

"With roots grown from aggressive electronic artists such as Prodigy, Front 242, Nitzer Ebb, and Frontline Assembly, Sebastian Komor
experimented with a variety of techno/EBM projects in the mid-90s before forming Icon of Coil with vocalist Andy LaPlegua in Norway, in 1997. Icon of Coil was soon signed to Tatra Records, and within a few short years was known worldwide as one of the seminal acts in the new Futurepop genre. The mid 2000s saw Komor expand into additional genres such as aggrotech and industrial dance with new projects Komor Kommando and Zombie Girl, both on Belgian label Alfa Matrix. Meanwhile Komor amassed a gargantuan list of remix credits for world-class artists including Apoptygma Berzerk, Theater Of Tragedy, VNV Nation, KMFDM, Alphaville, Celldweller, Front Line Assembly, and Juno
Reactor.
In late '07, Sebastian came to the attention of FiXT Music. in 2010, FiXT released Komor's full-length Squarehead and Moonitor projects. Most recently Komor has put all of his focus on Melt, a full-band industrial metal machine now signed to Metropolis Records."


Napalm Bettie never really had a particular interest in music, and is only really getting into DJing because after burning up various societies all over different parts of the world she’s beginning to feel that some might feel left out.   She comes from a middle-class, suburban home, where she shuffled her way through the educational system without any major incidents and moved on to the nearest state university to pursue some sort of a degree. Once she dropped out of college, she was instantly drafted into service.  Her parents supported her through school and most of her military service time, so she was able to buy cassettes and CDs when she liked, (and the occasional vinyl record,) and she would sometimes indulge in musical whims: she bought a used Roland 606 from a pawn shop during a moment when she was fascinated by sampling technology and, not knowing its market value, sold it back to the pawn shop for $20 when she got bored with it. The same thing happened to a guitar, an ill-fated hamster, a Dungeons & Dragons gaming set, and a screen printing kit. Despite her financial security, she did have a part-time job during high school at a chain fast-food restaurant, where the only important thing she learned is not to call Banda music “mariachi” music, particularly in the presence of those Latino guys that were always working the fryers.
Napalm Bettie used the funds from her lucrative military position to buy all the top-of-the-line gear on a whim, which she may or may not be using after a month.   Too impatient to learn through trial-and-error and observation, she purchased several “How to DJ” instructional videos and hired a local wedding/event DJ to have him teach her how to mix records. Bettie’s musical influences, selections, and style may change about as frequently as she changes her clothes but that seems to be overlooked depending on the clothing she chooses.
Napalm Bettie feels quite good about her infrequent gigs over the past few years, (chemical warfare has become illegal you know,) which some people in attendance have described as “surprisingly hot.”   Some event promoter guy has expressed interest in booking her as an opening DJ, and with the world’s current political climate there is some promise that she might even get booked out of town again.  She hasn’t played with any internationally-known DJs (or nationally-known, for that matter), but she once gave some important DJ a ride and he had very polite things to say about the mix CD that she was playing on repeat the entire drive into town.  Other DJs have said that Napalm Bettie  is “a very nice girl” and “vaguely memorable.”  She has enjoyed moderate success with his first track, “Stick it to em’, Burn, and Continue,” which has garnered support from a handful of B-list DJs—although maybe they were just providing support to increase their own profile in the industry.
Napalm Bettie doesn’t really know what she’s up to next.  When asked where she sees herself in five years she says, “I don’t know, I’ve been digging this DJ thing alright, but it just doesn’t feel all that important to… Oooo!  That’s shiny!!!” 







Napalm Bettie never really had a particular interest in music, and is only really getting into DJing because after burning up various societies all over different parts of the world she’s beginning to feel that clubs might feel left out. She bought a used Roland 606 from a pawn shop at a point when she was fascinated by sampling technology and, not knowing its market value, sold it back to the pawn shop for $20 when she got bored with it. The same thing happened to a guitar, an ill-fated hamster, a Dungeons & Dragons gaming set, and a screen printing kit.  Napalm Bettie used the funds from her lucrative military position to buy all the top-of-the-line gear on a whim, which she may or may not be using after a month.   Too impatient to learn through trial-and-error and observation, she purchased several “How to DJ” instructional videos and hired a local wedding/event DJ to have him teach her how to mix records. Bettie’s musical influences, selections, and style may change about as frequently as she changes her clothes but that seems to be overlooked depending on the clothing she chooses.  Napalm Bettie doesn’t really know what she’s up to next.  When asked where she sees herself in five years she says, “I don’t know, I’ve been digging this DJ thing alright, but it just doesn’t feel all that important to… Oooo!  That’s shiny!!!” 


I am a Washington DC area electronic music producer, who records textured dark electronic music.  I've released numerous albums with several labels and have recorded in multiple genres.

Teleoptyk is a Washington DC area industrial project.  Teleoptyk began in 2007 as a dark ebm and industrial downtempo side project of Maduro with three EPs released on Octofoil Records. However, the project was rebooted and expanded following the 2012 appearance on Alfa Matrix's Endzeit Bunkertracks VI compilation.

Teleoptyk is following