Taken from "Zoo Du Quebec" - TER038 - December 8th, 2015 

10": http://www.telephoneexplosion.com/products/moss-lime-zoo-du-quebec-10-inch-pre-order

Cassette: http://www.atelierciseaux.com/shop/

Moss Lime "Comfy Cotton Shoes"

tonight

wish i was told that you were so awful.mp3

The second single from the full length album, "Annabelle".

Observatory

We Used To Ride

“Its sureness and subtlety say more than a few gauche early pullquotes” | PITCHFORK
http://pitchfork.com/reviews/albums/17355-persistent-malaise/

“The songs do this wonderful thing, where they just gnaw on you” | DAYTROTTER
http://www.daytrotter.com/#!/concert/cold-pumas/20056359-37383554

“The methodically planned looseness of ‘Persistent Malaise’s constant groove is thoroughly captivating” | LOUD AND QUIET
http://www.loudandquiet.com/2012/11/cold-pumas-persistent-malaise/

“I can’t think of a better album from a British band all year” | NORMAN RECORDS
http://www.normanrecords.com/records/136796-cold-pumas-persistent-malaise

Fog Cutter

Music Video:
https://www.youtube.com/watch?v=niMo8pIDBLg&feature=youtu.be

From the debut LP "Dream Noise", OUT NOW (Oct 25)

Spotify: https://open.spotify.com/artist/0TNbbDnUI0aEhgQatSwB7j?si=8hhbxoikRpWW0pZ7eaKiNg

“Dream Noise” was recorded in the summer of 2018 at Candle Recording in Toronto, produced by Josh Korody (“The Dirty Nil”, “Tallies”, “Weaves”) and mastered by Sarah Register in NYC (“Future Islands”, “Depeche Mode”, “Lower Dens”). 
Capitol are influenced by an array of genres from 70s punk to modern indie rock, and “Dream Noise” captures the decades in 11 eclectic tracks. 

Support CAPITOL:
capitol-band.bandcamp.com/album/dream-noise

---------------------

I am “Skull of a Skeleton
With Burning Cigarette”
You can hold my throat wide open
And build a well out of my neck
I need a bottle of water
A better plan for my demise
Some martini sipping darlings 
Have thrown sugar in my eyes

Let them see only sweet things
Let them see

Tendrils of smoke embrace me
In the likeness of a terrified heart
But it doesn’t make a difference 
If you were my Valentine or not
There’s movement in the corner now
Of an oily crooked mouth
And a whisper in my ear 
Is telling me I hear too much

So I might cut it, cut it, cut it
I’d cut it off

My eyelids feel heavy
My eyelids feel so heavy

I’ve never been to Paris 
And I don’t know a lot about love
But I recognize a dead heart 
When I see one
Memory that tries to rob   
The stiffness from my upper lip
Like a baby crawling on the ceiling 
Or a raven on the sill

So I shut it, shut it, shut it
I shut it out

My eyelids feel heavy
My eyelids feel so heavy

Punish yourself – 
What did you say?

My eyelids feel heavy
My eyelids feel so heavy

Dream Noise

Never Been to Paris

Melbourne's Constant Mongrel (featuring members of Terry, Woollen Kits, Taco Leg and Nun) return with a new 7” via Upset The Rhythm in conjunction with their 2019 European tour. ‘Experts in Skin’ is the little sister follow-up to 2018’s ‘Living In Excellence’. The A side single holds the familiar post-post punk angst the band is known for, only building ever higher with a triple saxophone flurry and singer Tom Ridgewell’s mutters on the often awkward nature of mainstream consumerism. On the flip side the band turns to its pop sensibilities producing the tough but sweet sounding ‘Schnuki’. Bassist Amy Hill’s bouncing vocals contrast to the anarcho-punk growls below. Subject matter being another complaint about people that are really fake nice. Can I help you darling? Honey? Sweetie? Deary? Pumpkin?...... no thanks. Constant Mongrel have previous releases available on RIP Society, La Vida Es Un Mus and Siltbreeze.

Release date: 7 June 2019

http://www.upsettherhythm.co.uk/

Experts In Skin 7"

Constant Mongrel - 'Shnuki'

Taken from Cold Pumas' debut album – Persistent Malaise

Released 05/11/12 on Faux Discx / Gringo Records / Italian Beach Babes

COLD PUMAS – Sherry Island

Release date - March 6, 2020

Los Angeles’ The Paranoyds continue their streak of reminiscent sci-fi boogie with “Memory Foam”. On this unearthed outtake from their 'Carnage Bargain' recording session, the band ruminates on the tedium and loss of innocence that comes with adulthood. “Memory Foam” is a playful track with a rhythm that encourages you to do a dance and evoke the spirits to ward off all the guys without jobs still living off of their parents.

2020 TOUR DATES 
3/5 - Los Angeles, CA, @ Museum of Skateboarding

The Paranoyds SXSW 2020 Schedule 

3/18 - Desert Daze @ Hotel Vegas - 6:30p
3/19 - Third Man Records @ Volcom Garden - 2:50p
3/19 - Levitation @ Hotel Vegas - 11:25p 
3/20 - Grey Estates @ Hole in the Wall - 2:10p
3/20 - Vans @ Barracuda 
3/21 - Thrasher @ Better Half - 2:10p
3/21 - Burgermania @ Hotel Vegas - 4:15p
3/21 - Siren Sounds/Har Mar Superstar @ Cheer Up Charlie’s - 10p

European Spring Tour

4/22 - Berlin, DE, @ Urban Spree
4/23 - Hamburg, DE, @Molotow Skybar
4/25 - Le Havre, FR, @ Musee D’Histoire Naturelle 
4/27 - Antwerp, BE, @ Cabron
4/28 - Paris, FR, @ Espace B
4/29 - Lyon, FR, @ Le Sonic
4/20 - Luzern, CH, @ Neubad-Keller 
5/02 - London, UK, Shacklewell Arms 

5/30 - Riverside, CA, @ MTL Concert Venue & Lounge

The Paranoyds - Memory Foam

Los Angeles-based group The Spyrals are gearing up to release their new album ‘Same Old Line’ on October 30th. Taking cues from The Velvet Underground, 13th Floor Elevators and The Stooges by way of Neil Young, Bob Dylan and Muddy Waters, the record sees the band carve out eight songs of raw, back-to-basics rock’n’roll that marries white-knuckle garage-blues, psychedelic repetition and sun-baked alt-country to create “something new with an old soul”. The record is their fourth full-length to date and their first since signing to London-based label Fuzz Club.  

Armed with a guitar, harmonica and fuzz pedal, band-leader Jeff Lewis formed The Spyrals when he was living in San Francisco in the early 2010s. Now, though, he’s based in Los Angeles and finds himself backed by a new line-up of musicians. ‘Same Old Line’ was cooked up in new drummer Dash’s garage and recorded over the course of a few days and nights straight to a Tascam tape machine. Jeff recalls: “This is the first album recorded with a new lineup after I moved from San Francisco to Los Angeles. At the time of recording we werenʼt sure if this would be a Spyrals album or something under a different name. At some point during the mixing process I decided to keep moving on under the Spyrals name, so to me this album is a real turning point in the band’s history.”

The result is a record that’s just as rooted in the sounds of Nashville and the Mississippi Delta as it is the band’s West Coast garage-rock forebears. “I was heavy into listening to a lot of Neil Young and Crazy Horse during this period too which I can hear in some of the song structures. We actually all took a road trip to Bakersfield, CA to see Neil with Crazy Horse in concert around the time of working on the album.” Lyrically, Jeff says, “it feels like the most raw record so far and the most open and down to earth. Less psychedelic sounds and more real life emotions and situations.” The opening title-track ‘Same Old Line’, for example, is a song about “life’s ups and downs and how some people seem to have it easier than others. We’re all tied together whether we know it or not and in the end we all have our different struggles to get by and keep living.”

Elsewhere, ‘Don’t Turn Me Down’ is a defiant, overdriven ode to “trying to stay positive when obstacles seem to keep coming in the way” and ‘In Your Room’ is a piece of psychedelic alt-country about a “new romance, maybe a short fling, and wanting something to work out that you know won’t be possible”. Charting similar themes, ‘There’s A Feeling’ is about love and travelling (“two things that can be hard to do at the same time”) and ’Goodbye’ is an observation that “life is short and even the stars fade away eventually”, both delivered through the medium of stomping, blues-inflected garage-rock. ‘Just Won’t Break’, on the other hand, is a song about the American Dream and it's hopeless shortcomings, Jeff offering the following advice for his fellow country-men and -women: “Don’t let it get you down. Most of us are still waiting for it to come true.”

Arriving off the back of their 2012 self-titled debut, 2013’s ‘Out of Sight’ and last year’s ‘The Curse’, ‘Same Old Line’ marks a new chapter for the band who have spent the last decade picking up a growing international reputation for their fuzzed-out, driving rock’n’roll. They’ve played with the likes of Spectrum/Sonic Boom, Moon Duo, Fuzz, The Warlocks and Spindrift and performed at such festivals as SXSW, Desert Stars Festival, LA Psych Fest and in 2015 they even headlined a festival in Southern Russia (‘Spring Beat Festival’), one of the first US bands to play in the area. Right before the Covid-19 lockdown set in this year they’d also wrapped up a headline European tour just in the knick of time.