Inner Fear

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  Born in Tacoma, WA, $wift creates music that bridges extremes — high-energy chaos and atmospheric
 calm. Pulling from rap’s lyrical depth, metal’s power, EDM’s pulse, and chillwave’s texture, he forges a
 sound that feels both raw and cinematic. Known for his DIY ethic, he produces, mixes, and masters
 every track himself. His songs are built for late nights, loud rooms, and listeners who want music that
 hits with emotional truth and sonic adrenaline.

 KEY STRENGTHS
 • Genre Fusion: Seamless blend of rap, metal, EDM, and cinematic elements.
 • Authenticity: Fully self-produced, no ghostwriting, no artificial processing.
 • Emotional Range: From aggressive and gritty to vulnerable and introspective.
 • Cinematic Quality: Tracks feel like movie moments — perfect for both headphones and live shows.
 • Consistency: A recognizable sonic signature across the entire catalog.

 NOTABLE TRACKS
 • "Rampage" — High-energy, bass-heavy, gritty with gunshot FX.
 • "Lost Again" — Vulnerable, atmospheric, and introspective.
 • "I Won’t Sleep" — Dark, driving, and hook-focused.

 SOUND & STYLE
 Think Ghostemane meets Scarlxrd meets a film score composer — heavy, cinematic, and unafraid of
 emotional exposure.

 BRAND & VISUAL IDENTITY
 • Theme: 'Embrace both light and dark'
 • Aesthetic: Stark contrasts, neon accents, glitch textures, cinematic imagery
 • Merch: Streetwear-meets-underground distressed prints, symbolic logos, limited runs

 MOVEMENT
$wift’s music is a rallying point for outsiders and night-thinkers   people who live between worlds. His
 growing fanbase is drawn to the honesty, the duality, and the raw energy of his art.

 PRESS & COMPARISONS
 • “Cinematic chaos in audio form.”
 • “As if a mosh pit collided with a midnight drive soundtrack.”
 • 

All tracks Created Using: 
FL Studio 2024 producer/all plug-ins ED, iZotope 11, Ozone

It's a blessing to be able to create music and if someone enjoys my work, that's icing on the cake! All blessings come from God.

As a retired DOD Civil Service worker, I have time to record some. I have been recording at home sice around 1990 and some of my tracks are very old.  I‘ve had 50+ years in bands playing music of many types. I still play the club scene 3 to 4 times a month. Life is good!

I'm a Guitarist who likes to write, record and sing many styles of music. Please check out my tracks. I'm also enjoying the occasional collaborations.  Meeting some good friends on here and continuing to grow. Thank you for listening!


Es una bendición poder crear música y si alguien disfruta de mi trabajo, ¡eso es la guinda del pastel! Todas las bendiciones vienen de Dios. Como trabajador jubilado del Servicio Civil del Departamento de Defensa, tengo tiempo para registrar algunos. He estado grabando en casa durante unos 23 años y algunas de mis pistas son muy antiguas. He tenido más de 50 años en bandas tocando música de muchos tipos. Todavía juego en la escena del club de 3 a 4 veces al mes. ¡La vida es buena! Soy un guitarrista al que le gusta escribir, grabar y cantar muchos estilos de música. Por favor, echa un vistazo a mis pistas. También estoy disfrutando de las colaboraciones ocasionales. Conocer a algunos buenos amigos aquí y seguir creciendo. ¡Gracias por escuchar!

Chris Drabble, based in the Northwest of England, is a rock guitarist who has over 50 years of playing experience.
With nearly 50K streams on SoundCloud in the last 12 months being a mixture of Guitar Rock and softer Ambient instrumental tracks, Chris is now ramping up his rock guitar work with his latest album ‘Foot to the Floor’, which harks back to his youth when rock guitar tracks had a catchy opening riff, and was the sort exciting music you felt you had to tap your foot to. 
His influences include Rush, Led Zeppelin, The Police, Simple Minds, Pink Floyd, Joe Satriani and Jimi Hendrix. He is currently listening to Porcupine Tree, Dream Theatre.

Instrumental rock/ post rock solo project. All rights reserved.
Thanks for your amazing support. Recently, I have reduced my music time. I apologize here that can't reply to all comments.
69twoZERO is a sideproject of TOTHM

https://templeofthehauntedman.bandcamp.com/follow_me

https://soundcloud.com/2econd_skin -> Temple Of The Haunted Man repost

I’m Jesús Fresno, and from my small home studio in Chiclana de la Frontera, I bring to life songs that speak of what hurts and what heals: criticism, love, rage, and hope. I blend hard rock with electronics and anything else that crosses my path, because I don’t believe in boundaries when it comes to sound. I’m inspired by B-movies, science fiction, and that universe where the human and the fantastic blur into one. If you feel like getting lost in a different world—built with guitars, synths, and half-lit truths—listen. You might just find a piece of yourself in what I create.

Amateur musician and producer. I've used this plataform to improve my songs and try new mixes and masters. Your feedbacks are very important for me. 

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”

KEEPING THE ROCK A ROLLIN'..🤘👊


Just an old fart hanging on to life by the strings of my guitar....  An artist weaving my inspirational creations on a canvas void of time, space, texture, tone, colour and sound .....  check it out and enjoy.... Let's Keep the Rock a Rollin'...... on and on and.....on...!!!...  
✌🤘👊🤘✌

I'm still a struggling full time family man and slave to the system, and will be for a few more years I'm sure. But I'm hoping to have my music to fall back on.  I'm only able to be at it part time right now, but have opened my own business with the mission to keep rock alive.  It's an Inspirational Musical enterprise where all your musical desires can be fulfilled.  Show your support by checking it out below...  Let's Keep that Rock a Rollin'..... 

Be sure to show ur support for HVYMTLHPP MUSICAL ENTERPRISES. where we keep that rock a rollin' 24/7 ... we will return it ten-fold.... u may find ur tracks on #the_soundcloud_machine .....

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Stay up to date with all my latest revisions to my upcoming release.... #inspiredresponses .... 
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