Inner Struggle

Something between Ghetto & Goethe !
Rap since 1771 !

This is a genre called Fanta Rock. I love '70s West Coast American music. It's the music that inspires me. I also like Ennio Morricone's style. Then I mix it all up. I play electric, classical, acoustic, and 12-chord guitar. I also play bass.
YouTube Channel: https://www.youtube.com/channel/UCeCBZ4l-tqzB1iYK4sdhYzw

Retired the beginning of 2023. Been writing music seriously for about six years. Thanks for listening - and sharing!

🇩.🇴.🇦
𝔹𝕒𝕔𝕜 𝕗𝕣𝕠𝕞 𝕥𝕙𝕖 💀 
ℝ𝕚𝕕𝕖 𝕠𝕣 𝔻𝕚𝕖 | 𝔽𝕠𝕝𝕝𝕠𝕨 𝕄𝕖 ☟

Song writer and multi instrumentalist with a rock/pop vibe.
Author/musician who enjoys creating.

As a singer/songwriter, I channel a wide spectrum of rock and metal influences to create music that’s both emotionally evocative and technically precise. My sound is shaped by the legendary stylings of Kiss, the progressive intricacy of Queensryche and Dream Theater, the melodic hooks of Foreigner and Def Leppard, the theatrical edge of Styx, and the raw power of Metallica and Avenged Sevenfold.

Driven by a passion for storytelling through music, my lyrics dive deep into personal and universal themes, aiming to resonate with listeners on a visceral level. Whether it’s a soaring chorus or a tightly wound riff, every element of my music is crafted to deliver energy, emotion, and impact. It's rock with heart, precision, and a heavy dose of adrenaline.

Instrumental rock/ post rock solo project. All rights reserved.
Thanks for your amazing support. Recently, I have reduced my music time. I apologize here that can't reply to all comments.
69twoZERO is a sideproject of TOTHM

https://templeofthehauntedman.bandcamp.com/follow_me

https://soundcloud.com/2econd_skin -> Temple Of The Haunted Man repost

Born in 1980 under the name KRT, the band began its journey in the raw energy of live shows — in Spain, including a memorable concert in Burgos, and in Brussels at the Teatro. Those early years, intense and furious, were wiped away overnight: all archives, tapes, posters, and memories stolen in a single car theft, as if someone had tried to erase history itself.

By the late ’80s and early ’90s, the group found shelter in the former RKM studio on Avenue Molière in Brussels, under the demanding ear of artistic producer Jean-Claude Maury. From those sessions emerged Fast Beat and The Ballad of the Mouse and the Bird, defining tracks that carved NUR’s sound into stone — dark, restless, untamed.

After a split and years of silence, the band resurfaced under the name NUR, carried this time by the new promise of the digital age. The music could no longer be erased; it was destined to survive.

But fate struck again: the passing of one of the founding members closed the collective chapter. Today, NUR rises once more, as a solo incarnation. More than a project: a resurrection. A flame still burning, more than forty years after its first spark.

Indie Rock music with sixties influences from London.