Like walking slowly through a secret empty house

I came to check you because Scott Morgan (loscil) follows you.  I can see why, absolutely perfect.  Looking forward to the release.

watch video to this rework here
https://www.youtube.com/watch?v=s484qRcd40s

Moderat - Bad Kingdom (Lambert Rework)

همسات تحت المطر

إن كنت غالى

إن كنت غالى / If you are precious

GoGo Penguin - Wash (Bonus Track)

Artist: Rachel Grimes
Title: The Air In Time
Album: The Clearing
Release Date: May 26, 2015

Rachel Grimes is a pianist, composer, and arranger based in Kentucky – most renowned for her work in Rachel's, the groundbreaking chamber-rock ensemble that introduced an entire generation of underground rock fans to the unexpected similarities and appeal of neoclassical music. Grimes has toured the world as a solo pianist, and as a collaborator with chamber ensembles such as Portland Cello Project, astrïd, Cicada, the Amsterdam Sinfonietta trio, and Orchestra Kandinskij.

Unhurried, at times fleeting, and stretching into the sky, The Clearing is a winding path of transient moments exploring personal memory, relationships, and mystery from a deeply internal place. The music is a wide spectrum of textures in strings, harp, piano, woodwinds, and percussion. Following Book of Leaves (2009), the Marion County 1938 DVD/EP (2011), the Compound Leaves EP (2013), and an album with King’s Daughters & Sons (2011), this new full-length album reveals a broad new chapter for Rachel Grimes.

Several composed pieces evolved from improvisation, such as “In the Vapor”, “The Clearing”, and “Further Foundation”. Others include captured improvisation: album highlight “The Herald”, recorded live with Jacob Duncan on saxophone and Helen Money on cello, and “The Air at Night”, a late-night meditation at a recording session in Antwerp.

The title track, “The Clearing”, was recorded with members of the Amsterdam Sinfonietta following a series of performances for CrossLinx Festival in spring of 2013. After the joy of working together, Grimes proposed a long-distance recording session. Evolving from a single repeated piano note, “The Clearing” begins tense and dissonant with the string trio and piano eventually arriving at a moment of relief and grace – a light in the forest – and then returning again to the material of the opening.

“Transverse Plane” was designed for SITI Company of New York for an actor training stage exercise. In two sections, the piece uses a pre-existing architecture of tempo and underlying compositional structure. The first part – “Vertical” – is a driving, orchestral texture of strings, harp, piano, oboe and saxophone with Kyle Crabtree (Shipping News) on mixed percussion. The second half – “Horizontal” – unfolds from a mist of strings with slow-moving chords and features Christian Frederickson (Rachel's) in an angular and expressive viola solo.

Inspired by the wind and sky, “The Airs” feature violinist Scott Moore. Written with a single theme and mode, the suite becomes a connective tissue for the album’s various textures. In perhaps the album's most vital collaboration, Scott Morgan (aka LOSCIL) provides the delicate processing and additional depth of field that invites outsiders to enter this fluid space for their own experience.

© 2015 Temporary Residence Ltd.

Buy CD / LP

Rachel Grimes – The Air In Time

Turtle Remix of Matt Emery's 'L For Luna' as part of 'Empire Remixes' EP

You can purchase the track here: https://injazerorecords.bandcamp.com/album/empire-remixes

For more from Matt visit:

Facebook: www.facebook.com/pages/Matt-Emery…1727?ref=profile
Twitter: twitter.com/mattemerymusic
Soundcloud: @mattemery

For more from Turtle visit:

Facebook: https://www.facebook.com/weareturtle?fref=ts
Soundcloud: https://soundcloud.com/weareturtle

Matt Emery - L For Luna (Turtle Rework)

‘Apologues’ will be released by Erased Tapes on September 11, 2015 on LP/CD/DL and can be pre-ordered from www.erasedtapes.com/store/index/ERATP075

Masayoshi Fujita, the Berlin-based Japanese vibraphone player, also known under his alias el fog came to the attention of label founder Robert Raths a few years ago. Not only because the vibraphone is an intriguing instrument, but also the way Masayoshi treats his instrument and draws ethereal and layered sounds, is what truly attracted him to Masayoshi’s work.

Having released more ambient-based/electronic recordings of the vibraphone under el fog, Masa became more interested in the sound of the vibraphone itself. He started to compose acoustic pieces and released the first solo album under his real name, titled ‘Stories’, in early 2013. ‘Apologues’ sees Masayoshi for the first time use an array of instruments besides his lead instrument – such as the violin, cello, flute, clarinet, French horn, accordion, piano and snare drum played by friends, but arranged by Masa himself.

In addition to the mallets, Masayoshi often plays the vibraphone with a violin or cello bow, like on ‘Tears of Unicorn’ and ‘Knight and Spirit of Lake’. He would also place bead strings on the vibraphone bars to create an ambient shimmer that can be heard on songs like ‘Moonlight’ and ‘Swallow Flies High in the May Sky’. The latter was composed to let the clarinet express its characteristics and tell its story, whilst the vibraphone takes a supporting role. “The clarinet sounds very warm and soft and very ‘spring’ to me”, says Masa.

“With this album the main idea was to evoke images, atmospheres, sceneries and stories in the listener, the images that have accumulated in myself. At the same time it was an exploration of the unexplored beauty of the vibraphone, and also a pursuit of the charm of the instrumentation and the music itself. Erased Tapes releases a lot of great stuff and naturally became my favourite label of late. And I thought it would fit well to my music.” – Masayoshi Fujita

OFFICIAL WEBSITES: masayoshifujita.com · erasedtapes.com

Apologues

Tears Of Unicorn

Buy LP/CD/DL

Masayoshi Fujita – Tears of Unicorn

Buy Album: https://seabuckthorn.bandcamp.com/album/i-could-see-the-smoke

Lost Tribe Sound releases ‘I Could See The Smoke', an EP from UK guitarist/multi-instrumentalist Seabuckthorn, the EP is available on a limited cassette tape edition and digital. Since the recent success of guitarist Western Skies Motel’s album ’Settlers’ in April, the tribe has hit the jackpot this year signing another of the most interesting guitarists around. Andy Cartwright who records under the name Seabuckthorn came to our attention last year, after a wise suggestion from composer William Ryan Fritch with his full-length album, ’They Haunted Most Thickly’ on the admirable French label, Bookmaker Records. After taking a deep listen, the awe set in. Could this be the missing link between the bombastic, world building intensity of William Ryan Fritch and the sublime, droning meditations of Western Skies Motel? 

Seabuckthorn’s unique breed of guitar-based compositions have the ability to shift gear with such natural ease. Cartwright wields his weapons wisely, choosing a minimal, yet powerful arsenal made up of various twelve string guitars, a well worn resonator guitar, and deep accents of percussion. We hesitate to single out a particular style in the case of Seabuckthorn, as it rests comfortably alongside many genres. Americana and British folk are easy tags. The music also borrows from modern classical and drone. At times, even subtle cues of the Middle East enter the picture. Yet something more ancient is at work here, that recalls the minstrels of old, or the seafaring hymns of a long forgotten civilization. At times, the music comes full force, like an intense hunt through darkened woods, unleashing the resonator like half-tamed hounds, wild and relentless, a sickly horn-like sound rises from haze, a claustrophobic dread setting in the mind of the prey. In other moments, Cartwright's music plays with subdued, visceral tones that immediately fill the mind with imagined, yet familiar scenes: the hushed ember-lit nocturne for a desert at dusk; or the weary basecamp reveries at the summit of impassible cloud-capped mountains. 

Cartwright notes in his own words that, "'I Could See The Smoke' is an arrangement of ideas gathered whilst on a European tour throughout June 2016, along with a couple of older songs I've been playing live for a year or so. After the tour, I returned home to Bristol eager to strike while the iron was hot and try to capture these compositions. Recorded & mixed over a period of two weeks whilst feeling the heat (both literally & politically) I opted for a threatening, even apocalyptic EP title. Saying that, I think most of these songs can offer up a tranquillity to counteract the gravity of these uncertain times, a calm inside the eye of a storm."

Mastered by William Ryan Fritch

I Could See The Smoke

Overgrown Courtyard

Buy Album

Seabuckthorn - Overgrown Courtyard (from I Could See The Smoke)

BUY THE ALBUM on CD/LP/DL or Special Edition CD/LP Box: http://www.erasedtapes.com/store/index/ERATP045

ABOUT:

October 22nd 2012 will see Peter Broderick release his brand new studio album on Erased Tapes, entitled 'These Walls Of Mine'. Held together by a dialogue of voices, this album reveals Peter’s innermost thoughts in an intimate yet playful way. An exploration from gospel and soul to spoken word, beatboxing and rap – this is Peter at his most natural.

'His prodigious reputation continues with These Walls of Mine' – BBC Music

'You'll fall for Peter Broderick's humour and ingenuity in the end' ★★★★ – Q Magazine

'At times emotive and playful, Broderick has created a cohesive album of delicate, Russell-esque melodies with enough wonkiness, experimentation and spoken word to make a unique, personal and engaging release of happy accidents' – Exclaim!

‘I've Tried is a delightful appetizer to his soulful upcoming LP’ – Noisey.com

OFFICIAL VIDEO TRAILER: http://vimeo.com/erasedtapes/thesewallsofmine
OFFICIAL MUSIC VIDEO: http://www.youtube.com/watch?v=mvSIzYjPHts

IN HIS OWN WORDS:

“I had recently been experimenting at home with a microphone and a laptop, recording and uploading new songs for free online, each one alongside a photo and some words, and open to comments from the outside world. At some point Robert (Erased Tapes label founder) started listening to the music and felt compelled to encourage me to compile an album with all this material. His reaction to ‘These Walls of Mine’ (the song, not the album) was exactly how I felt about the music. I wasn’t sure if I loved it or hated it. But I loved the feeling of that uncertainty, of surprising myself and others around me. And in the end Robert got behind all the songs, which gave me the courage to finish the music for this release.

These songs are best viewed as a collection of lyrical and vocal experiments. Of course the instruments and the music are important, but this album is held together by a dialogue of voices. Conversations with myself and with others. Several tracks contain lyrical contributions from friends and strangers, made possible with the help of the internet.

And then I sang and sang and sang. I love singing. And I love cats.”

– PETER BRODERICK

TRACK LISTING: 1. Inside Out There 2. Freyr! 3. I’ve Tried 4. Proposed Solution to the Mystery of the Soul 5. When I Blank I Blank 6. These Walls of Mine I 7. These Walls of Mine II 8. I Do This 9. Copenhagen Ducks 10. Til Danmark

OFFICIAL WEBSITES: peterbroderick.net · erasedtapes.com

These Walls of Mine

Peter Broderick – I've Tried

Download: http://www.xlr8r.com/mp3/2013/01/re-modiac-rework

Download on XLR8R

Nils Frahm "Re (Modiac Rework)"

Fabio Orsi/Glowing Echoes

Glowing Echoes Part 1 (24:26)
Glowing Echoes Part 2 (17:36)

Rachel Grimes – The Air In Time

Temporary Residence Ltd

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