Upbeat, positive energy rock instrumental

Summer's End - Remastered

Composer, arranger, performer, music director and teacher, I graduate of the 'Université de Montreal' , I have been passionate about everything that resembles music for more than 45 years.

It's a blessing to be able to create music and if someone enjoys my work, that's icing on the cake! All blessings come from God.

As a retired DOD Civil Service worker, I have time to record some. I have been recording at home sice around 1990 and some of my tracks are very old.  I‘ve had 50+ years in bands playing music of many types. I still play the club scene 3 to 4 times a month. Life is good!

I'm a Guitarist who likes to write, record and sing many styles of music. Please check out my tracks. I'm also enjoying the occasional collaborations.  Meeting some good friends on here and continuing to grow. Thank you for listening!


Es una bendición poder crear música y si alguien disfruta de mi trabajo, ¡eso es la guinda del pastel! Todas las bendiciones vienen de Dios. Como trabajador jubilado del Servicio Civil del Departamento de Defensa, tengo tiempo para registrar algunos. He estado grabando en casa durante unos 23 años y algunas de mis pistas son muy antiguas. He tenido más de 50 años en bandas tocando música de muchos tipos. Todavía juego en la escena del club de 3 a 4 veces al mes. ¡La vida es buena! Soy un guitarrista al que le gusta escribir, grabar y cantar muchos estilos de música. Por favor, echa un vistazo a mis pistas. También estoy disfrutando de las colaboraciones ocasionales. Conocer a algunos buenos amigos aquí y seguir creciendo. ¡Gracias por escuchar!

I am a solo recording artist who produces his own original music in Tweed Heads West, NSW, Australia.
 
My songs are released under the band name Retrospection. The joy and satisfaction I get from making music and sharing it, is my reward, although I do like to receive some recognition for my efforts!

Back in December 1963, after graduating from high school in Brisbane, QLD, Australia, I formed the rock band The Avengers in which I played lead guitar and sang backing vocals. We were semi-professional, playing any or all of the nights from Friday through to Sunday.

After two years I had to leave the band to take up a teaching career. Throughout my life I kept up (unpaid) entertainment as extra-curricular activities in the various schools in which I worked.

Unfortunately, I am no longer able to give live performances because of health problems.

Keith Ryan

Guitar player.


Guitars > Washburn acoustic, Schecter & Ibanez
Amps > Line6 Helix Rack mount, Line 6 Pro X POD HD, Marshall Code
Sound Engineering> EHT Studios

Thank you for listening!
Best Regards,
The Boilerman

Earth Patriot © plays #BcRich guitars on most tunes trough #Marshall Heads. I do grungy melodic Alternative Rock with mostly three different guitars, have a mixed ethnical background and come  from the north of europe where the light is rare. 

influenced by the second wave of western punkrock and grunge that flooded the networks in the 90ies.

There are some really good soundcloud-exclusive-bands to find out about on my playlists/compilations.

I especially want to recommend The Young Love Scene , Ian McIntosh , Brian Butts, Eternal Ballers  and the bawl slant . 

#DaysGoBy but the chords 
#hardly ever #change !

To interact, just leave a comment or send me a pm!

Cheers!

my favorite artists: @BillyTalent @NIRVANA @NadaSurf
#EarthPatriot es un grupo de Rock Alternativo .

DO NOT MESSAGE ME ABOUT PROMOTIONS FOR ANY STREAMING PLATFORM. I AM NOT INTERESTED. thank you!

if you wanna play #callofduty #warzone with me, just write a short msg and add me - earth-patriot on #PSN / earth-patriot568 on xbox live.

High school music teacher / hobby musician & producer.  I have a lot of fun creating rock/metal, and other genres just using software/sampled instruments.

Sais Steely Dan keyboardist Jim Beard… “Congratulations on a marvelous album JOrdon!”.

Albany’s WXET Dave Michaels sais “ JOrdon your Pixie Dust album is a masterpiece!”.

Hello magical entity... Thank you for visiting..

Three names I go by are JOrdon (which I use for Bandcamp and SC) and Jae Ordon and Mascot’s Distance,(which I use everywhere else, such as Spotify, Apple, etc.).

I've written music for Taye Diggs, Ian Gillan of Deep Purple, Pete Yorn, the Gorillaz Dan the Automator, John Spencer Blues explosion’s Russel Simons and Bed Bath and Beyond.  In summer of 2022 my recording Life Whispers On was #7 on Canada’s Cashbox Radio.  Currently finishing up a musical called Humane.


I'm playing all the instruments on many tunes, ones I'm not are…Brian Allen of Lori McKenna, Christopher Cross and Robben Ford on Bass, Michael McDonald's horn section, in addition to Yutaka Uchida playing drums on some tunes and Laurent Medelgi on guitar, also Danny Zanker and Joe Bearclaw Burcaw playing bass.
Thank you for listening to my Vegan, Folk-Jazz-Rock recordings…

Welcome LevyBroke to my life and the music world, song remakes are just immanent with her around.
Keep an ear out for tracks just rolling over to better versions, some old demo tracks like Alvissmal for example.

Inspired by: Puscifer, Mars Volta, Alice In Chains, Daft Punk, Primus, Tool, Blockhead, Pitchshifter, Nujabes, Heilung, & many more

Tribal Tone
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O.D.L 
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KOMU 
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DR.SKAR 
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LUIE the TONE

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”

Summer's End - Remastered

tempoTronix