Allison esta de regreso con su nuevo album 120km/h !!

I am a DJ. Yes. And I produce music. House Music. And - I believe in the magic that good music can deeply trigger our emotions.  And - I run this label called SUGARSTARR TRAXX. Feel free to collaborate and release with me. 

My mission is bringing together the wide range of House Music. From Disco-, Funky- to undergroundish Ibiza Tech House. 

And this is my full story:
 
Sugarstarr is a DJ and Producer, based in Vienna. In the Musicbiz since 1998 he had several #1 Club-Hits released on labels such as Spinnin‘ Deep, Enormous Tunes, Ministry Of Sound, Kontor, Positiva, Universal, Sony, Defected, Toolroom, Subliminal, WePlay and many more. The type of style that is typical for Sugarstarr can be described as Deep-Funky-Techhouse with Vocals & Soul. One of his latest releases was called "Hey Sunshine"​ an hit the #1 in the Beatport-Charts for 8 weeks in a row nad #2 All-Over . It's supported by the likes of Claptone, EDX, Oliver Heldens, Fedde Le Grand, and many many more. The early releases and achievements in his almost 20 years lasting career was along his partner Syke. Thus the project was called Syke'n'Sugarstarr. They cemented their reputation as premier producers and DJs with a string of releases which where also supported by the A-League of the Electronic Dance Music Scene, incl. Mark Knight, Tiesto, Bob Sinclar Kaskade, David Guetta. One of the biggest tunes they ever produced was the collaboration with Housemusic-Legend CeCe Rogers and the reincarnation of the classic "No Love Lost"​ which was three weeks the "Essential New Tune Of the Week"​ of Pete Tong's  Show on BBC Radio 1. Back to Sugarstarr as a solo-artist, which he now embodies since 2014 with huge success. Beside a long list of releases such as "Ticket 2 Ride"​ "Are You Watching Me"​, "Like That Sound"​ or "My Belief"​  it's one more to mention here. It's about the 2014 collaboration with Redman & Method Man (Wu-Tang Clan) in a different way, as Goh. The track called „I Used To Be“ and sat well on the No. 1 position on Beatport for six (!) weeks in a row too. This newly created style combined Nu Disco with Rap & Hip Hop elements. But - the most appealing aspect of Sugarstarr is just how fresh he sounds. Both with his productions and his DJ'ing, which, as anyone who has seen him behind the decks will know, is as diverse and experimental as his studio work.

New Booking Email: mimi@sugarstarr.com

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


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