note from https://soundcloud.com/ryanhemsworth: "fans of horror films are familiar with cliche, in what we've seen and heard. i've been seeking out horror since i was about 9 or 10 years old, and eventually when a film like It Follows comes along you have to stop and marvel at how it's held together - by the elements we're used to, but also by something new. if you've seen the movie, you quickly realize that besides the great writing and everything, it has one of the most unique soundtracks in a horror film ever. this is thanks to Disasterpeace, composer and producer based out of Berkeley. his portfolio also contains the legendary Fez soundtrack, amongst others. so the honour is all mine today to help put some more people onto his patient, beautiful, and sometimes harrowing work."

https://soundcloud.com/dzasterpeace
https://twitter.com/disasterpeace
https://www.facebook.com/dzasterpeace

shh040: Disasterpeace - The Mirror In The Attic

Listen & Share on Spotify & Bandcamp.
https://open.spotify.com/artist/1nQHf...
http://tentaclesband.bandcamp.com

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Gear used:
-Eurorack initial melody and arpeggio: Ladik VCO1, Doepfer A110-1, A106-5, Mutable Instruments Peaks
-Synths and drums: Elektron Analog Keys

Sequenced, mixed and mastered with Logic with minimum effects.

This Lab 0005 is an ambient track inspired by Music for Airports, from Brian Eno. All the material derivates from the first melody, that generates 5 simple loops using the common compositional methods: (retrogradation, transposition, augmentation, mutation, fragmentation...) almost like a motet from the Ars Nova (european polyphonic music from the 14th century)


This is our musical laboratory, a place to cook new compositions, where we experiment with our music toys. Some of them will end in our albums, some not. Time will tell...

Tentacles Lab 0005 - Ambient (Eurorack + Analog Keys)

layers of telharmonic, erbe-verb, maths and fingers.... a quick piece made in the hour between two classes.

ThursdaY

Porque Puedo

José Luis Amores Sardá: synth and sampler 
Javier García Sanchez: electric bass 
Alejandro Dominguez Gonzalez: drums on 1, 3 and 4 
Lucas Castaño Sanchez: drums on 2 and 5 
Sara JL Howard: voice on 1 
Juan José Alcántara Bandera: voice on 2 
Brian Fletcher Quince: voice on 3 
NASA sounds from historic spaceflights on 4 


Composed and produced by Tentacles 
Mixed and mastered by Gonzalo Presa 
Recorded in Kraken Sound, October 2014 & March 2016 
Artwork: Salvador Salva 


If you want the version that includes STEMS (separate instrument tracks useful for remixes, mashups, etc.) you can get the album titled "Arcade Stems" here:

Invaders

Apolo

Orion

Level One

High Life

More tests of my LPC synth object set for Axoloti.

Axoloti Talkie VSM-Loading Example 01

Chilling out with the Synthstrom Deluge while testing out the new waveform view.

The guitars are recorded live and chopped.

I love this box. It's everything I wanted from a groovebox.

Chillin' with the Deluge

Pixelated music that will make you sail de universe of videogames and science fiction.

Tentacles Lab 0005 - Ambient (Eurorack + Analog Keys)

Tentacles

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