NIGHTRAX is the atmospheric musical project of UK based musician and artist Dom Deane. Drawing on decades of drone (as TEN), lo-fi late-night bedroom recordings, scattershot synths and cross-continental collaboration, NIGHTRAX will be releasing a debut EP of five tracks on a limited run of cassettes and download on the 28th Oct 2022 via the shared label imprint, BLACK ARROW COMMUNICATIONS. 

Please check out: https://blackarrowcommunications.co.uk/

https://twitter.com/nightraxband 
https://www.instagram.com/nightraxband/ 
https://www.youtube.com/channel/UCLQW-eseKj9Ml7rvxQ6IS_A

Or sign up to the mailing list for more information 
https://mailchi.mp/27b4162d1ea5/bacissues

Recorded and mixed by Ross Halden at Hohm Studios, mastered by Tom Goodall. Guest vocals by Jana Sotzko (Point No Point).

Touch The Void

Playlist and other information available at: http://www.freeformfreakout.com/fffoxy-podcast-107/

FFFoxy Podcast #107

Opening track from the new ten EP 'East of the Elm' released on limited 3"inch cd postcard available from our new website www.tenband.co.uk.  

East of the Elm

'My Mother The Vent' is Guttersnipe's debut album, out October 26th on Upset The Rhythm.

My Mother The Vent

1 - Loaded From Vector Trap

PRE-ORDER DIGITAL & LIMITED CASSETTE EDITIONS: ogresound.bandcamp.com/album/all-hallows-ii

All Hallows' II w/ @dallas-campbell - January 25th 2019

35 years ago investigative journalist Ellis Ledstone admitted himself as a patient to an alternative healthcare facility, The Shepard Institute For Psionic Inquiry. 6 months later, police would break down its doors to discover the remains of a dozen patients in The Institute’s basement. Until now, the events leading up to that night have been largely withheld from the general public. For the first time ever we attempt to piece together that story. 

All Hallows’ II includes the unaltered case files of the events of 1983. The reader is encouraged to come to their own conclusions by examining the interviews, reports and artefacts within. 

All Hallows’ II is a full length soundtrack album by transatlantic synthesists Robin Ogden (OGRE) and Dallas Campbell. The sequel builds upon the previous instalment of All Hallows’: slasher synth chase sequences, atmospheres laden with powerful dread and eerie soundscapes score a true horror story, track by track, to thrilling and cinematic conclusions. All Hallows’ II is a conceptual narrative journey into cults and the occult, unfeeling cosmic horrors, and the unplumbed darkness of the human condition.

All music composed, performed and engineered by Robin Ogden & Dallas Campbell. 

Mastered by David Klug: facebook.com/davidklugstudio 
Artwork by Faye Simms: twitter.com/MD_Doodles 
Story by Robin Ogden & Faye Simms

OGRE and Dallas Campbell - Last Rays Of Daylight Part II (Titles)

Lately

Written by MEI & Pier Danio Forni (Husky Loops)
Produced by Pier Danio Forni & Count Counsellor
Mixed & Mastered by Magnus Thomson

Hurrygirl

Lately

Taken from the upcoming album 'This Earth To Another' released via Sound in Silence records // December 11th

Harvest

'Bolan' taken from the upcoming Kogumaza 2x LP 'Fugues', due for release 28th March 2019.

www.low-point.com

LP077 - Kogumaza - Bolan

Les Roberts from Liverpool University was a speaker at the plenary session at the Geomedia 2019 conference (http://geomedia.se/conference/2019/).  Here he discusses his work in this area and how he came to be part of the project to gather early amateur film recordings of the city of Liverpool in England.
https://www.liverpool.ac.uk/communication-and-media/staff/les-roberts/

Les Roberts 'Homing in Through Film:  Movement, Embodiment and Dwellspace'

A track released in collaboration during the lockdown to raise money for personal protective equipment for NHS workers.

https://signalrecs.bandcamp.com/album/music-over-distance

All music and lyrics written by Dominic Deane. Vocals recorded and sung by Jana Sotzko (Point No Point) at home in Berlin, Germany.

Mixing by Ross Halden at Hohm Recording Studios, Bradford, West Yorkshire, UK Mastering by Antony Ryan at RedRedPaw. Released 20th April 2020.

Trace by NIGHTRAX

Ten (Dominic Deane) is a musician and artist who resides in between the north and south west of England, UK and has making experiment and ambient music since 2009. Ten’s sound combines electronic  keys, shoegaze noise and percussion with the acoustic sounds of glockenspiel and strings to create a beautiful cinematic sound-scape that moves from slow, eerie and melancholic to pulsating and optimistic. Ten have kindly supported, Tim Hecker, Stuart Braithwaite of Mogwai, Esmerine and Lucky Dragons. He has released records on Murmur, Cathedral Transmissions, Twice Removed and Heath Death to name a few. He has also appeared in groups  Sunwolf, November Fires, Deadwall and improvised band Trouble the Dark. 

New album 'The Fog Bank' out on the 16th November, you can listen/buy all previous releases at
https://tenthegreat.bandcamp.com/

Email // tenthegreat@gmail.com

Yukon Youth Album Reviews

Ten, has created its mood-shifting, densely-textured sonic equivalent  – Electronic Sound Magazine 

I cannot help but feel some of this album would work well sound-tracking John Carpenter’s legendary The Thing – Drowned in Sound 

Yukon Youth condense contemplations expanded and lashes weather – Music Will Not Save You 

A most enjoyable album – Vital Weekly 

 Yukon Youth is a colossal classically tinged album of lovingly crafted drones – beachsloth 

Yukon Youth effortlessly outclasses the aimless meandering and flat tonality of most practitioners – Vibrations Magazine Leeds  

Dark music for dark days – Crackle Feedback 

I will say this, for me this has been one of the most pleasurable and rewarding albums I have heard this year – heathenmofoblog 

Yukon Youth will get your mind to wander off to distant places – Lords of Metal 

Yukon Youth might be his loveliest rumination yet – Norman Records 

Finely-crafted drone - Collective Zine

Yukon Youth is a path that winds through changing atmospheres able to fuse together the charm of a wild nature and the clear emotions – SoWhatMusic 

Yukon Youth can be best described as a sometimes indistinguishable wall of sound that, at times, will lift you up and whisk you away into a daydream of honeyed synthesizer magic. – Piano and Coffee 

Excellent, challenging nine track (45mins) album of moody, dreamy and 'textural soundscapes that shift unpredictability like the Alaska landscape' - databloem 

The album’s nine tracks are intended to convey the immensity and the unpredictability of the Alaskan landscape and climate. - whisperinandhollerin