Name: MF Doom - Rap Snitches (Ten Years Lost 303 Remix) by Ten Years Lost
Duration: 3 min 4 s
Description: Forthcoming on Mom's Spaghetti records 2024.

this is coffin nails remix lmao it doesnt have vocsls

BUY VINYL: https://ike-yard.bandcamp.com/album/1982
Dark Entries flashes back to the grimy streets of New York City circa 1982 to bring us an unreleased album from cult outfit Ike Yard. Comprised of Stuart Argabright, Michael Diekmann, Kenneth Compton, and Fred Szymanski, Ike Yard sits between the sinewy proto-body music of the Neue Deutsche Welle and the shattered grooves of their No Wave peers in New York. The band’s initial run was short but blinding. They released an EP for Les Disques du Crépuscule in 1981, which was followed by their legendary self-titled LP for Factory in 1982. They disbanded within a year, frustrated by the slow pace at which the industry was able to release their increasingly challenging music. 1982 features 10 tracks which likely would have become the band’s second LP - only four of these songs have previously seen release on 2006’s 1980-82 Collected via Acute Records. Following the release of Ike Yard, they continued down their tortured path of hybrid electro-acoustic music with an arsenal of now-classic analog instruments, including the Korg MS-20 and the Roland TR-808. Skittering rhythms teeter on the verge of collapse while seasick synth warbles threaten to push us overboard. Electronic washes devolve into waves of feedback. Sneering basslines threaten dancers to move, but how can the body obey? This is dangerous music, gliding along the brink. The album features a live photo of the band by Makoto Iida and includes an insert with liner notes from Stuart Argabright. 1982 is essential for fans of post-punk and caustic electronics from Liaisons Dangereuses to Beau Wanzer.

1982

Ike Yard - 1982 PREVIEW CLIPS

For our fifth Various Artists, we're exploring the everchanging waters of broken beats and bass music. Compiling producers from Czech Republic, Georgia, and the UK, Cracked Gills brings to the front our labels' bass face, full of grit, but also with a cheeky smile you get when the system is on point.

BUY on BANDCAMP

PREMIERE : Vision Of 1994 - AM Drive

Murdah / Chant

★ bandcamp

B1 FLVXXX Ft. A-Tweed - Chant

Forthcoming on Mom's Spaghetti records 2024.

MF Doom - Rap Snitches (Ten Years Lost 303 Remix)

Labour Jacks is a new sublabel of One Eyed Jacks focusing more on techno and club tool, with artworks based on found, accidental art created by labour. The first few releases will showcase glue patterns found in ripped off plaques, where the gesture of the glue application by workers can be quite beautiful and graceful, even if unintentionally.

PRE-ORDER

[LJX001] Photonz - Dark Valley - new label Labour Jacks

UK-based producer and engineer of emotive, off-world soundscapes, Slolek, returns to Of Paradise with Object Desire, a 4-track collection of saturated electronica, experimental bass, and fractured jungle. 

A cinematically tinged journey across arid landscapes and through cavernous rooms, Object Desire is a desert-kissed masterpiece of expertly harvested sounds, an incredibly majestic and thought-provoking journey with a darkly ambient core.

1. Locked Room
2. Object Desire
3. Stalker
4. Visage

Slolek: @slolek

Object Desire

OP027 // Slolek - Object Desire

READ > https://inverted-audio.com/premiere-jean-emmanuel-rosnet-les-ocres

French experimentalist @jean_emmanuel_rosnet is set to release his first album in nearly four years. Following a pair of releases in 2020, 'Stories concerning the heroes and rituals' and 'The Distant Murmur of the City', 'Les Alentours' is his debut with California imprint @not-not-fun-1

Les Alentours

Jean-Emmanuel Rosnet - Les ocres [Not Not Fun]

https://csandkreme.bandcamp.com/album/orange

Snoopy is hard to follow up. The same brilliant musicality is lavished on Orange — a combination of unmistakably original, skittering drum programming, startlingly fresh instrumental interjections, creepily invocatory voices, and dubwise treatments — giddily imbued with the dark arts of ritual and seance. But Orange is more gripping, focussed and urgent, more intense and ambitious. Next level.

Its first quarter presents a trio of forays in suspense.
Bassline squares up like an epic psych-funk grinder, with a moody guitar line traversed by ticking drum patterns and faint electric crackle. In no time the guitar is staggering and stammering under the duress of echo and distortion, and over-run with percussive electronics and the first of the voices massing in the music’s head. The mood has quickly become more trepidatious. We're deeper underground; it’s gloomier, wetter.
Shred propulsively ratchets up the tension and menace. Glazily tentative xylophone is played against slashing, nervy cello. The voices are more strangulated and sick now. Flutes and chimes evoke the same kind of beautiful, contaminated efflorescence which is pictured on the LP’s front cover.
Voice Of The Spider makes easier progress across this cavernous, shadowy, dripping terrain, with funky pads and Nasty, eighties, No Wave electric bass; woozy chimes, non-plussed keys, singing-in-tongues.

Pink Mist marks an arrival, or unbottling, with annunciatory church-organ and choral voices from the off, and a newly relaxed, head-nodding kosmische rhythm.

Mandarin is a short, beat-less and voice-free interlude for piano and bass. It's reflective and nostalgic, ambivalent and inconclusive, with a lovely snatch of melody. A bridge half-way.

Would You Like A Vampire is a triumphant, mesmerizing go at New Folk, with strummed acoustic guitar, descant song, and jazzily restless drum programming (including a tasty bass-bin trembler). Amazingly, Conrad Standish is joined at the mic by none other than Bridget St John. Together they sing 'Earth is Paradise’ so repeatedly and tremulously — and the song is cut off so abruptly at the end — it seems as if the verb is teetering on the past tense, and hymn fading into valediction and catastrophe.

Similarly Storm Rips Banana Tree begins idyllically enough, with a CS-&-Kreme-style raga… before something like an immense, obliterative drill starts up. Harpsichord and organ — by James Rushford — and flutes, and clapping, distant chanting and insectile percussion steadily leaven the dread, till finally all that is left is lapping water.
It’s an epic, deeply immersive, compelling, thought-provoking, twenty-minute finale… the coup de grâce. 
credits
released November 4, 2022

Written and produced by CS + Kreme
Bass, drum programming, nylon string guitar, vocals - Conrad Standish
Keyboards, electronics - Sam Karmel
Vocals on Would You Like A Vampire - Bridget St John
Portative organ, Wurlitzer and harpsichord on Storm Rips Banana Tree - James Rushford

Mastered and cut by Noel Summerville

Photography and design by Will Bankhead

Poster photo collage by Kit MacArthur

TTT BANDCAMP

CS + Kreme – Storm Rips Banana Tree

READ > https://inverted-audio.com/premiere-shakali-rihmastossa

Following a well received album on Good Morning Tapes in 2022, Finnish multi-instrumentalist Simo Hakalisto, aka @shakaali returns with 'Rihmastossa' on @not-not-fun-1 delivering a heady blend of acoustic instrumentation and Fourth World atmospherics.

Rihmastossa

Shakali - Rihmastossa [Not Not Fun]

Buy | Download
tratratrax.bandcamp.com/album/ruido-y-flor

Ambient?

Sí.

But also, a musing on transcendence. So lay down and close your eyes because on this one, our querida joya @eezzmmeerraallddaa wonders what we all wonder every now and then: good old 'What happens when we die?' We sort of know the drill: the cling, the not wanting to go, the inevitable... the heartbreaking nostalgia of parting ways with this world... and also, the chance to end the pain. Then comes the grief: bye bye sweetness, chao joy, adiós tenderness... then -¡ayayay! the terror, the slow fade-out, the nothingness. At last that sparkle in the dark edge of the hiss shows us the way to the ultimate surrender, to then become a garden in the void, and finally return to mamá amor as big beautiful rainbows.

This is Ruido y Flor, the first offering of Ambie—Tón: our brave new venture into the heart of the haze.
credits
releases May 7, 2024

Artwork__ Jonathan Castro Alejos
Mastering__ Seph
Cataloge #__ AMBIE—TÓN001

Ezmeralda — Ruido y Flor — AMBIE—TÓN001

BOSS

Mom's Spaghetti Type Shit

email dubsmith808@gmail.com for Ten Years Lost / Mom's Spaghetti enquiries

MF Doom - Rap Snitches (Ten Years Lost 303 Remix)

Ten Years Lost

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