Tokmusik - den du känner när du steker. För token som drar snok å knipsar en eker. Inte för mes som bara leker USA, töntar på nån tidning tror dom vet va som är bra. Men tokar och tokor i varenda jävla pissig stad som lever de vi säger vet vad dom vill ha - riktiga grejer - ta din fittkultur och dra. Lever som en tok varenda natt å jävla dag. 
Politik är för dom rika så de är ingen i tok. Har du nåt viktigt å säga tönt - skriv en jävla bok. För konst är skit i villor, som hänger på en krok. Tok är nåt man dilar som piller eller snok. Plånbok full me stålar - ikväll ska vi bli full, skåla me nå brudar, hoppas på nå knull. Säger va ni tänker, vi kanske säljer guld, för det här är nåt vi gör för er jävla skull. 

Står för det här tills vi ramlar omkull.

Skellefteå, Guldstaden, Skelepht,  Skillehte, Syöldete, Syöldate, Heletti, Skellitta

Yamaha
Rs7000
An1x
An2000
Cs1x
Rx21L
A3000


Boss Re-20
Eventide Space

enquiries: midnightcrimes@gmail.com
also: https://soundcloud.com/continuity

DISCOGRAPHY
Nezha, for Upper Yanoun (2020, VA "Never A Land Without People")
Motor City Remixes 12'' w/ 1991, Yen Towers, Quiltland, Abdulla Rashim (2016, Posh Isolation)
Motor City LP (2016, Posh Isolation)
Motor City CS (2012, Not Not Fun)
Midnight Crimes CS (2011, Not Not Fun)

The future:

08/11 Ormside, London (UK)
21/11 NE x Headframes, Kiruna (SE)
12/12 Tresor, Berlin (DE)
19/12 Under Bron, Stockholm (SE)
20/12 Astron, Athens (GR)
31/01 Industrial Copera, Granada (ES)
13/02 TBA Tblisi (GE)
06/03 Under Bron, Stockholm (SE)


Requests/Booking:

booking@northernelectronics.se

The cohesive array of depth charged devices that Anthony Linell has produced is formidable. From his opening statements as Abdulla Rashim on his early label of the same name, right through to his recent work that puts his aliases aside, there is a robust and rigorous intent that compounds the elemental strategies of techno's models to apprehend his singular vision.

Presiding over Stockholm's Northern Electronics label with Varg (Jonas Rönnberg), Linell dispenses with mechanisms of attention on all fronts. Marked by an indefatigable self-reliance, the label presents exactly what it means to display, and no more. Carving an idiosyncratic platform for his music is as great of a warning as there could be that Linell's leveraging little toward the benefit of the audience. By his measure, the familiarity and comfort of contemporary techno is stripped back to its rushing heart, the senses left tailgating the strobe in a fit of intuition over decision. The greater this is exposed the colder it gets, and its in these extremes that Linell's caustic rhythmic precision hits. Live, it comes off as a galvanizing strike from the outside; analysing the room as a DJ, it's a case of being pursued through the dark.

Just as the brevity of Linell's output in the eyes of techno is exalted as it is brought into focus, the background to this blurs as you start to decipher his other projects. Lundin Oil skirts the fringes of noise and experimental music, and in collaboration with Varg as Ulwhednar, this is perhaps even more pronounced.

Purposively ricocheting between the techno world and experimental electronic music, Linell forges a distinct passage that gathers the aesthetically uncompromising motifs and missions from across this spectrum. It's this combination and resolve that's brought Linell to the world's attention, however little that attention has been solicited.

Tereza Menclová is following