Just a guy playing with synth sounds.
♢ Follow on Spotify: https://open.spotify.com/artist/1ub4rDcYyFYI5FdLG4eOZP
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♢ Latest Mix/Podcast:
Check @neurosphere 
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♢ Some of the Labels I released on:
Beta Recordings (UK)
Santoku Records (USA)
Trust in Music (Germany)
Esprit Records (CZ)
Basswerk Records (Germany)
Sinuous Records (UK)
Mindtech Recordings (Belgium)
Ammunition Recordings (USA)
and many more. . .
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♢ Short Bio:
Wreckage Machinery (born Christopher W.) is an Austrian electronic music producer, known in the genres drum & bass and drumstep aswell as for composing orchestral pieces. So far, he released on labels such as Beta, Trust in Music, Basswerk Records, Ammunition, Sinuous, and more, and has been featured several times on BBC radio and other stations.

Wreckage Machinery's music ranked in Top 10 charts across several online stores and he performed live in wide parts of Europe and in the USA. 

Wreckage Machinery is also Co-founder and Co-host of a drum & bass podcast series entitled "The Neurosphere Show", which he and Xilent started in summer 2011.

🎶 | study, chill, sleep, repeat.
🎧 | Listen everywhere: 
https://link.lofigirl.com/m/music

Music producer and photographer from Sweden

Los Angeles-based record label founded in 2008 -- home of the best progressive house, chillout, and melodic electronic music. Proudly part of the Monstercat family.
 
🎇”Emotions Into Sound.”
 
We believe in the therapeutic power of music, and in forging human connections through electronic soundscapes.

∞ Smok◄ Wee► E▼ery Божий D▲y ∞

Ghosthaze Chilla

Management / Booking
ssaburov@gmail.com

booking 
ditaredrum@gmail.com
buy tunes
https://ditaredrum.bandcamp.com
spoti
https://open.spotify.com/artist/0uSrH9aWp8RsO5aZSzZHap

The podcast about people who make cool music! BEYOND SYNTH is the best synth music chat show there is. Featuring artists and producers who make synthwave/new-retro/electronic music and much more!!

We talk Music, games, movies, the 80s, and lots more while I play samples of the guests music.

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


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