I am very excited to present you the new release on Terminal M by Julian Wassermann and Florian Kruse. This 3 track ep stands out big time with its unique production, spacey techno to create a special vibe on the dancefloor! Enoyyy! (Monika Kruse)

beatport/spotify/vinyl

Julian Wassermann & Florian Kruse - Fegen

'Surreal' could almost be the title of Julian Wassermann's musical career. 

The Munich based producer is currently one of the most respected within melodic house and deep techno. As a resident DJ at Harry Klein, Munich and numerous appearances in clubs like Watergate, Berlin at festivals like Pleinvrees, Amsterdam and SEMF in Stuttgart, Wassermann stayed in people's memories through his energetic and eclectic sets.   

With his top 10 single "Gotland" (2019), Julian also made his international breakthrough. The techno single was released on "Kompakt" (Speicher), one of the most renowned labels worldwide. The collaboration was created with Florian Kruse from Berlin. Even giants on the scene such as Tale of Us, Kölsch and Joris Voorn clearly liked "Gotland" in their sets.   

Other releases were also very successful - "Surreal", for example, already counts more than 2 million spotify streams and was among others in the playlist of Deadmau5. Also his remix "La Danse Du Scorpion" for Sébastien Léger went straight to number 1 after release. The single "Sirius" was supported several times in 2017 by the legend Pete Tong´s Show on BBC Radio 1. Further productions were released on well known labels such as Stil vor Talent, Einmusika, Last Night On Earth and Parquet Recordings.   

 Already with his successful releases on Stil vor Talent, "Monopterus" (2016), "Aurea" (2016) and "Lyra" (2017), Julian became one of the most successful producers in the scene. The tracks immediately made it into the top 10 of the Beatport charts. With the EP "Monopterus", Julian even made it into the Top 10 as a personal highlight to be able to place three tracks of the release - led by "Monotperus" at the top of the charts on number 1.   

We're excited about future releases and the career of an artist who can’t be replicated. 

Labels 
Kompakt
Renaissance
Watergate Recordings
Oddity
Atlant
Spectrum 
Stil vor Talent
Terminal M
Suara
Senso Sounds
Systematic Recordings
Einmusika
Last Night On Earth
Parquet Recordings


Residency 
Harry Klein, München

I've been listening to electronic music since I was old enough to tune into the John Peel show on Radio 1. Peel first introduced me to Chicago House, Detroit Electro and Rap. I would listen to an entire show with my finger hovering over the record button of my 'tape-recorder' close to the radio speaker just to record whatever 3 electronic imports he would play each night. I wish I'd kept those recordings.
From the moment I first heard 'Roxanne Shante' I sought out everything I could ranging from Kraftwerk, Mike Oldfield, Kurtis Mantronik, Africa Bambata, Grandmaster Flash, Gorgio Morodor, Axel-F, Jean Michel Jarre and just about anyone who used a synth to make music! With the arrival of House in the mid-late 80's the likes of Marshall Jefferson, Frankie Knuckles, Farley Jackmaster Funk, Steve Silk Hurley, Adonis and many more American underground House producers, the music had developed into a new, seriously exciting phenomena.
Music progressed at pace with House and Acid imports driving change, the UK in particular underwent an epiphany of sorts in the 80's and 90's. From Break-Dancing to New Romanticism, the music developed, finally morphing into the early genres of Acid Trance, Techno and Progressive Trance. Heavily influenced by American and underground Dutch and German artists and with the advent of clubbing and non-speaking mixing DJ's, it opened up a Pandora's box of new music, influences, sounds and styles. What that amounted to for me (and most others like me) was an ever-growing range of electronic music that was continually breaking free from pigeon-holes and mainstream pop culture. Electronic music had become the new classical music of a generation.
I can only say that electronic or computer music has evolved beautifully in the past 40 years and I love it as much now as the day I first heard John Peel play fantastic American imports.
I'm not anything more than a bedroom DJ and electronic music enthusiast. I have the greatest admiration for those who DJ publicly and seek to build a following or career from DJing, but that’s not a path I’ve tried to follow. I do love to put together great tunes, so for me using this sort of platform for sharing music is perfect for me. I do mixes both on my decks and using Ableton, as sometimes I find it easier to create a journey through that medium. 
As for making music, I’m slowly finding my way around Ableton in order to bring life to the musical ideas rolling around my head. 
Anyway, I hope you enjoy the mixes I post, please give me some feedback and if nothing else, support the artists themselves and buy their music.

Angrish

real selection, collecting by style# (((DEEP.TECH-PROGRESSIVE)))                  
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❌☦️🅰️☪️♈
XTACY is a self learning DJ who Love Music who doesnt bound himself to the boundries of Genres and just play and enjoy what makes him dance and take him in the realm of feelings and out of the world

***BEDROOMESSION***

U can find me in 'BOOTH' and on 'DANCE FLOOR'

LOVE MUSIC
FUCK ABOUT GENRES 

Julian Wassermann & Florian Kruse - Fegen

Terminal M Records