Just a starving musician. I play drums in several bands (here's one....http://soundcloud.com/jyotis)..&nbsp;Recreational disc jockey, recent production&nbsp;hobbyist, &nbsp;&nbsp; I enjoy most the things your average rock star enjoys, sans food.
If for some reason you use one of my cuts in a mix, I just ask you send me a copy of that mix. That would amuse me. =)



hey hola please check out my other profile for drum n bass mixes  ..also go to www.futuredrumz.com ..big up fdz family

Psyjinx is drum & bass, dub, house, and experimental beats produced by dedicated hardware.

'94-'24. <iframe scrolling="no" style="border: 0;width: 100%;height: 50px;" src="https://bandcamp.com/band_follow_button_deluxe/1215424526"></iframe>

I've been known to make music under the aliases "terminalminded" [live d&b duo] , "nob&gate ltd.", "ampersand", and currently as "pocketsquare".

I've been producing beats since I was about 13 or 14.  I'm in my 40's now, and I'm finally getting to be pretty decent.

Proudly affiiated with dead-channel.com, the excellent net label featuring left-field underground electronic music.  Check out my "peacocking e.p." at http://www.dead-channel.com/releases/channel039-pocketsquare-peacocking-ep/

Sounds:  flstudio & various free/shareware plugs.

I love feedback.

Terminal Minded was a live Drum and Bass performance project, active in Southern Indiana and the Midwest region from approximately 2000 to 2004. The group initially consisted of Rabid (Matt Weldon) and KoffKoff (Patrick Hutchison). The duo soon became a trio, with the addition of visual artist Dr. Mindbender (Kyle Birkemeier).

Although their sound was primarily influenced by the beginnings of Neurofunk, they also drew heavily on earlier Tech Step sounds, as well as Breakbeat, Techno, and other electronic music genres. Over time, the general setup evolved to include a pair of Yamaha SU-700 sampler workstations and various drum machines and synths. These devices were played live in a quasi-tag team fashion, with each performer performing their original compositions in turn, adding embellishments as needed, and occasionally creating collaborative improvisational jams on the fly. Meanwhile, Kyle performed live visual manipulation, matched thematically to a given track. Terminal Minded eschewed the extensive use of MIDI control (other than as a basic click track), and each set was completely unique. This was no "laptop techno," but rather an imperfect, intense, and truly "live" performance experience.

Followers of Terminal Minded