Hyper Classicism is a reload of my past month’s work — an anthology of classical traditions reimagined through bold forms and lesser-known instruments.
I’ve been making acoustic techno for 30 years using orchestral tools inside sequencers, not realizing that wasn’t standard DAW practice.
With Hyper Classical, I created a genre that reshapes classical instruments and structures using the maximalist, cut-up logic of hyperpop.
It reinterprets other genres — EDM, RAP, Acid techno, even Eurovision itself — all filtered through a classical mindset.
At its core, it explores how classical sound morphs across cultures, far beyond the Western canon.

HYPER CLASSICISM

The Drum and Bass musical genre recreated only with orchestral instruments

Drum and Bass (Hyper Classicism reload)

A monumental futuristic orchestral Dune-inspired score, blending sweeping symphonic power, 3D sound design, and avant-garde cinematic grandeur.

Dune Score (Hyper Classical reload)

A grand orchestral Halloween piece that blends classical virtuosity with modern production — every staccato string, brass blast, and glitched harpsichord hit is sculpted into a cinematic, 3D soundscape that’s eerie, playful, and immersive, honoring classical tradition while reimagining it through bold, experimental sound design.

Halloween (Hyper Classical reload)

A monumental Navajo-inspired orchestral score where powwow drums, native flutes, and chants intertwine with classical symphonic form — blending ancestral rhythm, cinematic scope, and immersive 3D sound design into a powerful celebration of cultural identity.

Navajo Cinematic (Hyper Classical reload)

A symphonic 8-bit banger — every orchestral section mimics retro chip sounds with bold mix tricks and staccato firepower.
Glitchy vocal edits, 3D stereo panning, and tempo morphs push the nostalgia into modern maximalism.

8 Bit (Hyper Classical reload)

A pounding Korean minimal house track built entirely from live traditional instruments — processed into deep kicks, metallic hats, bowed bass, and immersive 3D textures.
Organic and electrified, the mix pulses with hypnotic rhythm, precise edits, and DJ‑ready structure for algorithmic flow.

Korean Acoustic Techno (Hyper Classical reload)

The entire sound is in my hands. I write cyber poetry, produce, and compose every track ready for Immersive 3D. Every beat is crafted for spatial and next-gen headphones.
Intimate lyrics, total immersion, every track.

For 30 years I kept unfinished demos to myself, never letting them out. Now I finish what I start and release it the moment it’s alive.

Dune Score (Hyper Classical reload)

Terminalose