I have always approached techno through classical instruments, using digital audio workstations (DAWs) as my canvas.
Instead of relying solely on synthesizers, I adapt strings, brass, and acoustic timbres into sequenced, beat-driven forms.
This method bridges traditional orchestration and electronic structure, giving my techno a distinct electroacoustic identity.

Peak Time Acoustic Techno (Classical Music reload)

For ten days I'm in RELOAD mode, reworking all my creations from the past twenty days and transforming them into a different musical universe
The entire sound is in my hands. I write cyber poetry, produce, and compose every track ready for Immersive 3D. Every beat is crafted for spatial and next-gen headphones.
Intimate lyrics, total immersion, every track.

For 30 years I kept unfinished demos to myself, never letting them out. Now I finish what I start and release it the moment it’s alive.

Peak Time Acoustic Techno (Classical Music reload)

Terminalose