https://cryxuss.bandcamp.com/album/every-leaf-a-possibility

every leaf a possibility

Delicate Ambient blending synths and strings for drama and tension

Consulting The Sky

Electronic composition, an evolving textured drone sequence, original sounds created using Pure Data.

Forbidden Ground (naviarhaiku605)

feel a lot is a diary of moments, written on a journey and translated into sound. The shape lives from memories, new realities, movements, places, the present and the space which connects them all. An ode to a life in hyper sensitivity and a big ocean. The analog source for all tracks comes from an Irmler piano.

Blue sailing

🔗 Listen & support:
Spotify · Bandcamp · YouTube · more → linktr.ee/amb1Matt3r

🎧 Music for:
sleep · deep focus · meditation · inner drift · slow time · space dreaming

📎 Tags:
#ambient #drone #granular #spacemusic #sleepmusic #darkambient #soundscape

Chaotic Stillness

Minimal Sync Pulse - The Breaking Of A Memory (instrumental)

as featured on:

Audio Collision with Cadmium Red on WOZO FM 103.9, Knoxville, TN:
#154 74, StC Lives 51-61-74 (December 5, 2021)

StC Lives I

Bandcamp

J'avais mon script perso
Un seul glitch, et pouf, crash total
Petite faille (BAM ) kernel panic
C’est moi qui ai overloadé tout le système

Log perdu.
Rollback impossible.
J’sais même plus ce que j’étais en version stable
C’était où, ce safe spot où je respirais ?
Maintenant c’est slash slash comme une lame dans le cœur du CPU
J'avais mon code à moi

Je suis en loop confuse
Ma RAM explose de guilt
J’ai l’impression de compiler du sang
J’échangerais tout pour une V deux clean

Toujours aucun accès à ce que j’ai vraiment fait
Toujours aucun accès à ce que j’ai vraiment fait

Je me souviens plus de mon build initial
Avant, ça brûlait fort dans mes circuits
Comme un flux chaud dans le bus de données, summer mode ON
J'avais ma fonction à moi

J'avais ma fonction à moi
J'avais ma fonction à moi

J’ai jamais voulu te delete
Jamais voulu te delete
Jamais voulu te delete
Jamais voulu te delete

Mais t’as glissé hors de mon cloud
Déconnecté… oh.

Rollback impossible (Unreleased)

A sonic portrait of a city suspended in twilight, it traces the quiet pulse of urban dusk — moody and gently immersive. As the day exhales and the skyline softens, textures emerge — quiet synths, distant echoes, and the hush of passing lives.

Le Code is a French ambient artist known for creating soft atmospheric soundscapes with subtle synthesizer or piano sounds inspired by nature (especially water and the ocean). He also co-founded Mare Nostrum Label, largely continuing the ocean theme.

Produced, mixed and mastered by Alexandre De Charrin (Le Code)
Cover picture by Alexandre De Charrin
Cover design by Dionis Afonichev (Dionisaf)

Something in the Air

Last Day on Earth

Recorded, mixed & mastered on 29 Oct & 01 Nov 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

Synths, samples, effects.

This original version of "Go Ahead, Ernie” was submitted as part of Naviar Haiku 617: An Autumn Nightfall

an autumn nightfall
the skeleton of a huge fish
drawn back by the sea.

by: Saitō Sanki

Saitō Sanki (1900 – 1962) was a dentist who discovered his passion for haiku poetry in his mid-thirties, when his colleagues at the hospital in Soto Kanda convinced him to write a haiku for a collection. Later, he became one of the most important exponents of wartime haiku: he was imprisoned in 1940 during the government’s World War II persecution of controversial artists, and was officially forbidden to write until the end of the war.

Photography/Art - Jim Lemanowicz, 30 Oct 2025, Massapequa train station, Massapequa, NY, USA

Music & art © 2025 Jim Lemanowicz

For more about the Naviar Haiku Challenge, see www.naviarrecords.com/haiku-music-challenge

Go Ahead, Ernie (naviarhaiku617)

A small, dreamy, modular journey through the last harsh autumn nights, with generative influences that symbolize the unpredictability of this season and yet create a sense of calm if you allow yourself to be immersed in it. The piece was recorded live in Ableton and mastered there as well.

Midnight Drift

The entire sound is in my hands. I write cyber poetry, produce, and compose every track ready for Immersive 3D. Every beat is crafted for spatial and next-gen headphones.
Intimate lyrics, total immersion, every track.

For 30 years I kept unfinished demos to myself, never letting them out. Now I finish what I start and release it the moment it’s alive.

I use every tool available — human or machine — as an instrument.
Technology doesn’t replace creativity. It expands it.

Rollback impossible (Unreleased)

Terminalose