From the debut album "Interstellar" by 
Terminus Void.

About Terminus Void: 
Founded in 2021, Terminus Void is the ambient space music project of Seattle based independant electronic music composer J. Ronald Smith. 

If you enjoy the music of Terminus Void, please consider following Terminus Void and sharing this soundtrack.

Interstellar

Arrival Home

Buy Track

Arrival Home(Ambient Space)

The Making Of Minds

In this enthralling collaboration, German ambient artist Logic Moon and Swedish composer and cellist Henrik Meierkord announce the release of their latest EP, "Ewiger Wald". This new offering is an exquisite exploration of ambient soundscapes, seamlessly fused with the rich tones of violin and cello. 

"Ewiger Wald" is an auditory journey through a spectrum of emotions, from the profound depths to the luminously friendly, encapsulating a wide range of modern ambient music. The EP is a testament to the artistic synergy between Logic Moon and Meierkord, who have meticulously blended their unique sounds to create something truly ethereal. 

Written and produced by Henrik Meierkord (cello, violin) and Tobias Lorsbach (electronics). 
Mastered by Tobias Lorsbach

Buy mCD/DL

Sternenjubel

Sleep (I need u)

Album made by BGZ31 on YouTube.
The representation of a dream by music, with some extra songs.

(This version removed the crackling vinyl sound effects in the background)

Epic Track No.32

You can download a free 7-minute demo of The Way of the Serpent.

Please note that headphones should always be used to listen to this audio file, just as any other binaural productions.

To download the full package, which includes full versions along with the activation sounds for each chakra, visit: http://serpentpriest.tumblr.com/store

The Way of the Serpent (free demo)

From "A Forward-Facing Review".
Composed, performed, recorded and produced by Philipp Rumsch between February and July 2017.
Mastered by Markus @ Abendroth Mastering.

„A Forward-Facing Review“ is one of his works resulting from a one-year study period at „Rytmisk Musikkonservatorium“ in Copenhagen. In contrast to his previous work, Rumsch is responsible for both composition and sound design / mixing. Inspired by composers like Morton Feldman, Giacinto Scelsi and Elaine Radique and by the music of William Basinski, Tim Hecker, Brian Eno and Ben Frost, Rumsch draws up concepts to approach electro-acoustic music with pianistic elements. By only using acoustic and electronic keyboard instruments like piano, fender rhodes and various synthesizers, Rumsch first created the sounds for his composition in order to manipulate and edit them on the computer.

"A Forward-Facing Review" is a twenty-minute long concept composition with two parts exploring in two different ways a various amount of sounds as well as their gradual modulation. "Part II" is the more minimalistic chapter of this composition. An almost constant number of elements creates a sonic composition, which rests in itself. Thus development emerges through a gradual modulation of a few parameters. Philipp Rumsch invites the listener to accept subtle developments and offers the possibility to immerse into a difficile and diverse soundscape. 

Danish artists Anders Bach and August Rosenbaum as well as Icelandic composer, sound designer and multiinstrumentalist Valgeir Sigurðsson supported Rumsch in producing „A Forward-Facing Review“.

A Forward-Facing Review - Part II

3 track release of recent live stream improvisations around 100 minutes now on Bandcamp for free here: https://stateazure.bandcamp.com/album/painted-skies

Painted Skies [clip] (Free Bandcamp release)

State Azure - Cloud Temple (FAWM#11 2021 Unreleased)

1983 would be a monumental year when J. Ronald Smith, a Seattle area based American ambient electronic recording artist, was introduced to the nationally syndicated radio program, Hearts of Space, created by Stephen Hill. Smith was awe-inspired by music composers such as Micheal Stearns, Brian Eno, Steve Roach and the late Evangelos Papathanassiou of Vangelis.

Hill’s early broadcasts of these electronic music pioneers instilled a passion within Smith and opened a window of possibilities for him in this new ambient genre of music. In 2021, Smith founded Terminus Void to share this passion that has been nearly 40 years in the making.

1983 would be a monumental year when J. Ronald Smith, an American ambient electronic recording artist based in Seattle Washington, was introduced to the nationally syndicated radio program, Hearts of Space, created by Stephen Hill. Smith was awe-inspired by music composers such as Micheal Stearns, Brian Eno, Steve Roach and the late Evangelos Papathanassiou of Vangelis.

Hill’s early broadcasts of these electronic music pioneers instilled a passion within Smith and opened a window of possibilities for him in this new ambient genre of music. In 2021, Smith founded Terminus Void to share this passion that has been nearly 40 years in the making.

From Terminus Void’s debut album, Interstellar, to the latest release, Origins Unknown, Smith‘s music enjoys a worldwide listening audience across all major streaming service platforms. His music has been featured on acclaimed programs such as Hearts of Space with Stephen Hill, Ambient Zone, One World Radio, Night Tides with Renee Blanche, Last Frontier Radio and many more.

J. Ronald Smith is currently working on his next album.

If you enjoy the music of Terminus Void, please consider supporting the project by following and also be sure to leave your comments! 

Albums and singles can be purchased at: https://terminusvoid.bandcamp.com


For more information about Terminus Void please visit: https://terminusvoid.com

Enjoy and thank you for your support.
J. Ronald Smith