A new hub solely for the Icelandic talent’s own unreleased material, BJARKI will also serve as a creative platform to launch a wealth of forthcoming audiovisual projects in the coming months, with the label logo designed by Paul Nicholson, NUMBER 3, and all artwork designed by Thomas Harrington Rawle - the creative behind the Care More project. Delivering his first solo release since ‘Oli Gumm’ on трип in 2018, late-February marks the first release on the new label as he unveils his four-track ‘I Wanna Go Home’ EP.

“I want to share more of my unreleased works, especially the tracks that I have created specifically for parties in each city I play. People impact my work a lot, and I would like to share this music directly before or after the show. I don’t see any other way than to set up my own channel or label where I can share all these ideas. Next year will be a lot about sharing stuff and being in direct contact with the audience.” - Bjarki

Opening the label with authority, ‘I Wanna Go Home’ welcomes a quartet of cuts showcasing the genre-spanning polymath at his best, delivering a medley of serious yet playful productions which arc back to previous material while also looking ahead to the future. A creative force with an unrelenting swathe of experimental ideas, influences and directions, this new eponymous imprint looks set to home some of Bjarki’s finest and most unpredictable material to date.

Bjarki ‘I Wanna Go Home’ drops via BJARKI on 25th February 2022.

BJARKI001 B1 Electrip Ppl

Rødhåd presents: CRIMSON RUBEUS - the first compilation on WSNWG - BACK TO ZERO will be released on April 3rd.
Under the leitmotif “WE SEE NEW WORLDS GROWING”, the release marks a progression for the imprint to open up for solo releases from new artists and and long term collaborators.

The compilation features 8 tracks handpicked by Rødhåd, each characterized by a vigorous commitment to the dancefloor while staying true to the label's signature - hard-to-resist sound with a pinch of mystery. Over the past year, these unreleased tracks quickly became favourites in Rødhåd's DJ sets, resulting in the idea of curating them in a compilation. The emergence of new worlds is undeniably tangible: 'CRIMSON RUBEUS' signals a new era of creative exchange and different artistic expression for WSNWG - BACK TO ZERO.  As the label opens up to a wider variety of artists, we find both emerging talent represented and producers who already appeared on the label before. 

While every contribution has its distinct magnetic pull, marking the way to a nascent world, the crimson red thread running through this compilation is perpetuating, swirling techno with an acute fit for the dancefloor. As with previous releases Rødhåd crafted the artwork for the compilation, this time drenched in crimson hues echoing the energy of the music.

UFO95 - Refuge - WSNWGBTZ010

Label heads Decoder and Jay York return to Toca with their second release, a split EP titled "Distance". This new collection of tracks aims to resonate with home listeners and DJs alike, offering a profound journey that balances introspective depth with dancefloor functionality. 

“Distance” emerges from the spaces between – the physical and creative distances that have shaped the music crafted by the duo for this release. Despite the miles apart due to their intense touring schedules, they have harnessed their separation as a source of inspiration, resulting in an EP that reflects the nature of their circumstances. While each track has its own unique theme, the tracks share a common motif with minimalistic yet emotive layers of sound that invites listeners to delve into more deeper and introspective ideas. Each piece within the EP exemplifies the artists’ ability to create a sonic bridge that serves as an auditory journal of their experiences.

Tracklist:
A1. Jay York - Peligro
A2. Jay York - En Medio
A3. Jay York - Untouched
B1. Decoder - Falling Flat
B2. Decoder - Riverside
B3. Decoder - I Am Nothing

Release Date: October 25, 2024
Distributed by: Triple Vision
Mastered by: Nicolas Vogler @ Vogler Mastering

Decoder & Jay York - Distance [TC02]

Support

Berlin

Characterised by a discernible signature of harmonious yet implicit tensions, DJ and producer Hayden Payne’s (aka @phasefatale ) contentious palette of both precise sonic and narrative elements shape his world of techno. Presenting his second EP of 2024, ‘Altars’, the BITE Label boss forecasts a confessional state looking onto a decomposing world through the perspective of frenetic energy, evolving polyrhythmic sequences and fleshy dancefloor vigour. 

Built on a trifecta of three original productions, as well as two featured remixes from Kangding Ray and Setaoc Mass, the extended play is a walk through of Phase Fatale’s cadence for dancing around the structural framework of his tracks with superlative control, entwining rhythms from contrasting metres of electronic composition. Altars’ production of electric reverberation follows a trajectory of cybernetic kicks, stabs of short circuit zaps and heartbeat style drum loops embellished by the serene textures of euphoric gleams and sensual chords, augmenting a sonic motif of dystopian salvation. 

The remixes fortify the body of works gritty soundscape with Kangding Ray’s complex sound aesthetics delivering a frantic buzz of sonic tachycardia and Setoac Mass’ experimental spliced shrapnel from the tracks origin creating murky, blizzard-like scatterings. Walking a fine line between themes of the divine and sacrilegious, Phase Fatale’s conscious composition of hedonistic, multi-layered techno and complex world-building narratives further emphasises his production's structure and geometry. 

Artwork by Duranite
Design by Eloise Leigh
Mastering by Conor Dalton

Phase Fatale - Neon Innocence (BITE034)

Vocals from Oscar Mulero in his last interview with Resident Advisor

"
When I met some people they say please don't change,
please don't change, just keep like that. Why are they saying that?
Because probably all the people is changing.

I create
Believing in what I do
Believing in the music I play
Believing in the music I create
I just follow those factors

"

https://cestek.bandcamp.com/track/i-just-follow-those-factors

Free Download

CESTEK - I Just Follow Those Factors [Free Download]

In constant chase of the perfect loop TAR029 brings four jams composed by dc11 and a locked groove on B2.

Mastering by Paul Mac @ Hardgroove Mastering.

Vinyl master cut by Simon @ The Exchange.


Bandcamp

A1 - dc11 - Forced Removal (TAR029)

Paris-based producer and DJ Kosaa returns with People In Line, a refined three-track EP showcasing his distinct take on hypnotic techno—stripped-back, spacious, and detail-oriented. From the rolling tension of "Silence" to the understated groove of "You Got The Touch", each track is crafted with intention, letting minimal elements breathe and evolve with clarity. The title track, "People In Line", anchors the release with its immersive flow and subtle drive—offering just enough movement to keep the floor locked in. On remix duty, ESSENCE (DE) delivers a deeper, haunting reinterpretation, amplifying the track’s hypnotic undertones while keeping it firmly in late-night territory. "People In Line" reaffirms Kosaa as a focused, elegant addition to the catalog.

Track: People In Line
Artist(s): Kosaa 
Label: Algumritmo Records
Catalog: ARRX013
Release Date: 22.08.2025
Format: Digital
Genre: Electronic
Style: Techno
Mastering:  Veiga
Artwork: Miguel Fialho

Artist links: 
Soundcloud:  https://soundcloud.com/kosaamusic
Instagram:  https://www.instagram.com/kosaamusic/


Label links:
Soundcloud:  https://soundcloud.com/algum-ritmo
Bandcamp:  https://alg1ritmo.bandcamp.com
Instagram:  https://www.instagram.com/alg1ritmorec/

Pre-Order Link: https://alg1ritmo.bandcamp.com/album/people-in-line

GTG Premiere | Kosaa - People In Line [ARRX013]

G4E - Can i (FREE DOWNLOAD)

MOTE055 - Planetary Assault Systems - Engage Now - Straight Shooting EP

Sixth release in the Ternesc series from Blawan

Artwork by Sean Bell 
Mastered by Simon at The Exchange

B2. Blawan - Hapexil Rotator

BLAWAN // TERNESC