PEINE CAPITALE – LOREM

DRILL / GRIME / ELECTRO / TECHNO

LA CAPITALE / CAPITGANG

Lorem – Peine Capitale

Setting suns and ambient music are a classic combination on Youtube.

They're fan-fiction music videos made with drifting skies.

Inspired by this phenomenon, Roshanak Amini and Juniper Foam created two video installations that push beyond its immediate beauty and into the socio-political undercurrents hiding in plain sight.

"Staring at the Sun" and "Wherever I Am, the Sky Is Mine" speak the language of remix culture and smooth astral jazz, while creating a space that belongs to the emerging genre of Future Lofi.

The rhythmic flow of the inhabitants leaving from and returning to the “illegal settlement”, Karail, through a small gravel pathway that appears on the body of water which divides the two worlds, is a sign that nothing remains isolated: that these two worlds, Karail and the rest of Dhaka, seep into one another, into every aspect of “the other’s” everyday life.

The merchandise moves into and out of these two spaces.

The labor force which builds and serves those living in the “legal” parts of Dhaka comes from these settlements.

While the flow is constant throughout the day, it escalates during sunrise and sunset.

What is captured here in these videos is the ever-present permeability of Karail.

Wherever I Am, the Sky Is Mine

Juniper Foam And Roshanak Amini - Wherever I Am, The Sky Is Mine

Kick Drums for Palestine

Support on Bandcamp

Thirst (KDFP01 VA1)

Berlin-based producer and DJ Elninodiablo (aka Stephanos Pantelas) unveils his most personal and unrestrained release to date: The Downey Groove, arriving September 19 on his own label, El Niño Diablo Music. 

The result is an eight-track voyage through dub-drenched electronics, warm psychedelia, and sensual grooves, rich in texture, full of emotional nuance, and anchored by rhythm. Opening track ‘Purple Hypnotic’ sets the tone with woozy pads, aqueous textures and whispered fragments, before ‘Misteriosa Noche’ flips the vibe with a shimmering, funk-laced swerve. ‘The Soul Monad’ invokes the spiritual influence of Eno, Byrne and Sherwood with a bass-heavy, ceremonial dub, while ‘Subadrift’ offers up a spacey, synth-driven lift-off that draws on echoes of ‘80s/‘90s electronica.

The groove continues on ‘Rodeotheque’, a cheeky disco-boogie detour laced with tongue-in-cheek vocals and playful surprises. Title track ‘The Downey Groove’ follows with live percussion and unfiltered energy, a jam that feels both immediate and expansive. On ‘Rise In Dub’, thick basslines and jungle field recordings build a tripped-out nocturnal atmosphere, before final track ‘Operator Please!’ brings things full circle with sine wave warmth and slow-burning melodic closure, crafted entirely with Ableton’s Operator synth.

While no fixed concept shaped the album during its making, its emotional core revealed itself after the fact. Themes of release, rebirth, and feminine embodiment came into focus—vibrational, sensual, and rooted in the body. As Elninodiablo puts it, his creative process never starts in the mind: “It begins with an impulse in the body, a need to express. The meaning only becomes clear once the music is done.” In this case, the album became a vehicle for personal healing, especially through rhythm, movement, and bass. “It’s sacral, rootsy, and connected to freeing tension stored in my body,” he explains. The bold, unprompted artwork by Tobias Jacobsen intuitively mirrored this energy: otherworldly, vibrant, feminine.

Musically, Elninodiablo defies genre. He describes his sound as spatial, fearless, emotive and sexy, demanding yet deeply intuitive. It’s music that invites surrender, both on and off the dancefloor. “For me, music is spirit in sound, truth expressed through frequency. It moves through you. It transforms.”

Elninodiablo’s journey is as eclectic as the record itself. From Cyprus pirate radio in his youth to spinning at London’s queer underground landmarks like The End, Turnmills, and Fabric, he quickly earned a place behind the booth. His deep understanding of club culture eventually translated into a successful PR career, where he represented artists and labels such as Horse Meat Disco, Salsoul Records, Fat Freddy’s Drop, Tegan & Sara, Strut Records, and !K7.

Having laid solid foundations with releases like Shadow Dancer, Dorothea’s Rainbow, and Lunchbox Candy, this new album marks his most liberated expression yet. Studies at Berlin’s Catalyst Music (housed at the legendary Funkhaus studios) helped sharpen his production craft, while extensive travels fed into a style that draws from global influences, moving effortlessly between dubbed-out dream states, hard-hitting club gear, downtempo soul, and eastern-harmonic hybrids. The music evokes vast open spaces, from desert plains to humid jungles, more mood than genre, more energy than structure.

Outside the studio, Elninodiablo also curates Lunchbox Candy, a bi-monthly queer event at Berlin’s Kreuzwerk,, dedicated to radical sound, visual art, and embodied expression. That same fearless spirit pulses through every moment of The Downey Groove.

He describes The Downey Groove as “a womb-like slap in the face and a warm, gentle cuddle.”


01 Purple Hypnotic

goranji – afro bass house mix 07.2025

Piva - "Something Different" Mix

A little bird spreads its wings and crosses dreamscapes.

This set is an invitation to fly, to dance wild and free, to surrender to soft and fiery trance.
Between tribal percussion, organic textures and electronic waves, Pajarito paints a sonic spiral that rises, whirls, and descends back into the heart.

🌀 It’s a wandering Ecstatic Dance journey: beginning in the mist, dancing with fire, surrendering to the rhythm of the earth, and returning to the breath.

🌿 Created with love by Terrafulgor, for souls who dance barefoot under the moon or in the middle of the living room.

🎶 Best experienced loud, best lived with the whole body.


Ecstatic Dance DJ Set – Pajarito (Organic House • Tribal Beats • Downtempo Journey)

- Aquí dejo mi ultimo trabajo Teknotribe 170bpm junto a mi amigo lucatek, vs de 8 minutos producidos con FL y Ableton! a disfrutarlo :)

- Here is my last job Tekno Tribe 170 bpm with my friend lucatek, a vs 8 minutes produced with FL and Ableton! enjoy it :)

LUCATEK (00:00 - 03:42) vs KRAKEN KRONIK (03:42 - 08:14)

BIG UP FROM ITALY & SPAIN! :) 

Buy on Bandcamp

Lucatek vs Kraken Kronik - 170 bpm Work (FL&Ableton)

DDDR2.2.2

Twentydollarbill

I’m Terrafulgor, creator of immersive and soulful experiences through sound, rhythm, and intention.

On this SoundCloud, you’ll find:
✨ sound journey excerpts – to ground, breathe, and dream
🔥 ecstatic dance mixes – to move freely and reconnect with your vital energy

Each sound is an invitation to feel, to slow down, and to reconnect with yourself and the living world around you.

🎶 Enjoy the journey – and if a vibration resonates with you… share it 🌕