Mix recorded for my residency at @radiobuenavida
Track list

Pearson Sound--Rubble 
False Persona--Catalyst 
Nite Fleit--Bad Blood
Client_03--Ur-Luv
Pearson Sound--Alien Mode
Radioactive Man--Unsaid
Radioactive Man & Ben Pest--Bar Tab
JLM Werx--The Acid Bass Machine
Luke Eargoggle--Professor Laphroaig
Dez Williams--bitofbaataa
L-Pad--Retrained In Cyberdelics
Baka--Night Shifter
French ll--Girl Unit
Jadzia--Orbit

Radio Buena Vida 20.10.21

Ineffabilis Incorporeus is the debut release from the Psychophonie De L'eternel label that brings together two main elements in equal parts: mysticism and chaos.

This V/A is a solid and coherent declaration of the feeling of belonging to a superior etheric energy, which we cannot find words to describe, without forgetting the confusion that our carnal state represents. Always with a narrative of enigmatic and disturbing sounds that will keep you in a state of deep introspection.

Pre-Order: October 14, 2022
Release Date: October 21, 2022

Tracks:

01.- CTPAX - Arcane (Original Mix)
02.- Opake - All That Is Solid Melts Into Air (Original Mix)
03.- Self-Awareness - Death Before Death (Original Mix)
04.- Saahiwa - Sumedus Kütkeis (Original Mix)
05.- MAROONED - Tribal Affairs (Original Mix)
06.- Solar Sibling - Cygnus (Original Mix)
07.- Hedon - Synthesizing God (Original Mix)

Ineffabilis Incorporeus

Ineffabilis Incorporeus V/A

ᴘʀᴇᴍɪᴇʀᴇ:
Track Name: Last Thing (inhmost remix)
Artist: inhmost
Release name: Korinami - Personal Passage
Catalog Code: [MIS007]
Mastering: Analogcut
Format: Digital, Physical
Release Date: November 25, 2022

Buy Link: https://music-is-korinami.bandcamp.com/album/personal-passage

inhmost:
▫️ SC: https://soundcloud.com/inhmost
▫️ FB: https://www.facebook.com/profile.php?id=100028848138782
▫️ IG: https://www.instagram.com/s.huxtablemusic/

music_is:
▫️ SC: https://soundcloud.com/music_is1/
▫️ FB: https://www.facebook.com/music.is.records
▫️ IG: https://www.instagram.com/music_is_records/

Crescent London:
▫️ www.linktr.ee/crescent.london

Full Tracklist:
1. Protective Station
2. Pick Me Up - Summit Dub Remix
3. Shining Bright
4. Shining Bright - Sanjib Remix
5. Lament - Mucho Sueño Remix
6. Lament
7. Last Thing - inhmost Remix
8. Last Thing
9. Protective Station - April Bourne Remix
10. Last Thing - Gal Tsadok - Hai Remix
11. Pick Me Up noc:turne Remix
12. Pick Me Up

Press Release:
Personal Passage is an imaginary journey that starts from a station and goes to a place that is not well defined, but is elsewhere. The sounds of the record pass through calm and timeless places at frantic and often anxious moments. It crosses the moods of which it seeks to change, and often has to face light and dark. Enthusiasm and fears mix and merge in a long time space, like a train journey, which sooner or later arrives at its destination. 

Artwork by Sébastien Mercier at Maison Sagan

Bandcamp

PREMIERE: Korinami - Last Thing (inhmost Remix) [MIS007]

Melantónia Show x Fango Radio(28.12.2022)

Last episode of our series on Fango Radio with Melantónia’s co-founders and co-curators @hanna_maria_melantonia and @hrnrmusic.
This is our way to end our year in the best way and say thank you to all listeners and artists who contributed and support us in this journey together.

Stay tuned 🌱



Artwork by WUTU.

www.fangoradio.com/shows/21

Melantónia x Fango Radio - Hanna Maria & Mattia Onori

Electronic alchemy using modulars, rudimentary percussion instruments and field recordings, forming a hybrid set with the insertion of some pieces of cult works of dark ambient and ritual music. Rescuing pagan beliefs of black magic, occultism and esoterism from old Europe, this work is called "Hand of Glory". 
Tracks used:
Yasnaïa - Onokoro [Ant-Zen] (1997)
Nurse With Wound - Beetle Crawls Across My Back [United Dairies] (2010)
The Nocturnal Emissions - Tongues Speak [Sterile Records] (1983)
Anne Gillis - Quelques Heures Maléfiques [Bain Total] (1984)
Club Moral - L'enfer Est Intime [Sub Rosa] (1985)
Einleitungszeit - Antiglied [Aliens Production] (1997)
*All other sounds are a whole of unreleased audio samples and live improv recordings.

"𝘛𝘳𝘶𝘵𝘩 𝘪𝘴 𝘯𝘰𝘵 𝘰𝘧 𝘵𝘩𝘪𝘴 𝘸𝘰𝘳𝘭𝘥; 𝘢𝘯𝘥 𝘵𝘩𝘦𝘺 𝘸𝘦𝘳𝘦 𝘧𝘰𝘰𝘭𝘴 𝘸𝘩𝘰 𝘭𝘰𝘰𝘬𝘦𝘥 𝘧𝘰𝘳 𝘩𝘦𝘳 𝘪𝘯 𝘵𝘩𝘦 𝘣𝘰𝘵𝘵𝘰𝘮 𝘰𝘧 𝘢 𝘸𝘦𝘭𝘭; 𝘩𝘦𝘳 𝘵𝘦𝘮𝘱𝘭𝘦 𝘪𝘴 𝘵𝘩𝘦 𝘨𝘳𝘢𝘷𝘦! 𝘩𝘦𝘳 𝘰𝘳𝘢𝘤𝘭𝘦𝘴, 𝘥𝘶𝘴𝘵 𝘢𝘯𝘥 𝘢𝘴𝘩𝘦𝘴!" 
― William Mudford, The Iron Shroud (1830).

Terror Cognitive Dissonance (hybrid recording) - Hand Of Glory

Spheric - Live Vinyl Set @ Distorted Disco 02.23.23

The Dutch duo formed by Robin Koek and Nick Lapien return to Semantica with a brand new Mini LP. ‘Floodplain’ explores new registers in between techno and electronica, showcasing a perfect balance on physical aspects of the music; an intricate sound design and the experimentation.

All Tracks Written and Produced by Robin Koek & Nick Lapien. 
Mastered by Giuseppe Tillieci at Enisslab Studio, Rome. 
Original Photography by Nick Lapien. 

SEMANTICA 143
Copyright Control 2023 © SEMANTICA.

Artefakt - Floodplain

The Swedish duo, Havsmörker, unveiled a four-track EP, "Dimma," in March via Supertraditional Records. On November 15, the release undergoes a transformation with remixes by SGurvin, The Allegorist, and Daniel Troberg. SGurvin, the Oslo-based producer, steps up to the plate for today's premiere, offering a fresh perspective on "Dunderflisa" with a rework that channels the obscure and pulsating essence of warehouse techno.

In SGurvin's rendition, the Scandinavian connection is tangible as the track unfolds into a murky labyrinth of sound. The raw, experimental energy infused by Sigurd Gurvin creates a dark techno odyssey weaving through intricate layers of industrial beats and atmospheric textures.

https://soundcloud.com/sgurvin
https://soundcloud.com/havsmoorker

https://www.instagram.com/sigurdgurvin/
https://www.instagram.com/havsmorker/


Follow us on social media:
https://www.itsdelayed.com
https://soundcloud.com/itsdelayed
https://www.instagram.com/_____delayed/
https://www.facebook.com/itsdelayed
https://www.youtube.com/@_____delayed

PREMIERE: Havsmörker - Dunderflisa (Sgurvin Remix) [Supertraditional Records]

Warden Main Theme

Feedback Madness
Track 1, "From This", 01:04, Soma Lyra 8 + Soma COSMOS + PulDeFilt
Track 2, "Feedback Madness", 02:15, PulDeFilt
Track 3, "Wander", 02:41, Soma Lyra 8 + Soma COSMOS
Track 4, "Uncover", 03:21, Soma Enner + Soma Lyra 8 + Soma COSMOS + PulDeFilt
Track 5, "Leaving", 02:00, PulDeFilt + Soma Lyra 8 + Soma COSMOS


Dates:
26-Oct-2025 (inception), 30-Oct-2025 (finalised), 30-Oct-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Artwork by Norman Freund

BandCamp Purchase:
https://normanfreund.bandcamp.com/album/feedback-madness

Description:

Following up an idea on feed back loops, looper cross amplitude modulation with my software based digital modular synthesiser, PulDeFilt; plus analogue synthesisers: Soma Enner, Soma Lyra 8 and Soma COSMOS.


Track 1, "From This", 01:04, Soma Lyra 8 + Soma COSMOS + PulDeFilt:
**************
Records a short Soma Lyra 8 performance, two motifs introduced and recorded into Loops 1 and 2, ready to use in Track 2.


Track 2, "Feedback Madness", 02:15, PulDeFilt:
**************
*(1). This is where is all began. Having recorded two short 11 and 12 second samples from the Soma Lyra 8 from track 1 into loops 1 and 2, it was time to experiment with loops 1 and 2 amplitude modulating (AM) each other.

I wanted to explore the possibilities of dynamic assignment of multiple looper outputs to cross amplitude modulate each other. So I decided to start simple and just cross link only two looper outputs.

The audio signals from looper 1 and looper 2 where then multiplied together, i.e. amplitude modulation. Now to add some spice, after amplitude modulation, this was fed into a delay+feedback+gain block and added back to the looper 1 AM input. This delay was necessary as a technical matter but then later proved to be a useful timbral tool by playing the delay times according to a prescribed discrete set of delay times (as assigned to 8 midi note pads, along with the feed back gain assigned to a rotary encoder of the midi instrument again played by the performer. The discrete delay time tuning was determined by ear, old school style, play one delay time, write that down, play the next delay time that sounded right, write it down and continue, then assign to the tuning library.

Since the original audio from the Lyra 8 was feed into the Soma COSMOS for reverb, no reverb VST was necessary in the digital modular synthesiser, PulDeFilt.


Track 3, "Wander", 02:41, Soma Lyra 8 + Soma COSMOS
**************
A purely Soma Lyra 8 performance.


Track 4, "Uncover", 03:21, Soma Enner + Soma Lyra 8 + Soma COSMOS + PulDeFilt
**************
Here the Soma Lyra 8 played a dual role, firstly as the delay+distortion for the Soma Enner performance and secondly, the Lyra 8 played in it's own right. This was then feed into the Soma COSMOS to layer in and out various motifs and play the Blur and Drift dials. PulDeFilt was used here purely as a mixing console and to layer up performances.


Track 5, "Leaving", 02:00, PulDeFilt + Soma Lyra 8 + Soma COSMOS
**************
After all the hyper activity, a calming finale. PulDeFilt was used to play a pulse oscillator drone through a single delay+feedback block then off to a band pass filter, adjusting the centre frequency dynamically during the performance. This provided the backing for the Soma Lyra 8 performance. The Lyra 8 audio was passed through to the COSMOS for a touch of reverb.

Uncover

Part of a series I was working on that was all about looking deeply into things that have no apparent significance, like the cosmic hum, or the idea of searching for nothing - reflection, memory, history and nostalgia - and I don't even remember how i made it, just the image of me sitting in the kitchen with headphones on with the presence of my daughter in front of me- it is a warm place, full of love and is pleasant to return to in my mind.

On a completely different tip it reminds me of dark empty depths, things lurking;  sparkling bioluminescence; life of all kinds darting, or hiding, in a constant state of heightened awareness, feeling as deeply as possible in love or fear.

Some themes were:  darkness and light, the moon, a light in the darkness; the tides, in and out; longing - the moon once a part of earth slowly drifting away; it's pull stirring the waters to enable life, first in the ocean and then, crawling, clawing on to land; leaving everything behind but always aware of the primal call to home, waves breathing in and out - an inexplicable emotion, there, but not there, like creation; creatures in the dark with senses so extreme they fill the emptiness with beauty and meaning - the spaces in between; pray for nothing.

That's kind of where my head's at.

Deep sea (the call home)

"𝑇𝘩𝑒 𝑜𝑙𝑑𝑒𝑠𝑡 𝑎𝑛𝑑 𝑠𝑡𝑟𝑜𝑛𝑔𝑒𝑠𝑡 𝑒𝑚𝑜𝑡𝑖𝑜𝑛 𝑜𝑓 𝑚𝑎𝑛𝑘𝑖𝑛𝑑 𝑖𝑠 𝑓𝑒𝑎𝑟, 𝑎𝑛𝑑 𝑡𝘩𝑒 𝑜𝑙𝑑𝑒𝑠𝑡 𝑎𝑛𝑑 𝑠𝑡𝑟𝑜𝑛𝑔𝑒𝑠𝑡 𝑘𝑖𝑛𝑑 𝑜𝑓 𝑓𝑒𝑎𝑟 𝑖𝑠 𝑓𝑒𝑎𝑟 𝑜𝑓 𝑡𝘩𝑒 𝑢𝑛𝑘𝑛𝑜𝑤𝑛".
― H. P. Lovecraft, Supernatural Horror in Literature (1927).