Promo Page: https://readymag.com/u1788078421/UATRIBAL/

Hutsulka (UA TRIBAL)

Grunt (UA TRIBAL)

Taken from VINER - Navro’z [TMF!06]

Out on february 16th, 2024
Order : tripalium.bandcamp.com/album/tmf-06-viner-navro-z

In his new mini-album, Viner explores the colonial history of Central Asia. He protests against nostalgia for the "great past" of the USSR and imperialist tendencies, deeply ingrained in the consciousness of the older generation that largely defines the current politics of the region. Being clearly against and tired of the same-old-same-old tales of how marvelous the past was, Viner in his 'Navro'z' calls to question these concepts, examines the anxieties of the present, and explores the possibilities of the future. The title itself hints at a new chapter of post-Soviet countries’ history.

In Zoroastrian tradition, Navro’z is a festival of spring and a symbol of a new beginning, a new life. People who celebrate Navro'z believe that the more good you do on this day, the luckier the year will be. And it's about time we all have a lucky year, for a change.

Meticulous work with composition has turned this dance album into a true blockbuster. Viner, a master of unexpected turns, switches gears from ample emotional moments to fantastic intense choreography of Central Asian rhythms. Epic scenes alternate with harsh slaps and yells, as if reflecting the unstable psyche of the author, who transitions from almost childlike calmness (hello "Boards of Canada") to difficult-to-control rage.

If we go post-colonial, we go full speed and unravel the similarities in the music of the oppressed. Uzbek vocals by Turgan Alimatov, monotonously repeating “nova", sound like a reminder of possible freedom from the metropolis; Asian drums of Naubat sound distinctly Central African. In G'azab feat. Wulffluw XCIV, Uzbek instruments [doyra, kairok, surnai, thunderous qurnai] sound like a potent mix of Paris vogue ball and footwork of the backstreets of Chicago — unabashedly delving into a multi-layered concept without losing its dance dynamics.

As an Asian Russian artist in exile, Viner, through his own experience, has realized that the personal is political and now challenges the widespread escapist belief that music — or any form of art, for that matter — is apolitical. By blending seemingly unmixable music styles, Viner hopes we can navigate the rapids of decolonization smoothly and without violence.

TRACKLIST :
01. Naubat
02. Navro'z
03. Nova
04. G'azab (feat. Wulffluw XCIV)

Mastered by Ronnie Coco
Artwork by @zazazakhidov
[@tripalium-corp] - Tripalium Mind Fucked ! 06

Navro'z

Viner - Naubat

Barcelona-based creative platform ABUNDANCE is set to release their highly anticipated first compilation ‘FLORILEGI I’. Meaning a ‘collection of flowers’ in Catalan, this series of works aims to shed light on some of the most exciting sounds coming out of the city’s multi-faceted musical ecosystem. 

From B4MBA’s industrial dancehall version ‘Charmed Riddim’ and the driving, hardware-heavy techno of ‘H13’ by ellian, the modular tension and release in glxgls’ ‘Brr Brr’, to the dubbed out two-step of ‘cute nenas love groovin’’ by AINES & ALVVA. These fourteen standout tracks, plucked and arranged, showcase the wide range of genre cross-pollination occurring within the Catalan capital. 

ABUNDANCE is dedicated to championing local talent, serving as a non-profit artistic collective, record label and event organisers. This inaugural compilation is the beginning of a new chapter, connecting the dots from the diverse corners of the creative scene, expanding possibilities for collaboration for the future.

Florilegi I

P^KNT€ - I'M THAT

Taken from @vinerrrrr - Navro’z [TMF!06]

Out on february 16th, 2024
Order : tripalium.bandcamp.com/album/tmf-06-viner-navro-z

In his new mini-album, Viner explores the colonial history of Central Asia. He protests against nostalgia for the "great past" of the USSR and imperialist tendencies, deeply ingrained in the consciousness of the older generation that largely defines the current politics of the region. Being clearly against and tired of the same-old-same-old tales of how marvelous the past was, Viner in his 'Navro'z' calls to question these concepts, examines the anxieties of the present, and explores the possibilities of the future. The title itself hints at a new chapter of post-Soviet countries’ history.

In Zoroastrian tradition, Navro’z is a festival of spring and a symbol of a new beginning, a new life. People who celebrate Navro'z believe that the more good you do on this day, the luckier the year will be. And it's about time we all have a lucky year, for a change.

Meticulous work with composition has turned this dance album into a true blockbuster. Viner, a master of unexpected turns, switches gears from ample emotional moments to fantastic intense choreography of Central Asian rhythms. Epic scenes alternate with harsh slaps and yells, as if reflecting the unstable psyche of the author, who transitions from almost childlike calmness (hello "Boards of Canada") to difficult-to-control rage.

If we go post-colonial, we go full speed and unravel the similarities in the music of the oppressed. Uzbek vocals by Turgan Alimatov, monotonously repeating “nova", sound like a reminder of possible freedom from the metropolis; Asian drums of Naubat sound distinctly Central African. In G'azab feat. Wulffluw XCIV, Uzbek instruments [doyra, kairok, surnai, thunderous qurnai] sound like a potent mix of Paris vogue ball and footwork of the backstreets of Chicago — unabashedly delving into a multi-layered concept without losing its dance dynamics.

As an Asian Russian artist in exile, Viner, through his own experience, has realized that the personal is political and now challenges the widespread escapist belief that music — or any form of art, for that matter — is apolitical. By blending seemingly unmixable music styles, Viner hopes we can navigate the rapids of decolonization smoothly and without violence.

TRACKLIST :
01. Naubat
02. Navro'z
03. Nova
04. G'azab (feat. Wulffluw XCIV)

Mastered by Ronnie Coco
Artwork by @zazazakhidov
[@tripalium-corp] - Tripalium Mind Fucked ! 06

Viner - Gazab (ft. Wulffluw XCIV)

SoundCloud: https://soundcloud.com/s2k2ky
Instagram: https://www.instagram.com/s2k2ky/

Shelly, also known as s2k2ky , Jojo or, in his early days, DJ iTunes 10.2, is the electronic project of music producer and sound engineer Joan Canyelles, founding member of Abundance, a platform and collective of Barcelona DJs and producers who collaborate closely with multidisciplinary artists and other collectives in the city. Alumni of the Red Bull Music Academy Berlin in 2018, half of the new trance/rave duo TOP74, resident of dublab.es, collaborator of the creative studio Hamill Industries and the cultural association El Pumarejo family, his sound is inspired by the UK bass genres mixed with leftfield techno.

S2K2KY || REAL RITE

Viner - Nova

Viner - Navro'z

EC Mix008 by Sami Sameer / Darle Vueltas a la Cabeza

Artist bio @samisameer

Qatarí-colombiano, Sami Sameer se crió en Mascate, donde estudió percusión orquestal y jazz. Su relación con la música se vio alimentada por la necesidad constante de su cerebro de sonidos estimulantes, y albergó una obsesión por los ritmos impredecibles y el espíritu caótico de la música que estudiaba y referenciaba. En la actualidad reside en Barcelona y, tras conocer la vibrante escena underground de la ciudad, comenzó a pinchar como forma de compartir su amor por el sonido.

Con apariciones en proyectos locales como Dos Dos Radio, Jokkoo Collective y Zilzal Platform, sus sets son conocidos por sus texturas abrasivas e industriales, que atraviesan géneros como el deconstructed club, noise, dubstep, breaks y ambient, al tiempo que se inspiran en sus raíces y su formación musical.

EC Mix008 by Sami Sameer / Darle Vueltas a la Cabeza

Live DJ Set @ El Pumarejo - REAL RITE Party - 19 Abril 2024

Tracklist:

1	Debit - Numbering (feat. Dj Earl)
2	Parzubanil - Bonanza
3	Lechuga Zafiro - Sudor En Vapor
4	Terror Danjah - Red Card Riddim
5	Sylvere - Carnival
6	Lechuga Zafiro - Agua y Puerta
7	Viner - Nova
8	HAAi - Motorik Voodoo Bush Doof Musik
9	Anmon - Orch II
10	Le Dom - Side Quest
11	Slikback - Karum
12	Lloyd SB - King of the Castle
13	TeRRRor - Unreleased # 1
14	TeRRRor - Unreleased # 2
15	TeRRRor - Unreleased # 3
16	TeRRRor - Unreleased # 4
17	TeRRRor - RRRompeculos
18	TeRRRor - Unreleased # 5
19	TeRRRor - Unreleased # 6
20	TeRRRor - BuRRRako
21	Kuthi Jin - Crawl
22	Slikback - Rage
23	Sleeping Buddha - Goro
24	Slikback - Faza
25	Mr. Mitch - Stinky Leg
26	Slikback - Sonshitsu
27	Le Dom - Dodge
28	TSVI - Headshot (Luru Remix)
29	Neana on the Trak - Jawbreaker

TeRRRor - DJ Set @ REAL RITE - El Pumarejo 19-4-24

LE MOURYNHO, a musician originally from A Coruña based in Barcelona. Since his beginnings in 2022, Xian has developed a unique musical narrative, prioritizing technical research in sensory-level mixing. Characterized by club-like percussions, a wide variety of BPMs, and explicit and fun vocals.

https://soundcloud.com/xian-mourino-garcia
https://www.instagram.com/lemourynho/

Suicide Club feat. LE MOURYNHO

HOY PODRIA SER EL FINAL DE TODO

TeRRRor (David Calvo) nace del miedo a la efemeridad de la vida, como una respuesta enérgica y frenética por aprovechar cada segundo del tiempo que nos queda, de la incapacidad de calcular ese tiempo y del sentimiento que, en cualquier momento, todo podría terminar.
En forma de baile preapocalíptico, es una suerte de interlingua que, de alguna manera, busca el entendimiento y consuelo entre semejantes cuando todo parece colapsar. 
* * *
TeRRRor (David Calvo) neix de la por a l'efemeritat de la vida, com una resposta enèrgica i frenètica per aprofitar cada segon del temps que ens queda, de la incapacitat de calcular aquest temps i del sentiment que, d'un moment a un altre, tot podria acabar.
En forma de ball preapocalíptic, és una mena d'interlingua que, d'alguna manera, busca l'entesa i el consol entre semblants quan tot sembla col·lapsar.
* * *
TeRRRor (David Calvo) is born from the fear of the ephemerality of life, as an energetic and frenetic response to take advantage of every second of the time we have left, from the inability to calculate that time and from the feeling that, in any moment, everything could end.
In the form of a pre-apocalyptic dance, it is a kind of interlingua that, in some way, seeks understanding and comfort between peers when everything seems to collapse.

TeRRRor - DJ Set @ REAL RITE - El Pumarejo 19-4-24

TeRRRor

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