Tesco

Genocide Organ

Your 2019 Playback

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TescoGermany

''Je me suis réveillé dans une pièce ou les murs étaient peints en vert. Il n'y avait rien par terre sauf une tasse de thé et un garçon très/trop silencieux. J'ai branché une prise de courant sur un livre très 'Nova...' et le champ bleu qui apparut ne fut pas magnétique. Impossible de rejoindre une quelconque dimension Position Parallèle. La rue était vide et la pluie glaciale. Une balle traversa la pièce, tua le garçon et emporta avec elle le souvenir de ses crimes. Dehors le jour brillait comme des Néons Blancs......'' "I woke up in a room where the walls were painted green. There was nothing on the ground except a cup of tea and a very / too quiet boy. I plugged in an outlet on a book very 'Nova ...' and the blue field that appeared was not magnetic. Unable to reach any position parallel dimension. The street was empty and cold rain. I shot across the room, killed the boy and took with it the memory of his crimes. Out the day shines like neon White ......'' the brandnew work of Derniere Volonte´s minimal electronic projects - a taste of future retro synthi pop! Bring out your dance shoes! TRACKLIST 1. Systeme Parallele 2. L`Homme Moderne 3. Creature 4. Quelle Place? 5. Neons Blancs 6. Comme ca... 7. Passe par ici 8. A une Minute Pres 9. Faux Semblant 10. Un dernier R.dv 11. Faute de frappe EAN CD: 4038846311109 EAN LP: 4038846321108 HR!110

Position Parallele - L'Homme Moderne LP/CD HR110



Track from the upcoming new GO record...

Genocide Organ have hidden in the jungles, hills, deserts, slums and cities of the Americas for 4 years. Being present on the shores of Panama, in the cardboard areas of El Salvador, the jungles of Guatemala, the drug roots of Bolivia, the human-drug trafficing in Mexico, the just in-justice in no-go areas just across the iron border of the US.
Meeting paramilitares, kommunist guerilla, dining in Fort Benning and getting their final degrees at the School of the Americas.

Trecking regions highly praised for ancient cultures, for individual tourism, the beauty of the landscape and the peaceful inhabitants - but some of these areas turned into nightmares far beyond immagination, they are out of focus of what is happening in places that seem to be of more interest to the european stock market. In fact everything is connected. If you are worthless in a region, you are worthless in all regions.

:Obituary of the Americas: is a slow creeping, noise-layered journey through some dark hearts. Dark noisy beats are the rhythms
for the decay and resistance of those involved, examined out of multiple angles and perspectives - the campesino, the elite soldier, the self-defense man, the drug-lord or the comon criminal, with harsh aggressive outbreaks of noise driven electronic assaults - the list could be endless and it is!
Today is the same as yesterday, it is world without a tomorrow!


GENOCIDE ORGAN - AUTODEFENSA [ from : OBITUARY OF THE AMERICAS : LP/CD]

https://soundcloud.com/carl-gari
https://soundcloud.com/abdullahmadm

ORDER 12" HERE

Carl Gari & Abdullah Miniawy – Al Weshaya

Carl Gari & Abdullah Miniawy – Ya Wayni

pre-listening to new CD LP/7"
PRIE POUR MOI


Derniere Volonte - Les reves de dorian....

Genocide Organ- God Sent Us

DIGITAL – audio stream & download
https://ariadne-music.bandcamp.com/album/stabat-mater

WebGL – interactive audio/visual experience
https://www.ariadnedigital.net/releases/stabat-mater/webgl

CASSETTE – physical audio relic
https://www.aurisapothecary.org/shop/ariadne-stabat-mater/

ABOUT STABAT MATER:
Stabat Mater is a 20 movement cycle of audio/visual ecstatic visions from experimental sacred audio/visual duo ARIADNE. The cycle is being released as a purely musical work on cassette tape and as an interactive audio/visual web based experience. Stabat Mater is heavily inspired by the visions of female Christian mystics Hildegard von Bingen and Teresa of Avila. The lyrics for Stabat Mater include adaptations of writings from these mystics fused together with text taken from surrealist poet Aase Berg’s With Deer and Dark Matter (both translated by Johannes Göransson and published by Black Ocean).

DIGITAL / WebGL:
The audio/visual version of the album is implemented as a web based 3D interactive experience, wherein each of the 20 visions are depicted as an integrated audio/visual experience. The visuals are generative and use real-time audio analysis, physics simulation and user input to determine the animation so that each experience is unique.

PHYSICAL CASSETTE:
In contrast to the interactive digital sanctuary, the cassette version serves as a physical relic for these visions and represents another path to experiencing the audio material. The dualistic nature of ARIADNE is fully realized by the balancing of digital creation with analog reproduction, professionally duplicated onto hi-fi Chrome+ tape stock. The format was also chosen for its encouragement of uninterrupted listening sessions, with movements transitioning seamlessly into one another and purposefully shedding the burden of listener interaction. The physical version is being released in “light” and “dark” editions with inverted cover art, case and cassette colors for each, with both featuring multi-panel artwork and full lyrical transcripts.

BIOGRAPHY:
ARIADNE is an experimental sacred music and new media art duo whose work explores the intersection of mysticism, dream analysis and the failure of digital systems through a synthesis of music performance, digital and interactive art, poetry and dramatic experience. Much of ARIADNE’s output consists of interactive audio/visual performances which employ custom built hardware and software, real-time 3D animation, and machine learning to create immersive and captivating experiences. ARIADNE’s body of work includes feature-length audio/visual albums, web-based virtual reality, and a/v installations.

Stabat Mater

08. on your knees

03. nourishment

02. mother weeping

01. wounds renew

:MIND CONTROL:

GENOCIDE ORGAN - HATE ... from MIND CONTROL CD

Objekt — Cocoon Crush
Format: 2xLP / CD / Digital
Cat.No. PAN 97
Release Date: 9 November 2018 
Pre-order album: bit.ly/2xhO0kR / bit.ly/2OvxYuv

PAN welcomes back Objekt for Cocoon Crush, his first LP since 2014’s Flatland. Over the past four years Objekt has continued to challenge conventions with his club output (the Objekt #4 single release and the Kern Vol. 3 mix CD for Tresor), while maintaining his reputation as a DJ who deploys impeccable technical finesse in crafting elaborate narratives from a diverse and challenging palette of electronic music. 

Written between 2014 and 2018 in Berlin and on the road, Cocoon Crush once again sees the producer jettisoning the functional requirements of the dancefloor. Marking a further evolution from the youthful exuberance of Flatland, Cocoon Crush explores a more introspective side, with themes of human interaction resonating throughout the record as it ruminates on a spectrum of complex moods rooted in 4 years of sometimes turbulent personal experience. 

Cocoon Crush represents an aesthetic departure from Flatland’s largely synthetic tonality, drawing from organic source material and natural textures to illustrate perplexing and unfamiliar sceneries in photorealistic detail. In Cocoon Crush, Objekt diverges further still from his musical influences to craft the purest manifestation of his own musical personality to date: an intriguing and enigmatic album whose reference points are hard to pin down, in which ghostly synth passages weave through mind-bending, weighty drums, and ASMR-triggering foley collages scrape and sparkle. Through meticulous sculpting, Objekt traces a rich and impressionistic journey through claustrophobia, hope, guilt, anxiety and joy, nested in layers of sonic detail which reward with every listen. 

The album is mastered by Rashad Becker, featuring photography by Kasia Zacharko, and layout by Bill Kouligas.

@keinobjekt
http://p-a-n.org

Cocoon Crush

Objekt - Secret Snake (Single Mix)(PAN 97)

The Truth Will Make You Free

Genocide Organ - Harmony

Geins't Naït - Archives 1/3 (GRVTS015)

A1 Fix
A2 Cameo
A3 A3 Quivala
A4 Computer Bit
A5 La Plus Belle De Tout Le Quartier
B1 Caramel
B2 Rossi Aldo
B3 ABS Trac 1
B4 Roman
B5 Boutons d'Or et Coquelicots
B6 Dimanche

Archives 1/3

Buy at Bandcamp

Geins't Naït - Rossi Aldo

02 Genocide Organ - Face Of Horror

new album FRONTIRE - coming on 2 different vinyls and CD. 
Derniere Volonte at its best

Derniere Volonte - Nous Savons Pourquoi

For over two years, Post-industrial auteurs Kim Larsen and Clay Ruby have been chipping away at this split release, sculpting something truly confounding and unique. While either side of this split sounds almost nothing like the other, where both projects connect is in their ability to combine seemingly incongruous musical elements together seamlessly. Combinations of space and tension, sorrow and frenzy, loss and abundance, all exist within the same short spans of time. Not only are they highly dynamic in terms of mood but also in style, where ingredients from various types of Folk music, Death Industrial, Funeral Doom, Kosmische Musik, Electroacoustic composition and further mutations all clash together in a way that could only make sense on this album. The freedom with which Larsen and Ruby approach their compositions is unparalleled, and yet this music is not just a progressive stew of paradoxes. Rather is it distilled down into a refined, romantic and highly personal consonance.

Les Chasseur de la Nuit & Burial Hex - teaser for split LP

INFO: https://www.clubbingspain.com/podcast/2019/cs-podcast-352-local-suicide.html

@localsuicide

CS Podcast 352: Local Suicide

CS Podcast 352

MARIA W HORN, Epistasis, LP

Release date - Oct 25th 2019 
Catalogue nr. - HG1904
Format - Vinyl/digital

https://hallowground.bandcamp.com

Tracklist:
A1) Interlocked Cycles I 	(10:45)
A2) Epistasis 			(09:31)
B1) Konvektion 			(13:16)
B2) Interlocked Cycles II 	(09:46)

Credits:
All music composed, recorded and mixed by Maria W Horn
Linnea Hällqvist - violin
Knapp Brita Pettersson - violin
Maria Jonsson - viola
Natalia Goldmann - cello
Johanna Niederbacher - cello
Mats Erlandsson - electric guitar
David Granström - electric guitar
Johannes Landgren - organ 
Fredrik Lundqvist - organ

Mastering by Lawrence English
Design by Ruth Stofer

Promotion by Dense Promotion, ed@dense.de 
Distribution by Cargo Records and a-Musik
Released by Hallow Ground

///
Following the success of her 2018 solo debut album »Kontrapoetik,« the Swedish composer Maria W Horn returns with »Epistasis,« her most ambitious record to date. The title track, »Konvektion« and the two parts of »Interlocked Cycles« see the XKatedral co-founder explore radical approaches to composition that combine avantgarde methods with electronic means. While »Kontrapoetik« highlighted Horn’s strength as a conceptual and political artist, »Epistasis« is to be understood as an advanced statement by a forward-thinking composer who throughout four pieces channels her influences, ranging from black metal to minimal music, through state-of-the-art technology. 
Originally composed as an audiovisual piece for synchronised multichannel sound and lights and premiered in 2018 at the Royal College of Music in Stockholm, »Interlocked Cycles« is a series of pieces exploring a gradual increase in tempo and density using various instruments. It was written to be performed by a computer-controlled upright Disklavier piano while the electronic part was generated within the Supercollider framework using phase modulation synthesis. Navigating between acoustic and electronic sounds, the two parts of »Interlocked Cycles« create a frame for the album by respectively serving as an introduction and coda to Horn’s musical exploration of the notions of authenticity and artificiality.
The nine and a half minute long title track was composed for an eight-voice double string quartet and draws on evolving progressions in F minor that were inspired by the sound and harmonic structures of early nineties doom and black metal music. During the performance of »Epistasis,« which was commissioned by Konstmusiksystrar and premiered by Malvakvartetten at Konserthuset in Stockholm 2018, four parts are played by the string quartet and four parts are played back electronically. Using various amplification techniques, the spectral characteristics of the string instruments are enhanced and distorted and were later on complemented by feedbacking electric guitar overdubs while mixing the piece. The result are densely layered drones that are most unsettling when they are the quietest and reveal their anthemic qualities in their most forceful moments.
The structure of »Konvektion« however takes its cues from a very different field of the musical world. The composition progresses in a way that was inspired by Arvo Pärt’s »Tintinnabuli« technique, where step-by-step diatonic movement interplays with triads to form a complex harmonic function that is still rooted in tonality. Based around four-note chords articulated as dyads and performed by two organists on the same instrument, the duration of each dyad is measured by the individual breaths of the two performers while pitches are predetermined in the score of the piece. The alternating breathing cycles of the performers slowly move the piece forward at a glacial pace. Simultaneously, an electronic part composed of interference tones creating high and low frequency beating patterns gradually unfolds, making »Konvektion« an exercise in minimalism that combines the subtle gravity of Phill Niblock’s work with the visceral theatrality of Anna von Hausswolff’s organ pieces.

-

Epistasis

MARIA W HORN - Epistasis (HG1904)

LE300 comes with printed innersleeve
Post Scriptvm enters its third decade of marginal existence with a new full-length album of surrealist industrial—eight inexplicably obscure analog sound sculptures, created using antiquated electronics and obsolescent techniques, juxtaposing dark ambient, power electronics and electroacoustic music.

    Titled after the outbreak of smallpox in the 1970s socialist Yugoslavia, unintentionally brought in by the pilgrims returning from a quest for divine illumination, Variola Vera is the soundtrack to the somatic and the metaphysical epidemics steering the human enterprise towards its termination.

    Adrift in the sea of narcotic synth textures, discordant recitations, contaminated laboratory noises, misshapen fragments of charlatan sermons, cannibal ceremonies, voices of dying children and speeches of the moribund Eastern Blok dictators, Variola Vera navigates its wayward course amidst the bitter nostalgia, ritualistic fervency, lethargic dejection, and frantic anguish.

Post Scriptvm - Chimera Of Conscience  teaser for Tesco 132

Burn (Ft  Infinite & Mansur Brown) - HINF8682

Casablanca - A hiding place and escape route. Flamethrower - A weapon designed to drive people out of hiding places.


Casablanca Flamethrower is Prurient's first proper full length for Tesco Organisation. Thirteen tracks of doom electronics crowded by voices of industrial cynicism focused on four theatres (corridors of violence):
Ural tracers, Guadalcanal Necrophilia, Normandy Reaper, Casablanca Flamethrower…

Casablanca Flamethrower deals with alternative histories. About hidden allied war crimes. The wild and ferocious airborne divisions once they passed the beachhead and their fateful encounters with civilians. About forgotten victims and known memorials. We deal here with the memorials we see that were created after the fact. By ’hiding what is known’ we see another history, another past... a past without a future!

Additional atmospheres:

Paratroopers mutilations as psychological warfare

Unspoken necrophilic activities in the Pacific

Human ‘trophies’ sent home to loved ones before atom day

Memories of the black raven under Uncle Joe

Human smuggling, fatalistic hedonism and triple-crossing in Morocco’s propaganda establishments


These are the songs from torture chambers across hateful american shores.
TRACK LIST:
A
Black Iceberg
Peace and Bread Humilation
D-Day Rape
Normandy Reaper - Snow on the Atlantic
B
Fucked by Tracers
Beneath the Wheels of the black Raven
Most Cannibals were Women
C
Dead you are already
Corn Cop Pipe Butcher
Guadalcanal Necrophilia
D
The Thrust of the Spear
Sphere from Christ´s side
Directionless World

Tesco 140

Prurient - Casablanca Flamethrower - D-Day Rape  Tesco 140

TESCO GERMANY: 
An Industrial, Noise, Power Electronics, Dark Ambient,
Neofolk, Experimental Music and Eclectic Media Mailorder, Label and Distribution

GENOCIDE ORGAN - HATE ... from MIND CONTROL CD

Tesco Distribution Germany