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Booyakasha! Handing the keys to the '94 Ford Capri over to one of the most dedicated 12" sleuths on the the internet right now! Mirren is perhaps best known for resurrecting a trove of tantalising 90s/00s cross over jams through his own youtube channel, and for wowing local listening bar enthusiasts lucky enough to catch him in full flight. Sit back, relax and enjoy the smoothness personified. Safe to say he's left no stone or obscure white label unturned for this one! 

@mirrens

Youtube channel: https://www.youtube.com/channel/UCAcdX0mF2T8lgQHiWivSH-Q

Q. I get the sense you are a guy who finds real enjoyment in digging deep for long neglected jams and resurrecting them for fresh ears, with frequent uploads to your YouTube channel regularly blowing minds on the internet (speaking from personal experience here!). While there’s a wide range of styles uploaded to the channel, has there been a general theme developing or certain characteristics that you look for when deciding what to share?

A. Glad you've dug the channel! I mean I've been massively influenced by others (e.g. Archive Digital, Modern Art, Mike Who) who were casually dropping heat across their channel/mixes years ago that I never would have come across otherwise. So trying to find and share songs in a similar way has always been the motivation. But you’re at the mercy of what you stumble across, which is why I’m not uploading exclusively mid tempo hip house bangers like I really want haha. I think the variety keeps things interesting though, or at least is hopefully providing a broader appreciation for what’s out there - especially for us Aussie folk.

Q. What inspiration did you draw upon when putting the mix together? Is there a sound, feeling or time period in dance music history that connects all the different elements in one way or another?

A. Truthfully this mix is a collection of fun music I've found first-and-foremost, so it might say more about my searching patterns than it being an intentional narrative.. catchy 90/00s hip hop cut-throughs seem to be in no short supply! I think the wealth of music available in the genre does say something about how versatile (and enjoyable) it is and how it can be used as a vehicle for different cultures, ideas or influences. So maybe the mix is me highlighting this :`)

Q. Are there any records in the mix that are particularly close to your heart, or old favourites that you’ve been keeping up your sleeve for the right moment? If so, what’s the story behind those and how might you have stumbled across them?

A chunk of the mix is from lucky discogs pickups or random spotify dives so they’re not the most romantic stories, but finding a song in that deep internet corner definitely adds a fondness. There’s also a few dope tunes from some great channels/crews scattered throughout. But 'Njen Grad' and 'Wuck U Right' feel particularly sentimental due to how many hours I’ve clocked listening, so I’m excited to share them!

MDC.283 Mirren

No.50 

Celebrate our 50th friendly mixtape, curated with a beautiful blend of Jazz, ambient, street soul and balearic feels. 

Come join us

FRIENDLY MIXTAPE - TELEPHONES

This session was a fun one. They started mellow and built it up so nicely. Someone climbed a tree and got a bit too high so security tried to chase them out and it was just a vibe. DJing by that sea in the morning at sunrise is just so nice and they nailed it. Here's 60 minutes of good.

TP529  Castro and Nemo (Love International Sunrise Sessions)

Alex Kassian is a perfect DJ to have at the Sunrise Session with us as he knows howe to bridge the club and the blissed out. A fine set with Djum Djum sounding super good and an 'E2-E4' ending... You can follow Alex HERE on Instagram for more on what he is up to. Tidy.

TP530 Alex Kassian (Love International Sunrise Sessions)

I've been playing at Love International for ten years now (11 if you consider the year we started) and I've found records that are absolute favourites that for me suit the setting perfectly and they get an airing every year. For example Lark's 'Tedra'. A record that sounds perfect in that setting by the sea... Anyway, here's me from 6am

TP531 Apiento (Love International Sunrise Sessions)

These two were so great. ddwy are making brilliant music right now and they showed their influences when they came down to play an hour of music for us. Very much a blissed out sound running from Underworld to slowed down Hypnotone and on... It was such a nice session and they nailed it.

TP532 ddwy (Love International Sunrise Sessions)

Christophe is out of Bristol and (he'll hate me saying this) is mega talented across the board. He can just make stuff. His paintings are incredible and he can tur his hand to whatever he chooses. Aside form that he's got perfect taste for a Sunrise Session set. I know him for his fine selections of deep house but this year he came with a bag of balearic beats and they sounded perfect next to the water. A lovely set.

TP533 Christophe (Love International Sunrise Sessions)

A longtime conductor of contagious positive vibrations, Danny Bodega is a much loved name among balearic dance music enjoyers round the globe! Co-founding Gazebo Records last year, his killer ear for breezy coastal cruisers and deep crossover club jams make Bodega's effervescent energies the perfect tone setter for those long 'n' balmy summer nights. 

Step back in time for 3 hours of extended hangs and zesty hedonistic pleasures with Danny Bodega as your good time guarantor! 

@beaton-4

Q. What inspiration did you draw upon when planning this mix, and what kind of listening environments might you see it being easily enjoyed in?

A. Last year I went to my neighbour Lenny’s night at a tiny basement club in Hackney with Dan Beaumont and Wes Baggaley playing records together. Had not felt that feeling in the club since the early days going out in Naarm with locals playing records all night at Lounge, Liberty Social and Roxanne Parlour. This mix is a nod to that vibe and best suited to before, or after the club hangs…or triathlon training.

Q. Are there any records in the mix that are particularly close to your heart? 

A. There are quite a few records in here that I’ve had for more than 10 years and have only ever played to myself at personal kick-ons, so it’s a delight to share them more widely. The Usual Suspects remix of Mr. C and Robert Owens’ ‘A Thing Called Love’ is one. While I’ve never been a fan of Robert Owens’ vocal stylings, this remix is an overlooked $2 Layo & Bushwacka! banger. Will put it up on the Gazebo YouTube channel soon.

Q. You and Nick managed to gather a tonne of support for your inaugural Gazebo Records release last year, releasing Fuemana’s 1994 cult classic New Urban Polynesian on vinyl for the first time. What was your favourite part about that whole process?

A. The response to the Fuemana family’s story and musical talents from a whole new generation of fans really blew us away. Having Tony and Mamma Fuemana fly over from Auckland for the launch party was the perfect culmination of family, friends and community spirit around the release that was also the perfect send off for me moving to London the following day. News on Gazebo 002 incoming shortly…

Q. Where can people catch you spinning next?

A. All night at Frequence in Paris this Friday, Feb 21 at Bodega Nights, April 12 with Daisy Records and Evie at the Jago. Nick and I are putting on a Gazebo party over here on May 3 with some special guests that we are excited about!

MDC.305 Danny Bodega

London based producers, visual artists and DJ duo, Good Block have been throwing parties in the capital for nearly 15 years. Hosting the likes of Ramzi, Mogwaa, Jex Opolis, Gabrielle Kwarteng, Jamie Tiller, Zaltan, Bufiman, Jon K, Cosmic Slop, Bradley Zero, Apiento, Bahamian Moor, Trujillo, Jonny Rock and many more. 

In 2018 the duo started a very popular dropbox folder of free edits which slowly continues to expand. With a string of productions and remixes on the likes of Isle Of Jura, Emotional Response, Planet Trip, Heels & Souls and Duca Bianco they also released three EPs - 4 Corners, Aquaculture and Naiad / Dryad on their own imprint.

On 20th March 2025 the duo will debut their full length album ‘Window’ a collection of works recorded between 2017 - 2024 representing hours of musical experimentation and emerging from the many influences that have shaped their sound. The album will be available on limited edition double gatefold vinyl and full digital release, with artwork by the duo. 

https://goodblock.bandcamp.com/album/window

'This mix has been recorded to showcase the wide variety of influences that have inspired us over the years, we hope you enjoy'

Sound Metaphors Mix Series 33 : Good Block

🌐 Refuge Worldwide is a radio station and community space based in Berlin-Neukölln.
➡️ More info, more music: www.refugeworldwide.com

Support us by becoming a member on Patreon for just 3€ a month: www.patreon.com/refugeworldwide

Daisy Records Takeover - Obelix & Frankifettucini - 09 Mar 2025

Piña Podcast 9 - Ays

Toby Tobias is a London don. He quietly makes and releases some of the most messed up records out there. He made our last Discotecas release, runs the Voice Notes label and is a wicked DJ who is unafraid to rock a party with an 'anything goes' attitude. He's done us a dub / dancehall mix with live fx, bleeps and more... Spring is here, the sun is out, things are on the up and this is the perfect soundtrack. Press play and enjoy.

TP538 Toby Tobias

Collector John Gómez brightens up Mondays with some music from different times and different places.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/soup-to-nuts-john-gomez/episodes/soup-to-nuts-john-gomez-24th-march-2025

Soup To Nuts w/ John Gómez 240325

Next up with magic mix number eighty six is @larsfromearth

Host of 'Das Lebendige Radio' (formerly on rtm.fm) he popped into our inbox with the following message and mix -

'About six months ago I picked up a green record at a small art and vintage gallery in Pimlico. On the back of the sleeve I read that it was the culmination of a two day workshop focused on the exploration of hip-hop. The twist: The workshop happened at ETAT, a community group for the elderly.

The gallery was full with locals celebrating the opening of its latest art exhibition. As I went up to pay, someone shouted: 'Thats my record!'. A bubbly lady, probably in her 70s walked up to me and took the record out of my hand to proclaim to everyone in the small room: 'This is my record! I'm a rapper!'

This mix is inspired by a chance encounter with a chance piece of art. The record is a loose collage of even looser interpretations of hip-hop. It was the perfect start, middle and end point to explore my own - very loose - interpretation of the genre.' 

Question is, can you spot the record mentioned above? timestamp your guess to win a prize! Enjoy :)

M a g i c a s t - 0 8 6 🎇 - Lars From Earth

One of this year’s best surprises has been Soul Retrieval, the debut solo album from Janine Rainforth, best known as the lead singer and co-founder of seminal post-punk funk outfit Maximum Joy. Ransom Note

Beautiful stuff – Zakia Sewell BBC 6 Music

This is the Maximum Joy rework of one of the tracks from Janine Rainforth’s debut solo album – 
Always With You Maximum Joy mix.  Reworked by Charlie Lleweliin, original founder member and drummer of Maximum Joy, the feel is moody and lush, neo-soul with spacious down-tempo summery beats,.

Janine Rainforth, lead singer and original co-founder of Bristol post-punk band Maximum Joy/MXMJoY released her debut solo album ‘Soul Retrieval’ on the 14th February via London Field Recordings. 

It’s been well received and hints at a new musical future for Rainforth. These ten laid back, pop-centric grooves with Rainforth’s distinctive vocal are buried deep in emotion and feeling. DJ’s such as Gilles Peterson (6 Music /Worldwide FM) and Zakia Sewell (BBC 6 Music) have played her new music and interviewed Janine about the new album.

Deserving to be cited alongside their musical counterparts Gang of Four, A Certain Ratio and ESG, Rainforth co-founded Maximum Joy aged 18 and their spiky, joyful post-punk funk rose up from the fertile Bristol scene of the late 70’s/early 80’s, inspired by the likes of punk, Albert Ayler, I-Roy, Funkadelic and politics. They released a number of cult classic singles including ‘Stretch’, ‘Silent Street’ and /White & Green Place’. The band toured extensively, releasing ‘Station MXJY’ in 1982 – an album part produced by the legendary Adrian Sherwood. Their final single – a cover of Timmy Thomas’ Why Can’t We Live Together & Man of Tribes – was produced by Dennis Bovell.

Rainforth’s career in music and with Maximum Joy was cut short by a near fatal serious violent sexual attack from within her close professional circle. 

After a number of decades out of the music industry, Rainforth slowly forged her way back into performing and recording, with her first solo music EP released back in 2014, then in 2015, she spearheaded the reforming of Maximum Joy to perform at Simple Things Festival with a new line-up. In 2019, under the name MXMJoY, she & Charlie Lewellin released ‘P.E.A.C.E.’ which received critical acclaim from media including Pitchfork, The Guardian and Crack among others.

TP538 Toby Tobias

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