Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku

To participate in the Haiku Music challenge::

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku382)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on X, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Records store: www.naviarrecords.bandcamp.com

Naviar Records Membership (access to full discography, creative meetups, workshops, and more):https://www.naviarrecords.com/membership-and-services/#membership

all submissions

haiku #582: here and there / upon scorched fields / wild violets

it's a first draft of the piece certainly worth investigating the sonic possibilities it offers. 
the synth always behaves differently in re-proposing the sequence, depending on the envelope phase in which it is found, I am fascinated by it, I have been looking for a sound like this for a long time.
I find it very meditative, so much so that it reminded me of seeing the splendid paintings of the painter Aldo Mondino, more than twenty years ago, in an exhibition at Villa delle Rose in Bologna. 
I immediately fell in love with those fantastic paintings. 
On the cover a detail of the work: Master of Fantasmagorie.
 
work in progress

Sufi's Dance In Slow Motion

‘quasi’
Modular Hedonism.
2023 live performance.

A wink to @mesmo1, to the consistency of his talent and creativity.

Tools :
Pam’s, Marbles, Varigate.
- DFAM.
- Loquelic Iteritas Percido.
- Plaits (chords) > FX Aid (#25 reverb room stereo).
- Pluck.
- Morphagene (voice sample) > Data Bender > Overseer > Monsoon (clouds mode).
Ochd, Batumi (saw).
Buff Mult, Sinc Defero, 3x MIA.
Mutes, StMix, Black stereo mixer, Listen IO.
Recorded live and mastered with Logic Pro X.

Associated image : Petrus Major.

Vulcana Popo [modular hedonism]

[naviarhaiku582] scorched fields

here and there
upon scorched fields
wild violets

Arii Shokyu-Ni was a haiku poetess during the Edo period who began a wandering life after running away from her husband at 29 with the haiku poet Kohaku. Just like Matsuo Basho, "the Nun Shokyu" traveled to the Deep North of Japan.
 
Haiku by Arii Shokyu-Ni: https://wkdhaikutopics.blogspot.com/2007/03/shokyu-ni.html

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF scorcheD [naviarhaiku582]

This track was created for the Naviar Haiku group.
582
https://www.naviarrecords.com/naviarhaiku582-here-and-there/

2025-02-27

here and there (Naviarhaiku 582)

Recorded, mixed & mastered on 26 Feb 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

Synths, reverb, echo.

This original version of "Cool Your Scorching Throw Pillow, Part 73" was submitted as part of Naviar Haiku 582, Here And There

here and there
upon scorched fields
wild violets

by: Arii Shokyu-Ni

Arii Shokyu-Ni was a haiku poetess during the Edo period who began a wandering life after running away from her husband at 29 with the haiku poet Kohaku. Just like Matsuo Basho, "the Nun Shokyu" traveled to the Deep North of Japan.

Artwork/Photography - Jim Lemanowicz, 12 Feb 2023 - a view of a painting of mine from the same month named “No Plans”, Massapequa, NY, USA

©2025 Jim Lemanowicz

For more about the Naviar Haiku Challenge, see https://www.naviarrecords.com/haiku-music-challenge

Cool Your Scorching Throw Pillow, Part 73  (naviarhaiku582)

27Feb25

My naviarhaiku582 track
https://www.naviarrecords.com/naviarhaiku582-here-and-there/
:D

upon scorched fields [naviarhaiku582]

Dissolving elephants and golden walls

https://www.naviarrecords.com/naviarhaiku582-here-and-there/

here and there
upon scorched fields
wild violets

Arii Shokyu-Ni was a haiku poetess during the Edo period who began a wandering life after running away from her husband at 29 with the haiku poet Kohaku. Just like Matsuo Basho, "the Nun Shokyu" traveled to the Deep North of Japan.

Haiku by Arii Shokyu-Ni

Picture by A C

viole-n-ts [ naviarhaiku582 ]

There's Egg On Your Chin

Recorded, mixed & mastered on 14 Mar 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

Synths, effects

This original version of "Never Burn" was submitted as part of Naviar Haiku 584, Heaven And Earth

heaven and earth:
neither exists apart from
snow fluttering down

by: Kajiwara Hashin

Kajiwara Hashin was born in 1864 and studied under Kyoshi. Although Hashin is not very well-known as a poet, this particular haiku that he wrote is quite popular worldwide: it was first translated by Miyamori Asataro and later by R. H. Blyth.

Drawing/Photography - Jim Lemanowicz, 30 Mar 2017, West 46th St, NYC, USA

©2025 Jim Lemanowicz

For more about the Naviar Haiku Challenge, see https://www.naviarrecords.com/haiku-music-challenge

#soundart #naviarhaiku #naviarhaiku584 #experimentalmusic #heaven #electronicmusic #sounddesign #ableton #burn #earth

Never Burn (naviarhaiku584)

First track of our album "Frühling" available on Bandcamp:
https://stefanstrasser.bandcamp.com/album/fr-hling-2
Recorded in our rehearsal room in Cologne

Licht

i like how this came out, and plan to integrate it into my slowly expanding project at https://museumofhistoricalmaterials.bandcamp.com

a frantic 5/4 reworking of a 4/4 track i've been working on this week. mellotron via m-tron pro iv. blackhole immersive, ds tantra 2 and imagiro autochroma pad things out in the return channels. at 30s, an ableton percussion rack (EFX Small Cymbals) starts playing out a morse code message: "kaufmann, you scumbag".

More on the 694th weekly Disquiet Junto project, 5/4ify — The Assignment: Add a 5/4 beat to a pre-existing piece of music — at https://disquiet.com/0694/

[disquiet0694] kaufmann in 5/4

steady spring rains...
both dream and reality
Mount Yoshino! 

Ōshima Ryōta was a Japanese poet of the Edo period. Some sources say he was a disciple of Yosa Buson, while others say his master was Hattori Ransetsu. He's mostly remembered for his essay “Bashō ku kai” 芭蕉句解 ('Study of Bashō's haiku') published in 1759, a magnum opus of his studies and literary theories on Matsuo Bashō's work.

Haiku by Ōshima Ryōta: https://thepoetryhour.com/poets/oshima-ryota/

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

halF realitY [naviarhaiku591]

كل القصايد

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Musical experimenter using all sorts of techniques, ideas, and devices.  Open to exchange of ideas and materials and collaboration on tracks.

viole-n-ts [ naviarhaiku582 ]

tetkik ve tedavi

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