The dreamy vibe is wonderful. The bassline's circular, wagon-wheel-like rhythm gives the track a beautiful, forward momentum.

Fantastic track. Great atmosphere 🔥🔥🔥

made for the naviar haiku challenge #577 https://www.naviarrecords.com/naviarhaiku577-curve-of-time/

Roland JX-3P, Nakama, Valhalla Supermassive.

fractured thoughts (naviarhaiku577)

quiescence!
touching not the blossoms,
temple bell's voice

by: Fuhaku
Kawakami Fuhaku was a tea master and the founder of the Edosenke, a school of tea ceremony. He was also an accomplished haiku poet.

Touching Not  - 時鐘 [naviarhaiku580]

using 20 resonance tones I recorded on a toy piano and acoustic guitar, I've responded to this week's @naviar-haiku music challenge, of which you can find details about here: https://www.naviarrecords.com/haiku-music-challenge/

quiescence!
touching not the blossoms,
temple bell's voice

Kawakami Fuhaku was a tea master and the founder of the Edosenke, a school of tea ceremony. He was also an accomplished haiku poet.

Haiku by Fuhaku

Extract of picture by Ming Han Low

bell's voice (naviarhaiku580)

Instrumental composed and performed by DD February 2025 using @gforce-software 's Oberheim OB-X, OB-E and DMX exclusively.

for this haiku by Fuhaku
quiescence!
touching not the blossoms,
temple bell's voice

Temple - naviarhauku580

sadly, i cannot play piano. so, to create tracks like this, i play single notes to a click track at half speed and then double their bpm. this enables me to slowly create and layer sounds that i'm not able to play live...

this track is an amalgamation of three reworked melodies from the silent hill series: "the terminal show", "innocent moon", and "lost innocence". there are three pianos, an upright bass, a temple lyre, two female choirs, some live guitar, and a very quiet sample from SH2 ("help me"). i reduced the bpm from 136 to 124 in the middle section to make time gently suggest it's own terminus.

[naviarhaiku580] touching not

https://www.naviarrecords.com/naviarhaiku580-quiescence/

quiescence!
touching not the blossoms,
temple bell's voice

Kawakami Fuhaku was a tea master and the founder of the Edosenke, a school of tea ceremony. He was also an accomplished haiku poet.

Haiku by Fuhaku

Picture by Ming Han Low

What's the Shock of One Bell Ringing? [ naviarhaiku580 ]

My submission for the NaviarHaiku Challenge #583. More on Naviar Haiku: https://www.naviarrecords.com/haiku-music-challenge/

Field recording attribution:
1) ermine - 'ambswmp-westhay-moor-nature-reserve-early-morning-ambience'
2) WWAudio - 'water trickling in an outlet of a hillside stream with birdsong'

Early Morning Light - naviarhaiku 583

If I was better at 'social' media' stuff, I'd be making a bigger fuss of this 1,000th upload! 🎉 

heaven and earth:
neither exists apart from
snow fluttering down

Kajiwara Hashin was born in 1864 and studied under Kyoshi. Although Hashin is not very well-known as a poet, this particular haiku that he wrote is quite popular worldwide: it was first translated by Miyamori Asataro and later by R. H. Blyth.

Haiku by Kajiwara Hashin: https://neverendingstoryhaikutanka.blogspot.com/2013/10/butterfly-dream-falling-snow-haiku-by.html

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF neitheR [naviarhaiku584]

Eklavya

This haiku poem is part of the Naviar haiku music challenge, where artists are invited to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre.

You have seven days from the posting of this haiku to submit your track. For information on how to make a submission, visit the Naviar Haiku Music Challenge page.

https://www.naviarrecords.com/haiku-music-challenge/

SONG 101 - NaviarHaiku597

What's Left At The End

Musical experimenter using all sorts of techniques, ideas, and devices.  Open to exchange of ideas and materials and collaboration on tracks.

What's the Shock of One Bell Ringing? [ naviarhaiku580 ]

tetkik ve tedavi

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