tevlihev

Soft Coctail of the Near East

buseli

dekur

alan dbke

KURDISH

Adekut

The Best ones I

Havîn e havîn e oy rebenê dîsa li me bû havîn e
Havîn e havîn e oy dilovanê dîsa li me bû havîn e
Dil xwe vedike ji ês û keser û birîn e
Havîn germ dibe bi stêrkên rengîn e
Dîsa evîndar im rojê xwes wê bibîne

Min ji bîr neke lê min ji bîr neke lê

Xewa min nîn e nefesa min naçe nayê
Siha te roja min tarî kiriye li vê dinyayê
Evîna me derew bû hestên me tevlîhev bû
Naxwasim te bibînim, vî derdî ez hilînim
Bes e êdî ji awirên te ez mame heyirî ji gotinên te

Havîn

All of Me

All Of Me

What Now

What Now (Reflex Radio Edit)

Birsen Tezer - Bilsen (Akustikhane )

Tanburi Cemil Bey - Çeçen Kızı

Erkan Oğur - Bülbülüm Altın Kafeste

Erkan Oğur - Ağırlama

Cem Karaca - Ceviz Ağacı

Malan nata yar . Morad Hassan zade

Ali Abchuri Qoshmeh , Hossien Babi

"tevlihev" is a musical project which takes start with the idea that music is one of the most fundamental factors forming a basis for the cultures of the people and societies. Taking the musical history into consideration, it can be argued that music is maybe the greatest tool used to express the pains, sorrows, loves, joys, truimphs, defeats, shortly all kinds of feelings and experiences of human life… 

music has been used sometimes for the seek for justice, sometimes for the struggles against unfairness, sometimes for the victories achieved. Music has always showed its effects on the minds and thoughts of people, their decisions, their perceptions of life and their actions. In a sense, music has a magnificent power on human life. 

tevlihev, as a musical project, is mainly focused on the music of northern mesopotamia. So, what are the components of the northern mesopotamian music?
All the cultures and societies of northern mesopotamia have a deep-rooted history. These cultures and societies consist of, inter alia, kurds, amenians, assyrians and yezidis. The common point for these cultures and societies is that, all of them have been living on their homelands for a long time, and they have often become subject to oppression in terms of identity and cultural freedom. These oppressions still exist today. 

These societies have often became derived of their fundamental rights and have been forced to live in a limited freedom. For that reason, these societies have faced obstacles in every aspect of life, in art, in personal development and in science and they had to become weak in these areas. These obstacles and weaknesses have caused the grand cultural acquis of these ancient societies of mesopotamia to become devoid of the opportunites for being transferred to the forecoming generations, become deformed and forgotten… 

As tevlihev, we are handling this subject in terms of music and carrying out our efforts on the platform of music. We came together to evoke the musical maerilas and melodies of our ancestors, to help them to not be forgotten and to revive the brilliant melodies of mesopotamia again with a fresh new spirit. 

And while performing these pieces and melodies, we are making a musical synthesis by blending them with western sounds and musical forms without giving any harm to the original authentic substances of the melodies and pieces. And this lets us to expand these substances form the local to the universal. We can name our project as “north mesopotamia folk blues-flamenco project”. Themes of the melodies and pieces we perform are various. Some of them are the songs esulting from experienced social sorrows, some of them are love pieces reflecting the authentic rituals of the region, and some of them are banned songs which had caused their performers to face with legal penalties and exiles. 

We play our songs by kurdish-zaza-armenian-syriac languages...

Delori

Ezberfim

Taken from the  iTunes Live from Paris EP, available on iTunes: http://bit.ly/luavGo

Agnes Obel - Between The Bars (Elliott Smith Cover) - iTunes live from Paris

Adem Tepe-Durketim at #soundcloud

Adem Tepe - Le Dine

Adem Tepe - Ronıya mın

Adem Tepe - Çaven Reş

Canda te gulba mi biçanda 
Te sozek wê roja han da - 
Şev çu canê tu nema hatî - 
Ez mam heya mele ban da 
Tirsim ya dil bêjim hina
Ew dil lo li bamin tina 
Tiştê bi serêmin hatina 
Hem ditirsim hem newêrim
Canda can bi te dispêrim
Têr nabim çendî binêrim 
Te divêm u nikarim bêjim
Te di nava dilda veşêrim 
Sê sal mi di dilda hilanî 
Te dil ji nava min deranî
Herkes li gundê me dizanî
Ku sê sal ez li benda mê

Berfin Aktay ÇANDA

Lorik Banoo shirwani

Follow the Deep & Sexy playlist on Spotify: bit.ly/AlexCrPL

♥Free Download♥

Deep & Sexy Podcast #15 - November 2014

Fairuz - Oudha Mensya - فيروز الأوضة المنسية

Edith Piaf - La Boheme

Syrian Dabke Music أغاني دبكة شامية

Shagy - Sexy Lady  (Yasin Demir Versiyon)

This track is called Panic Cord, taken from my Never Fade EP, released on Monday 9th May 2011. 

'Light Up The Dark' - out now at http://po.st/iLUTD
'English Rain' EP - out now at http://smarturl.it/englishrainep

Follow Me!
http://open.spotify.com/user/gabrielleaplinofficial
http://twitter.com/gabrielleaplin
http://facebook.com/gabrielleaplin
http://youtube.com/gabrielleaplin
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Panic Cord

tevlihev project utanc

From his first Album Xeribo HD 
for more exclusive Songs, Pictures and Videos Visit:

www.Xero-Abbas.com

http://www.facebook.com/abbas.xero.1

Xêro Abbas - Zemano

Mohsen Namjoo - Shekveh

eksik bir şey mi var hayatımda
gözlerim neden sık sık dalıyor
eksik bir şey mi var hayatımda
gökyüzü bazen ciğerime doluyor

öyle bir şey ki bu, kolay anlatamam
atsan atılmaz, satsan satamam
eksik bir şey mi var, anlayamam
bak çayım sigaram, her şeyim tamam

kalksam duraktan dolmuş gibi
arka koltukta unutulmuş gibi
terliklerimle, gelsem sana 
sonunda aşkı bulmuş gibi

Ezginin Gunlugu - Eksik Bir Sey

Vocal: Sakina
Duduk: Ertan Tekin
Cello: Teemu Myöhanen
Violin: Nurê Dilovanî
Guitar: Erdem Beyazgül and Johannes Beer
Bass: Philipp Bardenberg
Drums: Florian Bungardt

Lyrics and Music: Aram Tigran Melikyan
Musical Management: Erdem Beyazgül
Arrangement: Erdem Beyazgül

***

www.facebook.com/TeynaSakina
www.sakinateyna.com

***
This love song has been censored and was excluded from the album by the Turkish Ministry of Culture, because Aram Tigran had not transferred the rights to his songs to his family members before he died. This is not an isolated case in the Kurdish music. The suppression of Kurdish culture in Turkey continues. Spread this song, share this song. No chance to the censorship! SAKÎNA

***

YARÊ

Yarê bê min çi guneh kir
Ku min ji te heskir
Te þev û roj li min kire sal
Nema min xew kir
Herkesî yarek wê hebu
Min ji xwe þerm dikir
Ax te dilê min revand bir
Qet te þerm nekir
Mi ji bo xwe evîna dilan
Hêlînek çekir
Lê ez bi te pirr ewlebum
Te sebir nekir
Herkesî yarek wê hebu
Min ji xwe þerm dikir
Ax te dilê min revand bir
Qet te þerm nekir

Gotin û Muzîk: Aram Tigran Melikyan

***

YARÊ (Truelove)

Truelove, tell me
What is my sin
When I love you
The day, the night
They have become never-ending
I cannot find sleep
Everybody knows a truelove
But I am ashamed of myself
Shamelessly you stole my heart
I built a nest for me
made of the love of the hearts
I trusted you
But you could not wait
Everybody knows a truelove
But I am ashamed of myself
Shamelessly you stole my heart

Lyrics and Music: Aram Tigran Melikyan

***
 
YARÊ (Yar)

Yar söyle ne günah işledim de seni sevdim 
Günüm ve gecem uzayıp yıla döndü
Artık uyuyamaz oldum
Herkesin bir yari vardı ama ben kendimden utandım
Ah sen gönlümü kaçırıp götürdün hiç de utanmadın
Kendime gönüllerin aşkından bir yuva yaptım 
Ben senden cok emindim ama sen sabretmedin
Herkesin bir yari vardı ama ben kendimden utandım
Ah sen gönlümü kaçırıp götürdün hiç de utanmadın

Söz-Müzik: Aram Tigran Melikyan

***

SAKINA - Roye Mi - My Soul

Production: KO MUSIC / KOevent / ARC MUSIC
Musical Management: Erdem Beyazgül
Arrangement: Erdem Beyazgül, Nazê Isxan (BEJNÊ, DÎLBER)
Studio: Gotteswegstudio A, The Badroom, Milch-Music
Sound Engineers: Sebastian Blaschke, Hakan Akay, Philipp Bardenberg
Sound Mixer: Sebastian Blaschke, Hakan Akay
Mastering: Michael Schwabe, Monoposto Studios
Guitar, Tembûr (fretted lute), German Flute, Kemane (Viol): Erdem Beyazgül
Bilûr (flute), Davul (drum), Arbane (tambourine): Yasin Boyraz
Duduk, Zurne (oriental flutes): Ertan Tekin
Violin: Nurê Dilovanî
Cello: Teemu Myöhanen
Oboe: Peter Bodner
Qanûn (zither): Muharrem Karakuzu
Piano: Nazê Isxan
Guitar: Johannes Behr
Percussion: Fethi Ak
Bass: Philipp Bardenberg
Drums: Florian Bungardt
Arbane (tambourine): Nurullah Turgut
Background Singers: Mehmet Akbas, Nurê Dilovanî, Nazê Isxan, Erdem Beyazgül, Êvîn
German Translation: John Tobisch-Haupt
English Translation: Klaus Happel
Kurdish Editing: Celîl Kaya, Jan Mîran
Graphic Art: Holger Deilke
Photography: BEATPICS Photography-Levent Canseven
Cover Art: Devrim Sahiner

***
www.sakinateyna.com 
https://www.facebook.com/TeynaSakina 
https://twitter.com/#!/sakinateyna

SAKINA - 'Roye Mi - Songs From Kurdistan' - Yare

Saian - Kanunsuzlar [2012]

08 Ne Me Quitte Pas

Cahit Berkay ve Derya Petek ♫ Ayletme beni

Darya Dadvar - lalayi

Vocal: Sakina
Piano: Naze Isxan
Violin: Nure Dlovani
Music & Lyrics: Aram Tigran

Sound Engineer: Roland Lücke
TRIO MARA / LIVE RECORDINGS / Rudolf-Oetker-Halle / Bielefeld, Germany /30th September 2012
Mix & Mastering: Roland Lücke

***

TRIO MARA on facebook: 
www.facebook.com/trio.mara.project

Virtual WOMEX: www.womex.com/virtual/sakina_tey…/trio_mara_project

Booking Contact: 
booking@ko-event.com, Fax: +49 221 168 42 83, John Tobisch-Haupt

***

KURDISH ETHNO MEETS CLASSICAL
www.facebook.com/trio.mara.project/info

***

Discription & Biography

'Mara' is Zazaki, which is one of the oldest native languages in the Middle East. It means BY US.

Mara draws from the rich treasure of traditional Kurdish songs. They express them anew in their own particular way by contrasting classical and contemporary music. Presented in a way only women can sing them these songs turn into a great experience.

***

Sakina
SAKINA began her career self taught, as an autodidact, before she received professional education and voice training.
In the 90′s she was a member of the Mesopotamian Culture Centre, a Kurdish artists association based in Istanbul but acting throughout all of Turkey. Its members suffered various reprisals by the government because of their Kurdish lyrics. Some of them paid their artistic dedication with their lives.
During this time she organized many (due to the government led forbiddance of the Kurdish language until the late 90s) illegal concerts, until eventually she was forced to flee.
She continued her work in Armenia, Syria and Kurdish-Irak.
Currently she is living in Vienna.
Since 2008 she has become increasingly involved with human rights issues in particular women’s rights issues.
She views her music as a way portraying the life of people in the Kurdish regions. She realizes this with a sensitive performance of striking melodies by which suffering and melancholy, courage for life and yearning become palpable.

Naze Isxan
Naze Isxan began to play piano at the age of six. The pianist graduated from the Rimsky-Korsakov Conservatory in Krasnodar as a concertmaster and music teacher. Since the end of the nineties, she has given concerts in Russia at first and since 2001 she also appears on a regular basis in other European countries. 
She has a passion for Kurdish music that she would like to introduce to a wider non-Kurdish audience in her concerts. Therefore, she also arranged traditional Kurdish melodies for piano and published the first Kurdish music book for piano in 2004 (Evina Kurdistane - Bona Pianoforte).

Nure Dlovani
Nure Dlovani is a solo violinist who also works as a teacher for violin and piano. She received her professional education at the conservatories in Moscow, Erevan, and Frankfurt. 
Her repertory is rich and comprises classical music and pop as well as sound tracks or crossover performances with the New Philharmonics in Frankfurt. She also works with a variety of well-known Kurdish musicians both in the studio and as a solo violinist in live concerts.

***

TRÎO MARA
Trîo Mara ku ji jinan pêk tê û stranên jinan bi înstrumentên klasîk ên rojava û teknîkên deng ê gelerî ji nu ve sirove dike, di kemanê de ji Nurê Dilovanî, di piyanoyê de ji Nazê Îsxan, di stranbêjî de ji Sakîna pêk tê. Rewîtiya Trîo Mara ya mûzîkê berê salek û nîv destpê kir. 
“MARA” bi zaravêya zimanê Kurdî Kirmanckî de tê wateya “Ji Me”. Gelek zimanên din ên Rojhilata Navîn de pêyva “ma” pêyvêk mê ye. Bi Kirmanckî û Ermenîkî tê wateya dê. Mara bi Erebî tê wateya Jin. 
Trîo Mara li keleka sê zaravên zimanê Kurdî, bi Tirkî, bi Ermenîkî û bi Azerî jî stranan dibeje. Endamên Trîo Mara bawer dikin ku sînorên ku deshilatdaran di nava gelande ava kirine bi rêya mûzîkê ku bi xwe zimanek taybete û herkes dikare tê bigîhe ji holê radibin. Bi israrek mezin divê mirov bi zimanê astiyane ya mûzîkê bi pêyîve. 
Her sê hunermendên jin, di stranên xwe de qasê trajedîya gelê Kurd û jinan, heman demê, evîn, sahî û cosî, ês û janên civata xwe jî dixwazin bînin ziman. Hember nêrînên deshilatdar ya zîhniyeta mêran dixwazin bibin dengê jinên ku naxwazin bê deng bimînin. 
Stranên TRÎO MARA ji me wek bêhnek, deng û awazek û rîtmek, ji were bibin xelat. Em hêvîdarin ku hin caran we li serê çiyayên bilind û asîde, hin caran li keleka çemên dîn û har diherikin de, hin caran dêstên bê dawî de derxînin rewîtiyêk xwes ê bi mûzikê re.

***

TRIO MARA
Kadinlardan olusan, kadinlar tarafindan söylenmis sarkilari klasik bati müzigi enstrümanlari ve geleneksel ses teknikleriyle yeniden yorumlayan TRIO MARA, kemanda Nurê Dilovanî, piyanoda Nazê Îsxan, vokalde de Sakîna'nin yer aldigi bir üçlü olarak müzikal yolculuguna bir seneyi askin bir süre önce basladi.
MARA, Ortadogu’nun kadim dillerinden biri olan Kürtçe’nin Kirmanckî lehçesinde “Bizden„ anlamina gelirken, Ortadogu dillerinin birçogunda da birbirine yakin disil anlamlar tasir. Ma, Ermenice ve Kirmanckî'de köken olarak ana anlamina gelir. Ayrica Arapça'da MARA kadin demektir. 
Kürtçe'nin Kurmancî, Kirmanckî ve Soranî lehçelerinin yanisira, Türkçe, Azerice ve Ermenice sarkilar da seslendiren TRIO MARA, halklarin kültürleri arasinda olusan yapay sinirlarin ortak bir dil olan müzik yoluyla anlamsiz kilinabilecegine ve israrla müzigin barisçil diliyle konusmak gerektigine inaniyor. 
Yüzyillardir savaslarin, kanin, gözyasi ve acinin dinmek bilmedigi Kürdistan’dan gelen TRIO MARA üyeleri, repertuarlarinda kadinlarin ve halklarin trajedilerini yansitan sarkilar kadar, asklarini, coskularini, yasam biçimlerini yansitan sarkilara da yer veriyor. 
TRIO MARA, egemen bakis açilari ve yargilari karsisinda susmayan kadinlarin sesi olmayi amaçliyor. 
TRIO MARA sarkilari bizden size bir nefes, bir ses, bir ritm olarak gelsin. Kah vahsi dag baslarinda, kah coskun irmak kenarlarinda, kah uçsuz bucaksiz ovalarda, müzikle güzel bir yolculuga çikmaniz dilegiyle.

TRIO MARA - Xemili Zozan

Birsen Tezer - Delikanlı

08 larike jan-1 لاریکه جان موسیقی شمال خراسان

From World End Press' debut album.
https://itunes.apple.com/au/album/worlds-end-press/id688242333

World's End Press

Deadbeat Sweetheart

Nermine Memedova, Sinan Seid - Evlerinin Önü Yonca

Söz Ceyl'an Ertem
Müzik: Ceyl'an Ertem & Cem Tuncer
Gitar: Cem Tuncer

28 Mayıs 2013, istanbul, kurtuluş/tophane
::::

Bu bardak dolsun
Dolsun hadi çocuk
"kim karışır" diyorsun
Çok doğrusun çocuk

Kır dikenimi
Bu; dikenleri kırma gecesi
O gülleri de boşver
Güller sanki çürümeyecek mi

Ezan sesi geliyor masaya
Gitar sesi konuyor mezeye
Eller kalksın hadi şerefe
Bu bardak çınlayacak çocuk
Gün ağarıyor bahçede
Gün tertemiz oysa gün masum
Kimbilir senin aklın yine nerede
Bu kalp kırılacak çocuk

Kırma kalbimi
Bu dikenlerimi sevme gecesi
O gülleri de boşver
Güller sanki çürümeyecek mi...


___

*geçen ay yazdığımız bir şarkı
muhtemelen üçüncü albümde yer alacak
demosunu paylaşmak istedim
:::

konserlerde buluşamadık, çok oldu
memleketin halinden bir gün umut doluyuz,
sonra bir an kararıyor içimiz,
çirkin ağızlardan sesler yükseliyor, güzel gözler ağaçlara sarılıyor, sevgilinin değil belki de sevginin elini tutma zamanı,
üzerimizi yapraklarla örtme, dikenlerimizi kırma, yanyana bir olup yürüme zamanı,
yasaklara karşı durma, özgürlükle sevişme zamanı,
birbirimizin omzuna yaslanma, yaşaran gözlerimizi silme zamanı, bardakları şerefimize kaldırma, birbirimizle gurur duyma zamanı,
ezana da, şaraba da, sevişene de saygı duyma, anlamaya çalışma zamanı
artık doğuya batıya kulakları açma, sanat'a sanatçıya, yürek verme zamanı
nefes alamayacak durumda bile olsak son nefesle karşımızdakine gülümseme zamanı
kimsenin acısını küçümsememe zamanı
hakkını verme, emeğe saygı zamanı
fark etme zamanı
fark yaratma zamanı



Bu bardak dolsun !

Birsen Tezer -  Değirmenler

Birsen Tezer - Aşk Üzerine Söylenmemiş Her Şey

Ezberfim

TEVLİHEV project