Songs with the Eclectic Collective

Mix Tape 25

The great TexMex Shaman

EdgeOfDark

Related tracks: Dusty Grain of Sand

E.C was here

Gates To The Moon (Featuring Shivonne)

This is Chunka.  Once again thanks to @oneblindmouse One Blind Mouse for the bass and the assistance with the post production/engineering.  Much gratitude. 

I don't know if it's just in Texas we say "chunk" if you wanna throw something in a general direction.  That kinda inspired this one.
Also this has possibly the best pinch harmonic I've ever recorded at the 1:15 mark so enjoy that. 

Don't miss the nifty bass solo at the end of this one !

Lyrix

C'mon!
Ah Ahh
Oh yeah!
Oh yeah!
Hey!

Chunka

This song here is one I had covered a while ago with my buddy The OASPM and I was really happy with it but it seemed to sit on the shelf even as much as I believed in it.  And then, like I do every song, I remember there's no vocals idiot.  

Hopefully now with Rekha's magical track as part of this song, it will bring a second wind and help others to enjoy it that may have missed it the first time around.

Easy

Easy - with REKHA

Unspoken Geometries

47th Mutation of a Melancholic A.I.

47th Mutation Of A Melancholic A.I.

Ken wrote this song (K2 and the Three, and K2 and the Four) a little more than three decades ago, and recorded it with a former band in '95. It's about being a guy who recovers a woman from a failed relationship, even though he doesn't expect it to last. He got the term from an episode of the '90s hit Roseanne, when one of the someone quipped after one of the daughters had been dumped by a bad boy, only to find a new boyfriend, that "it's not gonna last. He's her transition man." So, Ken, finding himself in a similar situation, picked up the term and ran with it.
His original recording was a harder rock sounding song we used a template, but only loosely. Josh Clary (Entheogenic Psychonaught) tried to answer the question, what would Flea play on this? JJ Terrell came up with the fonky funk keys. Tez (Llanpsych) and Stephen (TexMex Shaman) came up with with the lightning and fire guitar leads. Ken, of course, did the driving drumming and essential percussion. Chris (cgManess) added the really solid foundational rhythm guitar. He also sings this one. On top of that, he also did a fantastic job of producing and mixing it, as well as coming up with the art.
We hope you enjoy it. Below are the lyrics, too.

Hey won’t you listen to me?
I know I can’t set you free
But I’ll jump start your broken heart
Make it safe again for you to live and love
You know it’s all or nothing

Love see me for awhile
Let ‘em know you’re back in style
It’s touch and go, baby you should know
Feelings from your temporary heart
Leave me with all or nothing
Yeah

Girl, I’ll see you in my dreams tonight
It only takes all of my time
You see my brilliant color
Fades to black and white
For I see what you are
And I know who I am

I’m your
Your transition man, yea
Your transition man, yeah

Baby who’s to blame
Was it your fire or my flame?
Candle’s always melt to wax
But I want you to love me like “ forever “
Is all, or is it nothing?

Darling you’re in my soul
I thought I should let you know
The Spirit that is moving me
Is it all ill have, or will you take my hand?
Give me all or give me nothing

And it’s a long distance, baby!!!

Transition Man  - (Eclectic Collective)

This is a song that was written by the very talented Artur (Surfers Like Us), who is a surf rock master, and delivered to us in the form of a guitar track. 

Josh (Entheogenic Psychonaught) enjoyed adding the psychedelic, yet foundational four string fretless bass. Ken (K2 and the Three and K2 and the Four) boosted the energy level of the song when he blew our minds with his driving drums. 

JJ (J.J. Terrell) added the wild, dynamic organ you hear throughout. Tez (Llanpsych) brought lightning down from the sky in the solo over the third section. And last, but certainly not least, Stephen (TexMex Shaman) laid down the mind-bending guitar solos over the first two sections. He also produced and mixed it, with a little help from Ken. 

We hope you enjoy listening to it as much as our Eclectic Collective enjoyed making it.

My concept for the first half was like a race - each phrase of the overall section was like a runner handing off the baton to the next racer which is a new guitar sound or tone. Ultimately leading to part 2 which is the final winning lap.

Home's Album

A Time Race  - (Eclectic Collective)

Tex Mex Shaman (Stephen)--rhythm/ slide guitars/ riff/ mix and post production--@texmex-shaman
Llanpsych (Tez)--lead guitar--@llanpsych
Entheogenic Psychonaught (Josh Clary)--bass guitar--@josh-clary-1
J.J. Terrell-- Piano/glockenspiel--@j-j-terrell 
Mysterious Decibel--lead and high backing vocals--@themysteriousdecibel
K2 and the Three (Ken)--drums/ cowbell( I had the fever)maracas/tambourine/ woodblock/ low harmonies--@k2andthe3, and @k2-kara

This is a cover from Paul McCartney and Wings, from the 1975 album, Venus and Mars, and this album was supported on their 1976 Wings over America tour. They always opened with Venus and Mars/Rockshow
     Ken sent Josh and Tez an email a few months back, about maybe covering this awesome rocker, after we released “Hello World." Before responding, Ken reposted his cover of "Richard Cory," a Simon and Garfunkel cover, sung by Denny Laine and Sir Paul on the Wings Over America triple live album. Stephen commented that “Rockshow” was one of the first songs he learned on guitar. Ken said, “Well, here’s your sign!" He freaked and invited Stephen to immediately contact Josh.
     We finished everything but the vocals by early June, but were stuck on lead vocalist. Several of the collective gave it a go, but nothing sounded right. Then came a late game idea. We had all been following and fans of The Mysterious Decibel for quite some time, so we asked him if he'd be interested in singing it. He was game, and really delivered what so many could not. He is a new, welcome addition to our mix. You'll also hear Stephen, who accomplished the herculean task of mixing and producing this song, very ably play the entire song on the guitar, with Tez playing the ripping leads. 
  We hope you enjoy our labor of love that has been an entire summer in the making.

Rockshow (Wings Cover)  - (Eclectic Collective)

Cast of characters:
Surfers Like Us–@user-411502040–Artur–songwriting, foundational rhythm guitar
TexMex Shaman–@texmex-shaman–Stephen–guitar solos in first half, mix, and production
J.J. Terrell–@j-j-terrell–keys, including organ and electric piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara–Ken–drums and percussion
Llanpsych–@llanpsych–Tez–Guitar solo in the second half
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–bass guitar

This is a song that Artur wrote in his unique, original, and signature surf rock style, and passed it on to Josh, as a gift. Josh added some bass, and, of course, had to get the rest of the Eclectic Collective involved, too. Ken came up with the energetic, driving beat, perfectly suited for the song. JJ added some really stunning, surfy organ and jamming electric piano. Tez added his signature inspired, powerful lead in the second part. Stephen added his dynamic guitar voice to the first half, and was kind, generous, patient, and talented enough to mix and produce the whole thing.

I asked Artur the meaning of the song's title, and he told me that it refers to the soulmate some people find, who can carry you through anything, even if you or they may be a little crazy. It's about crazy love!

We hope you enjoy our third installment of our surf rock series. Thanks for hanging ten with us!

The One - (Eclectic Collective)

This is a song that JJ came up with on the electric piano and shared with the rest of us. He's done a significant portion of the songwriting for the Eclectic Collective, and always gives us quality songs, to which are easy to add our voices. 
When he sent it to us, he had a rough bass on there that sounded like Lust for Life. Ken came up with a killer and appropriate beat, which, if you can picture Lust For Life, included a lot of accentuated bass kicks. 
So, Josh took and went with that, and came up with a funky bass line. Ken and he kicked it back and forth a few times till they linked up. Then JJ added some funky ass organ and trippy retro synth to spice it up.
 Then it was time to send it to the guitarist. Tez laid down some smoking lead solos throughout, with his signature fiery guitar tone and amazing licks. Then Stephen funked it up even more with a fonky-ass wah guitar track. 
 Ken produced and mixed this one for us, and what an excellent job he did, too. This was so much fun to create. We all hope you enjoy listening to our jam as much as we did playing it.

Tonkas and Matchbox Cars -(Eclectic Collective)

This arrangement is a Tribute to the composer John Murphy  and emphasises the emotional impressions, as seen from high up in the atmosphere, of the Sun rising behind earth.
I used electronic sounds and effects behind the the electric piano, guitar and voices.
Sheet music from Musicnotes for piano, basic arrangement by Laurie Théberge and rearranged to accomodate sounds, effects and voices.

Sunshine - (Adagio in D minor- Composed by John Murphy)

BEGINNING

Dusk

6.DUSK

Cast of characters:

Surfers Like Us–@user-411502040–Artur–songwriting, foundational rhythm guitar

TexMex Shaman–@texmex-shaman–Stephen–sitar, mix, and production

J.J. Terrell–@j-j-terrell–electric piano, vocals

K2 and the Three [and the Four]--@k2andthe3, @k2-kara–Ken–drums and percussion, vocals

Llanpsych–@llanpsych–Tez–lead guitar

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–four string fretless bass guitar, vocals

  This song started with Artur composing a brilliant, open piece on his guitar, in his distinct surf rock style, and sending it to Josh. Josh put the bass down on top of Ken's banging drums, but it took Josh, a while to be able to get this one for some reason. Once he and Ken were locked in, though, they knew they had it. JJ then sprinkled his electric keyboard magic, followed by Tez, who lights up the whole thing with his electric guitar wizardry. 
  At Artur's request, Ken, JJ, and Josh added the big harmony vocals, "See you soon, in a better world." Artur wanted this song to be about the need for peace in the world. Last, but certainly not least, Stephen added the sitar intro. He also accomplished the herculean task of mixing and producing the whole thing for us.
  This is another true team effort by the Eclectic Collective, and the fourth in our series of surf rock songs. We hope you enjoy listening to it as much as we enjoyed creating it.
———————————————————-
     This composition is dedicated to Ken. Thank you, brother for everything 😎🍀
                    Artur

See You Soon (in a better world) - w/Eclectic Collective

This one sprung from the mind of eddyoffline when he sent the cool reggae guitar line over.  we’d talked about doing another jam to follow up ‘Reggae-ish’ and this is it. 
Enjoy 

Lyrix :
Hi. Get high
Lalala
Keep on Walkin
Don’t look Back

Check out our other collabs expertly aggregated at the following location 

https://on.soundcloud.com/GMwpNiMTYn8CPYDR9

when he’s not offline Eddy is here 

https://on.soundcloud.com/GgtkQXckjpeJp7ta7

Don't look back - w/ eddyoffline

Recorded in Modesto, Ca.   Featuring Soprano Saxophone solo. Vibraphone solo. Flute solo. Godin Nylon Guitar Rhythm. Steinway Brothers Acoustic Piano Rhythm. Acoustic Stand-up Bass. Drums Full drum trap set. Percussion, Congas, Ago go Bells, Cow bells. 22" Zildjan Ride & Crash Cymbal.

Splender

Essentialy Yours

Cast of Characters:
J.J. Terrell–@j-j-terrell –piano, synth, and composition

mistermark-- @user-432503709 -- Mark—synth effects, synth flute, lyrics, and vocals

TexMex Shaman–@texmex-shaman –Stephen– electric and acoustic guitars, production, and mix

K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four-string Fender P bass
  
  This is a song that JJ created late one Saturday night on the piano, drums, bass, and guitar. You can hear his Grateful Dead influence if you're familiar with the band. He then presented it to the rest of the Eclectic Collective so we could do our thing with it. Josh replaced JJ's rough bass with his interpretation of the line as soon as Ken replaced the drums with his interpretation of the beat. Interestingly, Ravel's Bolero had a lot to do with the inspiration for the second part of the song. After the rhythm section was done, we turned it over to Stephen, who came up with some really subtle, yet very necessary guitar lines. 
  We then turned it over to our relatively new collaborator, Mark, who came up with the lyrics and vocals. He was also instrumental in getting the arrangement to fit right with the vocals. This is a lyrical and vocal songwriting debut for Mark, who was inspired by his very first listen to JJ's rough draft. Thus, this song is extra special for him.  
 We all hope you enjoy listening to this as much as we did creating it.
  Mark's lyrics are about our Earthly relatives in the far distant future. At that point life on earth would have just about reached its limits, and so mankind embarks on a journey through space to find another place to call home.

Lyrics:
Part 1:
All you know, all you love is here today
Feel the sun, see the flowers embrace her rays
And you know, all we have will fade away
And now its time to go… away…
Part 2:
Here we are, flying high, flying high above the moons of Mars
And beyond another sunrise greets a world once again,
a million miles from where we are
To embrace the flowers of Jupiter, once again…
On and on we sail away, searching for another day,
the universe an endless sea
And you know that somewhere out there,
a brand new world 
For you and me

Flowers of Jupiter-Eclectic Collective

Keith had a gentle guitar phrase and  a few words that he was playing with and shuffled it over to me for a listen to see what I made of it. The result is the song below. The conflict is in the spirituality represented by the sparks on a fire ascending, and the observation that the embers twinkle, fade and fall, silent. What is it all about if the prayers, meditations and positive thoughts just fall back to earth like the sparks? The beliefs we embrace must hit the road of reality. If they measure up to good - wonderful! But if not? The supreme irony for me is watching kids being taught to hate in a religious school class.  I was going to use the coordinating conjunction BUT to set up the point of contrast (But you can't..."). Instead, Keith preferred the AND ("And you can't...") as, in addition to all that one CAN believe, you must be aware that other things follow too. Can And Cannot. So simple. Or is it?
Free D/L - Track 9 of the new album Hold On To Someone : https://www.terrywigmore.com/wigmore-allen-gibbons

Lyrics:
We seem to want to find
A spiritual connection to space and time
An affinity for infinity and the great beyond
Now, chuck your branch onto the fire
Watch it spark, and come alive
Embers drawn up into the night sky
Twinkling, fading, and in silence, fall

And you can't lead, once they've all been turned
And you can't light, what's already burned
And you can't teach compassion and hope
Once the hating's all been learned,

It's the lack of definition of in the twilight hours
That makes it so difficult to find our way
Past all the claims and assertions of things that cannot be proven
Now, chuck your branch onto the fire
Watch it spark, and come alive
Embers drawn up into the night sky
Twinkling, fading, and in silence fall

And you can't lead, once they've all been turned
And you can't light, what's already burned
And you can't teach compassion and hope
Once the hating's all been learned,

Wigmore: synths, production, lyrics, vocals
Allen: guitars, bass, music, additional vocals

Hold On (To Someone)

And You Can't

*** This extended version was not planned, rather, inspiration called for it, and I felt compelled to revisit this piece. I hope you will enjoy this new version. ***

A requiem for my sister Lisa, and 4th movement of a work I have planned to complete as I have time and inspiration for each part of my outline.

The title comes from my daughter, who heard me as I was playing with the initial melodic idea, and said it sounds like a mourning bird.

This piece is best heard through headphones or quality stereo speakers to hear all the details.

Special thanks to the following, in no particular order, for their feedback, support and kindness which helped me to make this piece what it is.
Loo(p)cy
Sara Di Paolo
Bruce Klepper
Jay Barbeau
Eileen Eaton

Instruments from Versilian Studios Chamber Orchestra 2 Professional Edition

Birds of Mourning: Extended Version

Cast of Characters:
TexMex Shaman–@texmex-shaman –Stephen–acoustic and electric guitars, mix, and production
J.J. Terrell–@j-j-terrell –piano, synth, composition, vocals, and lyrics
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Llanpsych–@llanpsych –Tez–electric guitar
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–five-string fretless bass and lap slide


  This song began its life as a composition that JJ wrote one evening on the piano and synth. He also wrote the lyrics and sings this one. He was very excited to share it with us, so he invited Josh, Ken, Stephen and Tez into the project immediately after finishing. However, we couldn't make the thing work at first, so JJ went back and retooled it, streamlined it, and gave it back to us. We all really liked the Floydiness of the groove, and his signature psychedelic coda ending. 
  After Ken had laid down his inspired, foundational  drums, Josh laid down his bass part with his big monster five-string bass, which is good for really low tones. Then it was Tez's turn. He came up with something very Gilmore-esque, with his always exciting leads throughout the first section. Stephen then added some brilliant, filling acoustic guitar to the first section. He, along with Tez, also added some trippy electric guitar to the coda. Finally, Josh just thought it needed something to push the coda over the edge, so he added the slide at the end, too.
  Then, of course, we asked Stephen to produce and mix it for us, which he did in his always expert way. We hope you enjoy listening to this as much as we enjoyed creating it. Also, we wish a very happy holidays to everyone! 

JJ's lyrics:
PUSHED AND PULLED AND SWUNG THE CLEAVER
MY TIME IT RAN AWAY.

FOOLISH HEART AND SOME DECEIVIN’
DIE TRYIN’ TO STAY AFRAID

DESERT CHILL IS WHERE IM SLEEPIN’
HARD NIGHT TURNED INTO DAYS

BETTER GO AND FEED THIS FEVER
TWICE BLINDED BY THIS FAITH



SHOULD’VE KNOWN WHILST IN THE SEASON
BEHIND BLIND BRAVEITY

TRUTH COMES HOME TO ROOST THE RAVEN
FIVE STEINS MADE OF JADE

TREASURED HILL THE SUNS RETREATIN’
CARD PLAYED YOUR HANDS AN ACE

LET IT GO THIS BIRD IS DREAMIN’
DICE LANDED AT THE TRAIN



COULD’VE SHOWN MY HEART’S REATREATIN’
BLIND SIDED BY THE SEA

PLEASURED TONE OF THE BALLADEER
FIND A HIGH AND LONELEY PLACE

SEED IS SOWN THIS HEART’S STILL BEATIN’
FIVE LIONS IN THE DEN

GETTIN’ COLD THE BEAST IS LEAVING
SOUTH BOUND IT ALL THE WAY

Red Sun (Eclectic Collective)

M-Obscure

With much curiosity and just enough grace, Icyllia wanders the Frost Palace aimlessly

Mood Exhibit - Icyllia

(Duh) Obviously!

Taken from our upcoming debut album "Rock and Roll Kills" (mid-2024).
Youtube link: https://youtu.be/kWZJiztgoXU (like & subscribe:))
---------------------------
lyrics:
And then i ask my self, is there a way out, could i be heard loud?
And then i ask my self, could it be?

And then i turn my head, up in the sky and wondering why?
could i turn back time or live it again?

Chances are thrown away, anothers have won not gone astray
but that's a blessing not a curse so thank you!

You think is over...over now, just shake your head and face now
face the truth and all the greatness around

Don't need nothing else, i got everything that completes me
all the rest is just a dusty grain of sand

(p) & (c),all rights reserved, STA 2024.

Rock and Roll Kills

Dusty Grain of Sand

Acoustic

Unwetterwarnung

Original lyrics and vocal performance by the superb Shivonne @misssm

[ d o w n l o a d a b l e ]

Composed, arranged, performed, and produced by:
Carlos Vivanco
For this tune, I used three minor Pentatonic scales, D minor, A minor, and E minor. The time signature is  12/8 and the instruments are a Fender Fretless Jazz bass, a PRS guitar with a Fishman midi pickup, a Yamaha piano, and my  Sonor Drums that I turn into electronic Drums myself. I hope you guys enjoy it!

At The End Of The Blue Sky

I wrote this song for my son who went to Australia a while back. Before he went we went camping and surfing over to the west of Ireland to the Maharees, beautiful place. We camped in the dunes, lit a camp fire, cooked burgers, drank beer and later we lay on our backs watching the stars. The sun when it sets in the West of Ireland is Golden as it sinks into the sea. I am comparing the Golden Sun to my Golden son. 
Beautiful Memory in Song. 

This is a remix.

Golden Son

Tea R. Sea @tea_are_sea -- Terry – Synthesizers, beats, composition, production, and mix

The Mysterious Decibel -- @themysteriousdecibel – MD – First vocals and lyrics 

Llanpsych–@llanpsych –Tez–Electric guitar

TexMex Shaman–@texmex-shaman –Stephen– Electric guitar, mix, and production  

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, lyrics, and vocals at the end

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–five-string fretless bass

     This song began with Terry sharing an intriguing Eastern sounding synth and minimal beat with Ken, who added a really solid beat to bring out the strong rhythm of the song. Once they had a solid foundation and skeleton, they shared it with the rest of the Eclectic Collective. 
     Josh added his four string fretless bass in a dubby line that was inspired by Tez's hot skank part. Stephen came up with the shocking dynamic lift towards the end, and Tez piled on to light it up. Then MD got a hold of it and wrote and sang some of his trademark, fun lyrics and vocals in the first part of the song. Ken, not to be left out of the melodic experience, added the vocals at the end. 
   After we all had everything in the can, the Texas Tea combo of Stephen and Terry produced and mixed the whole thing down. This wasn't their first rodeo mixing a project together, and it really shows in the end quality. They also have several duo projects up on both of their pages that are worth checking out.  
  We think the end result is reminiscent of Massive Attack and Thievery Corporation, two big influences on a few of us. We all hope you enjoy listening to this song as much as we enjoyed creating it.

Lyrics by MD:
Time again and on, and on, and on, we fall in slumber
Dreams never wait
Ashes to ashes we all fall down 
Ooooo Circles break
Ashes to ashes we all fall down
When we wake
When we wake
Is this a new Simulation?
When I wake
When I wake

Lyrics by Ken:
Feed the fire, or the fire flames out

Coherent Fire -Eclectic Collective

Cast of Characters:
mistermark-- @user-432503709 -- Mark--sax (VST), organ, tremolo guitar chords (synth), harmonica, composition, production, mix
Mysterious Decibel--@themysteriousdecibel --MD—lyrics and primary vocals
TexMex Shaman–@texmex-shaman –Stephen– second electric guitar solo, and mastering
J.J. Terrell–@j-j-terrell –piano and electric piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, first electric guitar solo, rhythm guitar comping 

This is a song started when Mark came up with its architecture, recorded in a  slower, more laid back version on his own. However, he wanted a more souped up version with solos in turns. 

So, he turned to The Eclectic Collective to fill in the pieces. He originally had solos in all the parts which he laid down on the keys, and he had some lyrics, too. However, once he heard The Mysterious Decibel's excellent lyrics and vocals, the song totally changed the direction and the vibe, for the stellar. 

But MD didn't start the whole thing. As happens sometimes, even without Tez on this one, we still needed to clear out some space to let everyone have their say. So, Mark went in and lengthened the song mechanically. Once we had a final form, Ken, as always, came up with the foundation for the song, allowing Josh to add his version of Mark's bass line. 

Then, after MD gave us the vocals to form the song, we got down to adding the solos. JJ first added his thrilling opening piano solo, as well as the electric piano solo right after the first verse, which Mark is also playing a VST sax solo in, as well. Then Josh added his guitar solo, which is the first of the two, with a very clean tone. Right after that, Stephen added his fiery solo, which follows right after with a more overdriven tone. Finally, Mark stepped back in and added his killer harp solo at the end. Of course, it needed to be mixed well, too, so we turned to Stephen for that important role, once again, which he fulfilled expertly.  
 

This past Tuesday, we released a fun little series of interviews over a compilation of some of our favorite musical moments. If you want to hear our voices and some of our thoughts about music, check it out. I realize it's a big ask at twenty minutes, but you might really enjoy it, especially if you follow us, and have been for a while. It's a celebration of all of our work over the past almost year together in various forms. This song was supposed to be a showcase of all of our skills, except Tez isn't in on this one. He'll be on the next one, though, for sure.
  We hope you enjoy this jazzier side of the EC as much as we enjoyed making it. MD's lyrics are about a psycho killer artist who hides clues about his murders in his paintings. 
Original Lyrics by The Mysterious Decibel:

Some might say he's crafty and planned.
With a shade of black and a brush in his hand
Some might say the world is his oyster
But no Pearl lays inside just a conjuring blur

He'll paint you a murderous scene
With the blending of  sin all between pigments of green
He's a shady fella Who hides behind the canvas!
I spy something with my little eye
This art might show just where he died

Will you find it?
The secret
Some freak shit
are you so sure you'll really wanna Keep it ?
The secret
Are you so sure you'll really wanna keep it?
Ahhh a little secret
Are you so sure you'll really wanna keep it?
It'll haunt your mind like it does him too
He's a swifty one he'll come for you!
The secret
The secret
The secret
Are you so sure you'll really wanna keep it?

I spy something with my little eye
This art might show just where he died

His art might show
might show
might show
just where he died

A Brush With Death -  (EclecticCollective) w/ special guest mistermark

Coming up to the fastlane...
Please dont get trough.! 

Wanna go Hi.?  Play it LOUD.!!

8-)

FastLane

Cast of characters:
Surfers Like Us– @user-411502040 –Artur–composition and foundational rhythm guitar
TexMex Shaman– @texmex-shaman –Stephen–guitar solos choruses, mix, and production
J.J. Terrell– @j-j-terrell –electric piano, synth, and intro composition
K2 and the Three [and the Four]-- @k2andthe3, @k2-kara –Ken–drums
Llanpsych– @llanpsych –Tez–Guitar solo in the verses
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –four string fretless bass guitar
 
This song began with Artur composing the entire skeleton, and recording it against a mechanical beat. He presented it to Josh, who immediately shared it with The Eclectic Collective. Ken first replaced the metronomic beat with a real, rocking drum sound. Josh promptly added his fretless bass to it, to complete the rhythm section. Soon after, JJ added his electric piano magic, including a short solo, to the stew. Once the rhythmic framework was laid down, Stephen got to work on the choruses, coming up with solid, melodic lines for them. Then, it was Tez's turn to light up the verses with his monster guitar. When we had it mostly completed, Artur asked JJ if he'd do an intro to it. JJ came up with the whole psychedelic intro in response. 
  When it was finished, we asked Stephen if he would mix it for us, which he did with his typical mastery and attention to detail. We all really enjoy making music with Artur, and have been fans of and collaborators with him for almost a year now. If you like the sound of this song, you would do well to go check out his page, too, as he has a bunch of gems on there. We hope you enjoy listening to this as much as we enjoyed creating it.

Tell Me The Truth  - The Eclectic Collective

12 - 6-2024 - Saints

This is a cover of an old song originally done by Dick Burnett, and covered many times through the years.  It came into modern rotation with the "Oh Brother Where Art Thou?" Soundtrack and this is our version with the talkbox kickin out the vocals!

Lyrix:

In constant sorrow all through his days!

I am a man of constant sorrow,
I've seen trouble all my days.
I bid farewell to old Kentucky,
The place where I was born and raised
The place where he was born and raised

For six long years, I've been in trouble
no pleasure here, on earth I've found
For in this world, I'm bound to ramble
I have  no friends to help me now
He has no friends to help him now

Maybe your friends think, I'm just a stranger
My face you'll never see no more 
(your friends, your friends!, your friends!  ahh!)
But, there is one promise that is given,
I'll meet you on God's golden shore.
I'll meet you on God's golden shore!

Teora!

Man of Constant Sorry

Rasputin Bones - I Am A Man Of Constant Sorrow

This is Vimana,  an older release but still far out and a fun listen I think 

Lots of movement in here and once again I'm grateful to One Blind Mouse for handling up on the post production. 
Check out his music here - www.oneblindmouse.com  

Also was able to get my buddy Zolo.Future to lay down some bass.  Check out his ambient chill here - www.soundcloud.com/user-434472753