Laid back lofi beats. Or at least my take on them. Couldn't help putting in a Moog solo though... Perhaps one too many parts, but I like it that way :)

The Moog Subsequent 37 is an object in physical reality space, the rest are Analog Lab V and various effects.

Sunset Pulse

So one of the things putting me off getting a Moog was the 'one-trick-pony' feeling - awesomeness for bass and leads, but not much else. OK, not much of a reason not to get one, but there are so many synths out there!
So I got one, and decided to try making an entire track just using the one synth (Moog Subsequent 37).
This is the result. All sounds from the Moog, but some Space Chorus on the leads, with a bit of reverb here and there. And the occasional stereo panning since the Moog is mono.
Now with 'video'...
https://youtu.be/JdGI13bG_e4?si=EWUG4NPKaSYCWZkB

Professor Moog 37

Original Soundtrack for the Tower of the Ice Lich game (available on Steam at https://store.steampowered.com/app/3087730/Tower_of_the_Ice_Lich/ and as a card game elsewhere). 

So you survived? No more shall the tyranny of the Lich instill fear in the... and all that. Well done anyway. You still can't play guitar very well. But at least the arpeggio is automated. A mix of modern and retro synth strings for the tension in the victor who feels compassion for the evil thusly slain. And a waily slightly overdriven guitar. Mike Oldfield would have nightmares.

13 Just a Flesh Wound

A bit of 60s/70s inspired Gothic Horror. Imagine Mary Shelley and the gang, stoned out of their skulls, alternately telling and writing horror stories in a dark, haunted house by Lake Geneva. It is, of course, a dark and stormy night and there are strange things afoot. The Daffodils won't leave them alone, and there is something in the woodshed. Ken Russell is directing them.

All made with Arturia VST's, mainly the B3, Vocoder, Mellotron, CMI, Clavinet, Mini and Pigments. Mastered with Ozone, but pushed to the limit to give some extra retro.

Blood and Daffodils

You have drunk a few beers in Space California, you're under water, and there is an angel fish playing some alien synth-guitar hybrid. You think the fish is drunk. 
>get up

It's sunny and the water is clear. There is sand and there are colourful parasols on the beach.  The world spins and you find yourself back under water. Somehow, you are still managing to drink a cocktail... it has an umbrella in it. Ford is turning into a Penguin.
>_

Virtual instruments are Pigments and Juno-6. The bass is a Moog Subsequent 37 in real space.

Pond life 1985

This is the 2nd collaboration with the very talented Nynke. It depicts how fleeting moments can be and that change is a fundamental truth in conciousness, physics and reality both perceived and actual. 

Nynke is a joy to work with, please go and experience her other vast and eclectic range of music here - https://soundcloud.com/wichita-nynke/tracks

IT'S JUST A PASSING PHASE - Nynke & Textured Grooves

You know those tracks where you just keep adding stuff but know you should really stop? Well this is one of those :)
Inspired by... a combination of being attacked by wasps (OK, I did accidentaly tread on their home), Hot Chocolate (the band) and all the cool synths in the early 80s.
Starts off scary, but maybe becomes happy(?) Learn to live with the wasps. Don't tread on their homes. But don't let them build nests above your front door. Lessons from life ;)
All synths from Arturia Analog Lab V - CMI, Emulator, Vocoder, SP-Xa, Mini, DX7. Plus a bit of Pigments and guest staring a real life wasp. The Vocoder phrase is one of the great defaults.

Who's afraid of wasps?

Think an insane John Lord reincarnated as a 12th Century mathematician playing the outro for a John Carpenter movie. I toned down Lord Fibonacci's insanity... a bit.

The drums are slightly timed to the Fibonacci sequence. Slightly. Now isn't that proggy? ;)

Mats says 'This is very different. It is your most commercial track yet'. Mats is Swedish. I'm unsure as to whether he meant this as a compliment...

Mainly Arturia Analog Lab VST's plus Pigments and a few Ableton stock instruments. Mysteriously mastered with Ozone.

Graphic artists please forgive me for the AI origins of the image. I just don't have the patience to draw right now.

Mad Lord Fibonacci's Organ

ProgRockHouse? ProgHouseRock?

I was listenning to a lot of Primal Scream for a while, and this sort of came out of that. Been chewing on it for a while, wondering whether to make it longer or do something more fancy with the Hammond. But not.

Despite the image this is all VST's - Arturia mainly, the B-3 and SEM mainly, with Pigments on the lead. Drums are stock Ableton (Disco Arcade and Landlourdes kits)

Don't touch that filter!

2 live recorded tracks mixed as one ☁️ 

mothmask

Thus it begins. The picture, that is. But the track is how it ends. The album, that is. All will become clear sooner or later when I finish the video.
All sounds except drums made on the suprisingly awesome little Roland S-1. Yes, you read that right. Just go out and buy one. 
Mostly modifications of factory patches or modified from the free ones at https://www.ultimatepatches.com/synth-patches-presets/roland-s-1/roland-s-1-patches-presets.html.
But also something that started out as Mark Young's Rhodes Piano Patch (https://www.youtube.com/watch?v=646qJ7i8B0Q&list=LL&index=6). Thanks Mark!
Drums are Ableton packs.

Escape from New Peanut Feeder

A professional drummer/percussionist for over 30 years turned producer.
Powerful, beautiful and mind bending rhythmical and melodic sonic adventures.

IT'S JUST A PASSING PHASE - Nynke & Textured Grooves

Textured Grooves' Rhythmical Melodic Adventures