Sam Lachow is a producer, songwriter, rapper, videographer, director, and editor of video and music. Raised in both Seattle and New York City he's been making videos since elementary school, and as a seventh-grader began a group called Shankbone. Sam began directing and producing music videos with Shankbone, and went on to create videos for various other artists.

In 2011 Sam released his debut project as a solo artist, "Brand New Bike". Produced entirely by Sam, the album utilized many live instruments from musicians based in Seattle and New York. The next year Sam released 2 EP's, and produced/directed dozens of music videos from the projects on his YouTube channel, which now has over 7 million views.

After successfully raising 20K on Kickstarter in 2014, Sam’s second full length album Huckleberry independently debuted #6 on iTunes Hip Hop. He then unexpectedly released a free project titled 80 Bars, which surpassed a million plays on Soundcloud for multiple songs. Riding that momentum Sam became the first local headliner to sell out Seattle’s 1,000 cap Neptune Theater, co-headlined a 29 city national tour, and rocked the main stage at Washington's biggest music festival Sasquatch. Sam’s EP Friends, Funk & Liquor debuted at #2 on iTunes Hip Hop top albums.

A trusted troubadour for hot summer nights and cold beers, Owen is now in his forties, tangling with separations from lost lovers, raising kids, and growing out of the fresh-faced kid that headed down to Nashville 20 years back with a six-string and a dream.  Case in point: Dreams to Dream, Owen’s long-awaited, Shooter Jennings-co-produced foray into classic, honky-tonk country, out November 7 via Good Company Entertainment. Dreams to Dream, Owen’s first independent studio album, featuring 10 original tracks and two stellar covers, tells the tale of a man at a crossroads — and what it takes to set out a new path. 

Owen wasn’t expecting much when he commented on one of Shooter Jennings’ Instagram posts, half-jokingly suggesting that they make a honky-tonk record, but the producer called his bluff. Two days later, Owen’s manager had Jennings on the line and, soon, Owen was on his way to L.A. and Jennings’ Sunset Sound. It was a cozy yet electric scene: Jennings and Owen cracking jokes in the sepia-toned studio, creativity crackling as they collaborated with the likes of songwriters Ben Chapman and Kendell Marvel, as well as long-time shooter pal, guitarist/harmonic player Leroy Powell. 

“All my friends who have heard my stuff have gone, ‘Dude, Jake, this is you man. This is who you've always tried to be,’” Owen says. “Sometimes you need to get outside what's comfortable, what people think you are, or think you should be, and take a risk.”

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