Sebastian Mullaert & Patrick Siech - Genome 1 (Snippet)

Track taken from the new album Deadbeat "Radio Rothko"
www.theagriculture.com

Quantec "Electromagnetic Pulse"

E.R.M - Burning Point

I have been a longtime aficionado of the works of Darren Roberts (@deepbass) and Reggy Van Oers (@reggy-van-oers), especially their cooperative CHPTR (@chptr) releases. I am serious: I possess all their vinyl releases and their latest release, which sadly was only released in digital form. However. This "EP" is part of my ongoing experiments, training and learning process. The "A side" track should be considered and homage/tribute and I have the sincerest hope you others out there can enjoy it as such. The "B side" track is an integral part of my journey forcing myself to working with lower tempo's, attempts of reduction whilst maintaining relevant to the "original". This track features more melodic layers. Funny thing, at some points it appears apparent that there are vocals added to the composition. There are not, it's your mind playing tricks with the percussion FX. I had to triple check myself :')

A Missing Chapter

Stockholm-based percussive house dazzler Art Alfie celebrates the launch of his new label Velvet Pony with an exclusive, energised mix and talks fatherhood, production and collaboration...

Read the full podcast interview here: http://bit.ly/2Hd6Qw1

Podcast 82: Art Alfie

Release Date: 20th July 2018 - 12” Vinyl & Digital

PRE-ORDER: https://tinyurl.com/DRIPpreorder

The Drip EP brings together four distinctive producers and one set of sounds - The Drips. The result is a compilation of 4 tracks that bring the swing and sampling of some of Accidental Jnr’s finest to produce a soaking wet dancefloor.

First up is label boss Matthew Herbert with a trademark groove that harks back to his Wishmountain moniker albeit found lurking in the swamp. Cosmo Sheldrake takes a slight departure from his usual multi-instrumentaling live-looping avant-folk to deliver a track that could only be described as travelling circus aqua-techno. Bahraini born, French / US bred and now Edinburgh dwelling video game builder, sound designer and sometime Scottish league football referee Yann Seznec opens the B-side with an absolute stormer of a rain drenched club hook. Sussex based producer Crewdson and builder of such electronic instruments as the Eggiophone and Concertronica closes proceedings with a drizzling evolving 2-step number.

A1 - Matthew Herbert - The Swamp (ACJ108 - THE DRIP EP)

Sustainer - Ciclope c

Reflect On Hustlin (Cassidy x Mary J x Pablo Bolivar)

un.released. 
produced on June the 20th 2019 by Benny Reich
 mixed on July the 14th 2019 by Benny Reich
4/4 // 
House / Dub / Saturday Night
 xx

Benny Reich (Megan Baye) - Nathan Fizz'Orange

Browse the full collection: https://kompakt.fm/earquake

The 90s: Directed by a techno bass-drum, a freaked-out decade is rushing towards nirvana, coma, freedom. Forward and forget. Right in the middle of it: Wolfgang Voigt, fully into it. The magic machines of the hour are called 303 and 909. A bass sequencer and a drum machine are putting the dancefloors of the planet into ecstasy. Acid, Baby! Wolfgang Voigt’s best mate is the sampler. The omnivorous sound-transmitter is made for the artists genre-transgressing quotation-pop-art-expressionism. Under a countless number of aliases and projects, Wolfgang Voigt connects old with new artistic visions, he is creating hybrid experiments and concepts on the way to musical new ground. Everything is possible. And everything is techno, as long as there’s a four-to-the-floor bass drum. From Schlager to Polka to Classical music. From Jazz to Pop to Ambient. Via sampling, everything loses its meaning and is reincarnated to a new digital life. From early hardcore-acid and Gabber-projects like Mike Ink, Love Inc. & Co, crossing abstract-dadaistic Profan drafts like M:I:5 or Wassermann, to the form-restricted minimalistic discourse techno-classics Studio 1 and Freiland – Voigt celebrates the freedom of art and his very own Loveparade.

EARQUAKE! The name says it all. Even, if it costs your ears. 20 years of 99. It’s time to throw an enraptured eye back on a decade of unlimited possibilities, a retro-free rush of memories, for the energy of tomorrow …

For the very first time, EARQUAKE! summarises in chronological order almost all of Wolfgang Voigts musical work of the 1990s. A surreal voyage through ten years of ravenous, multi-layered creativity, that, considering it from the present’s bird’s-eye perspective, offers the view on a fascinating entirety.

„Tonight we’re gonna party like it’s 1999“

Prince

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It contains every single solo-project, the most important compilation-pieces as well as unreleased material. It is not containing explicitly: GAS, artistic collaborations, releases with external copyrights.

EARQUAKE comprises 303 single pieces, 75 are previously unreleased. Additionally it contains the unreleased album "Wolfgang Voigt - Mit Maschinen Sprechen" from 1995. 33 abstract electronic arpeggiator sound frescos.

EARQUAKE is being released in two different versions, available exclusively on KOMPAKT.FM:

1. A USB 3 stick in noble casket plus booklet. 303 pieces (plus 33 bonus tracks) (as AIFF) for 303.- Euro.

2. Single download (as 320mp3s) via the Kompakt website, 1.- Euro each track.

Additionally, EARQUAKE is going to be supplemented by reissues and new pressings of selected limited vinyl-releases.

Quantec "Electromagnetic Pulse"

the Agriculture Records