It seems that Pasolini was undecided on what type of conclusion the film should have, to the point of having conceived and shot four different endings: the first was a shot of a red flag in the wind with the words "Love You," but it was abandoned by the director because he thought it "too pompous" and "prone to the ethics of psychedelic youth" which he detested. The second showed all the actors in the film, other than the four gentlemen, the director and his troupe perform a wild dance in a room of the villa furnished with red flags, and the scene was filmed with the purpose of using it as a background during the credits, but was discarded because it appeared, in the eyes of Pasolini, chaotic and unsatisfactory. Another final scene, discovered recently and which was only in the initial draft of the script, showed, after the torture's end, the four gentlemen walk out of the house and drawing conclusions about the morality of the whole affair. Finally, keeping the idea of dance as the summation of carnage Pasolini chose to mount the so-called final "Margherita," with the two young soldiers dancing.

Babylon Radio Podcast n.3 "Kinky Wood" DJ FASSMAN

Breaks:
Having identified the key components of the goshawk attack, Kane says, ‘One of the other things we wanted to study was how the prey try to evade capture’. Analysing the escape trajectories of the rabbits and pheasants that successfully eluded capture, Kane, Fulton and Rosenthal realised that the survivors made a sharp sideways turn away from the predator. ‘In our videos you could see that only the sideways motion was effective at breaking the visual fix’, says Kane. Adding that there is no way that a rabbit or pheasant could usually out run or out manoeuvre super agile goshawks, Kane suggests, ‘Maybe what they are trying to do is counter the sensory abilities of the predator. They are trying to take advantage of the way the predator does its visual guidance to escape’.



Babylon Radio Podcast n.10: "Goshawk hunt and prey-evasion strategies" DJ FASSMAN

Banks are susceptible to many forms of risk which have triggered occasional systemic crises. These include liquidity risk (where many depositors may request withdrawals in excess of available funds), credit risk (the chance that those who owe money to the bank will not repay it), and interest rate risk (the possibility that the bank will become unprofitable, if rising interest rates force it to pay relatively more on its deposits than it receives on its loans).

THE BANKERS

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